द इमैजिनरी

I just watched a new anime kid's movie on Netflix called The Imaginary. It's about a little girl and her imaginary friend who are threatened by someone who has lived for hundreds of years by devouring children's imaginary friends. I think kid's movies can be broken into two types. There are Miyazaki's films, which are the best. They were made because they had to be made. They were a compulsive expression of the artistic mind behind them and are not restricted to a juvenile viewing public. Then there are kid's movies that were made simply to be a kid's movie and make a buck from the kid audience. They range from utter trash like The Goonies to okay movies like The Imaginary. It has some good ideas in it and I guess it is worth a watch.

This sure seems like it belongs in the same universe as Happy! That Imaginary blue donkey. Which was dark, but amazing.

This too. Is dark and amazing. Same plot as Happy too, pretty much.

Just a couple of things keep it from being perfect. THe boy talking at the beginning is super annoying. Just repeating the same line over and over again. 2. Its dark. Very Dark for an animated film.

And the worst thing about this movie is the ending. After all that...reconnecting with BingBon and everything and the characters talk about how this will be their final adventure? But why. This practically ruins the entire rest of the film. It doesnt make any sense within the context of the movie. It just happens for no reason.

Reminds me a lot of Happy, paprika, Studio Ghiibli.

Giving this an 8/10 rating

New film from Studio Ponic, which is and adaptation of an english fantasy novel. This film covers ground that has been stepped on by 'Imaginary Friends', which is still out in the cinema, so you can do this as a double bill if you want, both films are very good and quite dream like, but this more so as it's animated, giggling it a very different feel, the story is different, but the themes is both films are the same.

In this film, the power of the mind is very well explored into dark territory, as the evil in this, is evil, and is quite scary, and you will go-'what the hell is this',, and the film has these comments in it, and some quite joyful scenes, and the characters, real or not, a very well defined and worth sicking with.

I managed to see this in the cinema, and as always, this is the best way for an very well crafted animation, you will get the most out of it.

The Imaginary is proof that animation is by far the best medium to tell a story like this. Everything runs on imagination and childlike wonder here and the film has more than enough visual beauty, inventive character designs and wonderful adventures to be worthy of its title. It's colourful, emotional and briefly disturbing in ways that all greatest animated films achieve, even if it's not at their level.

Rio Suzuki and Kokoro Terada have all the required energy and childlike innocence, mixed with determination and affecting sadness to lead this with ease. Issey Ogata is surprisingly creepy with an uncomfortable presence that easily matches his character's most disturbing actions and on the other end of the spectrum, everyone else does a great job of being as adorable as the imaginary friends they voice.

Yoshiyuki Momose's direction is endlessly inventive from the very beginning and can handle the bigger tonal shifts in a way that prevents them from feeling jarring. The animation in general is absolutely breathtaking, relishing the opportunity to deliver so much exciting, colourful spectacle. Kenji Tamai's score has the sweeping emotion required to really tug at the heartstrings when necessary.

I've been trying to get into more anime, and after seeing the trailer for this, I decided to give it a shot-and I'm so glad I did. I honestly don't get why the rating isn't higher. It's a beautiful story, told with so much care and heart, that it had me hooked from beginning to end.

What really stuck with me is how it explores the innocence of childhood-how kids, even in the middle of grief or loneliness, can create entire worlds of wonder and joy. And how sometimes, adults forget what that felt like, or worse, try to take it away. But this film feels like a quiet reminder to let our inner child breathe a little, to not lose sight of that part of us that knows how to dream.