Wire Room

As I sat down to watch the 2022 action thriller "Wire Room", I must admit that I wasn't really expecting this movie to be a particular blast of a movie. Why? Well, given the recent years string of direct-to-video releases from Bruce Willis, then I didn't keep any hopes up.

However, I still opted to watch what writer Brandon Stiefer and director Matt Eskandari had to offer, on the account of "Wire Room" being a movie that I hadn't already seen. And with "Wire Room" also being the last movie to be made by Bruce Willis, of course there was an interest to see what manner of style he would wrap up his career with.

The storyline in "Wire Room", as written by Brandon Stiefer, was actually adequate enough. I mean, it wasn't the most exciting of action thrillers, but it was adequate enough for a single viewing. The storyline was pretty straight forward, if not actually generic, actually.

The acting in "Wire Room" was adequate, and especially Oliver Trevena (playing Eddie Flynn) stole the attention on the screen with his performance.

All in all, then "Wire Room" was an adequate enough movie, though you shouldn't be expecting anything over-the-top or grand here. A sort of bland farewell to acting from Bruce Willis.

My rating of "Wire Room" lands on a five out of ten stars.

I've seen better writing and directing from a fifth grade drama class. There were more holes in the writing than a wheel of Swiss cheese, and just as much nonsense dialogue. The same lame ariel buildings shot was used over and over, the shotgun shells were in a box of Co2 cartridges, and all these bad guys can't find one guy yelling an screaming in a small house... just some of the lazy writing and sloppy directing on display in this mess. I actually feel bad for Dillon and Willis taking these roles produced by the "another failed production" duo Emmett and Furla, who must need one huge heck of a tax write-off or involved in a pyramid scheme to get funding for all their flop productions. It's a generous 2/10 from me.

What a bore fest of incoherent story telling. Bruce Willis truly has lost all the spark which once made his name valuable, he just regurgitates his spoon fed lines with no emotion whatsoever. The film is boring and the action sequences are somehow tedius, its the same camera shot repeated half the time. The overall story is absolutely boring as well, it's literally a guy who sits in a security room watching another guy in a house for the entire film. And top it all off, the big Bad guy, only ends up having around 30 seconds screen time. And just when you think this tedious mess is over, you are then left with an open end which means they might be planning a sequel.

While on wire room duty, a federal agent helps out the target he's monitoring when they are attacked.

Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.

Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).

What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.

Sadly, only worth viewing for Dillion and Willis.

A full six months after announcing his retirement the final movie of Bruce Willis career is released. Like most of his dozen or so low budget movies released post pandemic this is another very disappointing effort. Like most of the others you have Willis as the big name to draw in audiences with another known actor playing the lead role. Throw in a poorly written script and neither Bruce or Kevin Dillon have much to work with but even then both look very old for these roles and their delivery is tired and almost comically bad. I actually think Kevin is trying to deliver some comic relief because he knows how bad the plot and script are.

Anyway the plot, Kevin is a new agent in a wire room - I must admit I has never heard of this until this movie. He's listening in to taped recordings amd largely just sat around bored in a room alone until he realises someone is about to be killed and he needs to decide whether to break strict protocols to save them. The story then unravels with corruption and betrayal which is all quite predictable.

It's such a shame to have seen Bruce go out like this rather than with one of the semi watchable low budget movies that have come out recently.