Christopher and His Kind

This is the BBC at its most disappointing, delivering glossy, glib, entertaining "product" which could have been, should have been, something deeply moving and profound. Acting, writing, directing, and production are all competent...and nothing more.

Matt Smith's performance amounts to one unconvincing pose after another. To play Isherwood, one of the Fox brothers (James or Edward) in his prime would have been ideal. Surely there's a British actor out there who could have made an indelible impression with this part; Smith doesn't have the edge. It's hard not to think of you-know-Who when he does his trademark OTT posturing. There's no depth here.

Deeply disappointing.

I found the story well told, I can not comment on the quality of smith. Obviously, he is very popular with the producers. The Germans (Dreymon/ Doetsch and Vlaschiha) have delivered a good performance.

An otherwise brilliant idea was ruined by Matt Smith's performance. This actor had just done a few 'bit' parts in UK drama until he was cast to play BBC's 'Dr Who'.

His abilities are fine for light entertainment - but it doesn't make him a good actor.

He was clearly chosen to play this role purely because of his 'Dr Who' connection - not for the merit of his potential performance. Having him attached no doubt gave Mammoth the green light they needed from the BBC.

He brought nothing to the role of Christopher Isherwood - a rich, complex and intriguing man who was a seminal and critical voice of Nazi Germany in the run up to WWII. Matt Smith was unable to cope with such a demanding character and brought nothing to the part. A really lacking performance. He was also completely 'out acted' by his fellow cast - each and every one of them.

Get back to the Tardis, Mr Smith and leave the proper acting to the decent actors out there. You ruined a potentially brilliant piece of drama.

If we have to look at BBC's "Christopher and His Kind" only as an informative piece about the Germany during the Nazi regime told by the perspective of a known writer, the movie works perfectly fine; but as an adaptation of Christopher Isherwood's autobiography it doesn't go quite right. I haven't read the book (and perhaps will never do since this is still unavailable here) but I can surely guess that inside of it there's much more than show an hedonistic type who went to Berlin because of the boys and his fascination for them, more liberated there than in his repressive England. Something tells me that in the printed material there's way more than what we're told on the screen.

As a biographic film the story provides some good insights into Isherwood's life and his time, his writing and his passions. Played by Matt Smith ("Doctor Who") in a quite reliable way, the writer of "Mr Norris Changes Trains" has his fun, good and bad moments just like anyone else, falls in love and has to fight for it; and deals with the advance of the Nazism. In other words, it's an usual biography film that shows a small period of life of a personality. But compared to, let's say, Bennett Miller's "Capote", this TV movie doesn't go very far in almost anything (except for some good sexual scenes).

Getting into it it's not that easy, the whole "Cabaret" segments are irritating and repetitive; most of the time it's fun and a little adventure here and there, the problems never are presented as something dreadful, dramatic, everything seems to be easily solved for these characters when in fact during the days of WWII things weren't so simple. But what makes the movie not hold much of its audience attention is to give a deep look to its main character, I mean, what did he learn from this experience and what can we learn from his experience? He's just a vain figure who wants to share his adventures and that's it?

For a TV movie is quite okay, totally watchable, and it's not a total waste of time. More was needed for all involved, cast, crew, writer and direction. 7/10

"Christopher and His Kind" was Christopher Isherwood's way of correcting what he glossed over in "The Berlin Stories" and this film version corrects the exceedingly glossy glosses of "Cabaret." The real Jean Ross (nicely played by Imogene Poots) was no Liza Minnelli. Likewise Matt Smith is no Michael York. He's simpler more direct "Herr Issyvoo," and his love affair with Heinz Douglas Booth) is recounted with great affection. It's hard for gay people today to imagine just how loose and louche things were in Berlin just before Hitler came to power. But Isherwood was there and what he recounts speaks volumes about art, politics and the beating heart of same-sex love.