High Tide

Marco Calvani captures the beauty and pain of a contemporary gay man ( Marco Pigossi) in Provincetown who is at a crossroads in his life. Excellent performances and never heavy handed, High Tide sensitively navigates the main character's journey and takes the audience along for the ride as it unfolds. Wonderful cast all around and great supporting performances from Marisa Tomei and Bill Irwin. The film has such a lush look about it as Ptown is clearly another character here. We get a sense that down this garden path is just one story of so many in this fascinating mysterious coastal town at the end of the world. Inspired and truthful, I thoroughly enjoyed being taken on this ride and very much look forward to where Calvani will go from here.

Don't want to add too many spoilers but it rings true to me- a man from another country who wants to be free to live his life truthfully and find love after a painful break up. But he's bound by family ties and tradition and struggling to fully come out to those he loves back home. Expectation, disappointment and regret. The shame of not being free to be totally open even in our time is fascinating. As much as society has changed - the pain and difficulties of coming out fully to one's self and one's family is still present. I appreciate seeing this captured so effectively as I often have this argument in life when people talk about how being gay isn't an issue anymore and that it's accepted everywhere.

As someone who had their own difficulties coming out years ago, and also as an actor who has played parts of men struggling with sexuality and identity it really resonated with me so I wanted to write a review here.

I hope the film gets the attention it deserves. I'm sure it will have a nice life on demand. Kudos to the filmmakers and casting and the work of Marco Pigossi who navigates the central role with such love and compassion and sensitivity. He and the director have created something really special in his performances.

High Tide, written and directed by Marco Calvani and starring his husband Marco Pigossi, isn't just a film-it's a mirror. A soft, brutal one. The kind that doesn't flatter but tells the truth, gently, and then walks away before you can argue.

At 49, gay, and newly divorced, I didn't expect to be seen-really seen-by a film that moves this quietly. Pigossi's character floats through his life like a ghost haunting his own body, and I felt every second of it. I've been there. Frankly, I might still be there.

Calvani's script cuts with a poet's precision, carving out themes of shame, isolation, and the quiet cruelty of gay loneliness with zero melodrama and zero apologies. Pigossi, for his part, delivers a performance so naked and unguarded, it feels almost obscene that the Academy will likely ignore it.

This film doesn't beg for attention. It trusts you'll lean in. And if you do, you'll find something rare: a gay story told without polish or pretension, but with the kind of emotional architecture that stays with you for days.

We need films like High Tide. Not louder ones-truer ones.

This one really is a masterful film! The beautiful mix of pain, grief, love and hope reminds me of films like Moonlight, God's Own Country, Past Lives and Manchester By The Sea. I saw it in Boston and I had the opportunity of thanking the filmmakers in person for creating this gift. The love making scenes are some of the best I've seen in movies. And the cast is incredible... such a beautiful work of art. I hope everyone gets to see this once it gets to streaming. It's a poem, it's a love song, it's everything one can wish for. I've never been to Provincetown but now I'm dying to go! Congrats to everyone involved!

One could drown in the sea of available titles to watch in the current cinema, yet Marco Calvani's 'High Tide', the story of a heartbroken Brazilian emigre in Provincetown on an expiring tourist visa so distinguishes itself from the other grains of sand on the beach as to reach terra firma. Beautifully shot and subtly acted, this film feels more like the work of a mature director, not a freshman debut. Provincetown, in its cedar-shingled and pea-gravelled splendor deserves a supporting actor credit for shedding her silvery New England light on the mortal proceedings. Bill Irwin and Marisa Tomei lead the pitch perfect cast, while the center of gravity, Marco Pigossi (Lourenco) so honestly inhabits his character as to make the film his documentary. James Bland's Maurice as the too-good-to-be-real love interest provides the plot propellant, but his meltdown for being mistaken as a total top just didn't ring so true. Bland's film presence is anything but, and his character more than redeems his missteps by the time all is said and done. Indulge this reviewer noting Maurice is from my hometown of Richmond. All understood, all forgiven.

'High Tide' is emotionally rewarding in its own right, but takes on additional gravity in the context of our immigration system and the new administration's plans to sink it. High tide indeed.

Relishing the freedom to openly be oneself can be a fulfilling and liberating experience, especially for those who have lived most of their lives hiding from disapproving family members and a close-minded society. So it is for Lourenço (Marco Pigossi), a Brazilian transplant seeking to resettle permanently in Provincetown, MA, a goal dependent on him acquiring a work visa to replace a tourist visa that's about to expire. He has an added incentive to fulfill that objective when he meets and falls for Maurice (James Bland), a vacationer from New York who's visiting the oceanside resort town before embarking on an ambitious, long-term nursing residency in the wilds of Angola. But can the two would-be lovers make this relationship work in light of the impending changes in their respective lives, geography and careers? What's more, as this budding romance begins to blossom, Lourenço also wrestles with leftover baggage from an old relationship, unwanted advances from opportunistic lecherous would-be suitors and never-ending pressure from his mother back in Brazil, who is unaware of his closeted sexuality and routinely prods him to settle down and find a wife. While writer-director Marco Calvani capably and sensitively presents a tender, authentic, same-sex love story, the picture nevertheless tells a somewhat familiar tale whose narrative is not particularly original in the annals of LGBTQ+ cinema. It also struggles to blend its own brands of comedy and drama, both of which are handled well in their own right but whose inherent natures frequently come across as too extremely opposed to one another to harmonize in a believable, coherent whole. On top of that, the film also tries to cover too much ground at times, with a number of subplots that could have been easily trimmed or eliminated entirely without causing any undue harm to the picture overall. To its credit, though, this offering sincerely has its heart in the right place, despite the aforementioned shortcomings, backed up by an array of fine supporting performances and gorgeous cinematography showcasing the beauty and character of this charming Cape Cod resort town. Unfortunately, however, "High Tide" is yet another recent release that could have used some significant retooling to help it fully live up to its potential, especially given its predominantly conventional premise. Gay cinema has increasingly been moving forward in new and innovative directions in recent years, so, if filmmakers in this genre attempt to tackle new expressions of tried-and-true formulas like this, they had better have a good grasp of what they're doing if they ultimately hope to succeed in the end.