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On Chesil Beach

  • 2017
  • R
  • 1 घं 50 मि
IMDb रेटिंग
6.3/10
13 हज़ार
आपकी रेटिंग
Saoirse Ronan and Billy Howle in On Chesil Beach (2017)
In England, 1962, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.
trailer प्ले करें1:50
15 वीडियो
99+ फ़ोटो
कमिंग ऑफ़-एजड्रामापीरियड ड्रामाम्यूज़िकरोमांस

1962 के इंग्लैंड में, एक युवा जोड़े को उनकी आदर्श रोमांस की दुनिया यौन स्वतंत्रता और सामाजिक दबाव की समस्याओं से टकराती हुई मिलती है, जो एक असहज और निर्णायक शादी की रात की ओर ले जाती है.1962 के इंग्लैंड में, एक युवा जोड़े को उनकी आदर्श रोमांस की दुनिया यौन स्वतंत्रता और सामाजिक दबाव की समस्याओं से टकराती हुई मिलती है, जो एक असहज और निर्णायक शादी की रात की ओर ले जाती है.1962 के इंग्लैंड में, एक युवा जोड़े को उनकी आदर्श रोमांस की दुनिया यौन स्वतंत्रता और सामाजिक दबाव की समस्याओं से टकराती हुई मिलती है, जो एक असहज और निर्णायक शादी की रात की ओर ले जाती है.

  • निर्देशक
    • Dominic Cooke
  • लेखक
    • Ian McEwan
  • स्टार
    • Billy Howle
    • Saoirse Ronan
    • Andy Burse
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    13 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Dominic Cooke
    • लेखक
      • Ian McEwan
    • स्टार
      • Billy Howle
      • Saoirse Ronan
      • Andy Burse
    • 115यूज़र समीक्षाएं
    • 144आलोचक समीक्षाएं
    • 62मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो15

    Official Trailer
    Trailer 1:50
    Official Trailer
    International Trailer
    Trailer 2:26
    International Trailer
    International Trailer
    Trailer 2:26
    International Trailer
    On Chesil Beach - International Trailer
    Trailer 2:26
    On Chesil Beach - International Trailer
    On Chesil Beach: Chuck Berry
    Clip 1:08
    On Chesil Beach: Chuck Berry
    On Chesil Beach: Nightingale
    Clip 1:05
    On Chesil Beach: Nightingale
    On Chesil Beach: I've Asked Him For Tea
    Clip 1:01
    On Chesil Beach: I've Asked Him For Tea

    फ़ोटो368

    पोस्टर देखें
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    + 362
    पोस्टर देखें

    टॉप कलाकार58

    बदलाव करें
    Billy Howle
    Billy Howle
    • Edward Mayhew
    Saoirse Ronan
    Saoirse Ronan
    • Florence Ponting
    Andy Burse
    Andy Burse
    • Waiter One
    Rasmus Hardiker
    Rasmus Hardiker
    • Waiter Two
    Anne-Marie Duff
    Anne-Marie Duff
    • Marjorie Mayhew
    Adrian Scarborough
    Adrian Scarborough
    • Lionel Mayhew
    Mia Burgess
    • Harriet Mayhew
    Anna Burgess
    Anna Burgess
    • Anne Mayhew
    Emily Watson
    Emily Watson
    • Violet Ponting
    Bebe Cave
    • Ruth Ponting
    Samuel West
    Samuel West
    • Geoffrey Ponting
    John Ramm
    • Postman Terry
    Barney Iley
    • Timothy
    Mark Donald
    Mark Donald
    • Charles
    Imogen Daines
    • Jenny
    Molly Miles
    • Sonia
    Victoria Hamnett
    • Elsbeth
    Marianne Cecil
    • Young Florence
    • निर्देशक
      • Dominic Cooke
    • लेखक
      • Ian McEwan
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं115

    6.313.2K
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    फ़ीचर्ड समीक्षाएं

    7chrisjorg

    Stylish

    Saw this at the London Film Festival. Saoirse Ronan and Billy Howle enter the perilous territory of marriage in a slow, sleek coming-of-age story adapted from Ian McEwan's 2007 novel. I found the cinematography to be superb, the play of colours very well done in accordance to the mood. I wish there had been more development near the end, but the film was sufficiently beguiling to give it a 7/10.
    6muamba_eats_toast

    Awkward slow yet still interesting

    At times it felt very clunky and over complicated for no reason by the script and it was carried throughout by the once again spectacular Saoirse Ronan but the film just about gets across what it's trying to achieve without achieving the maximum effect it could have. A reasonable watch but nothing amazing.
    7bob-the-movie-man

    Flawed but moving tale of a bygone sexual era.

    Set against Dorset's spectacular shingle bank of Chesil Beach (which is a bitch to walk along!) the story, set primarily in 1962, joins two newly-weds Florence (Saoirse Ronan, "Brooklyn", "Lady Bird") and Edward (Billy Howle, "Dunkirk") about to embark on the sexual adventure of their conjugation at a seaside hotel. The timing of the film is critical: 1962 really marked the watershed between the staid conservatism and goody-two-shoes-ness of the 50's and the sexual liberation of the swinging sixties. Sex before marriage was frowned upon. The problem for Florence and Edward is that sex after marriage is looking pretty unlikely too! For the inexperienced couple have more hang-ups about sex than there are pebbles on the beach.

    The lead-up to their union is squirm-inducing to watch: a silent silver-service meal in their room; incompetent fumbling with zippers; shoes that refuse to come off. To prolong the agony for the viewer, we work through flashbacks of their first meeting at Oxford University and their disfunctional family lives: for Florence a bullying father and mother (Samuel West and Emily Watson) and for Edward a loving but stressed father (TV regular, Adrian Scarborough) but mentally impaired mother (Anne-Marie Duff, "Suffragette", "Before I Go To Sleep").

    As Ian McEwan is known to do (as per the end of "Atonement" for example), there are a couple of clever "Oh My God" twists in the tale: one merely hinted at in flashback; another involving a record-buying child that is also unresolved but begs a massive question.

    The first half of the film is undoubtedly better than the last: while the screenplay is going for the "if only" twist of films like "Sliding Doors" and "La La Land", the film over-stretches with some dodgy make-up where alternative actors would have been a far better choice. The ending still had the power to move me though.

    Saoirse Ronan is magnificent: I don't think I've seen the young Irish-American in a film I didn't enjoy. Here she is back with a McEwan adaptation again and bleeds discomfort with every line of her face. Her desperate longing to talk to someone - such as the kindly probing vicar - is constantly counteracted by her shame and embarassment. Howle also holds his own well (no pun intended) but when up against the acting tour de force of Ronan he is always going to appear in second place.

    A brave performance comes from Anne-Marie Duff who shines as the mentally wayward mother. The flashback where we see how she came to be that way is wholly predicatable but still manages to shock. And Duff is part of a strong ensemble cast who all do their bit.

    Another star of the show for me is the photography by Sean Bobbitt ("12 Years a Slave") which portrays the windswept Dorset beach beautifully but manages to get the frame close and claustrophobic when it needs to be. Wide panoramas with characters barely on the left and right of the frame will play havoc with DVD ratios on TV, but work superbly on the big screen.

    Directed by stage-director Dominic Cooke, in his movie-directing debut, this is a brave story to try to move from page to screen and while it is not without faults it is a ball-achingly sad tale that moved me. Recommended if you enjoyed the similarly sad tale of "Atonement".
    8dave-mcclain

    layered, profound and affecting

    "On Chesil Beach" (R, 1:50) is a drama from first-time feature film director Dominic Cooke (known mainly for helming TV's "The Hallow Crown" and "National Theater Live: A Comedy of Errors"). The screenplay is by British writer Ian McEwan, adapting his own 2007 novella of the same name. The film stars multiple Oscar nominee Saoirse Ronan and Billy Howle - and was released one week after another literary adaptation, "The Seagull", in which the same two actors played young Russian lovers. This story follows two young Brits as they meet, fall in love and get married, focusing mainly on the wedding night.

    Florence Pointing and Edward Mayhew have just been married and have arrived at a hotel at the titular beach for their honeymoon. Through an uncomfortable dinner in their room and awkward fumblings with their clothes, it becomes painfully clear that they are equally inexperienced and nervous regarding sex. As the evening slowly progresses, we see flashbacks of how their romance developed, with hints at what makes the prospect of sleeping together so uncomfortable for them - especially Florence. When things come to a head, the young marrieds have a seaside conservation which reveals much about who they are (and the era in which they live) and has very important consequences for the rest of their lives.

    "On Chesil Beach" is one of the most layered and most profound movies you are likely to see in 2018. Woven in with the development of the romance, the developments on the wedding night and the repercussions of all of it are themes of sexual repression, gender roles, class differences, pride, regret, communication, forgiveness and, of course, love and marriage. Some will say that not much happens in this film, but there is still a whole lot happenING. And through it all, the considerable acting chops of the two leads (bolstered by solid performances from multiple Oscar nominee Emily Watson, Anne-Marie Duff, Samuel West, Adrian Scarborough and Bebe Cave) make the characters exceedingly sympathetic and relevant. This is a very well-done film without much action, but with plenty to show all of us. "A-"
    6paul2001sw-1

    Sad but pointless

    Not everyone finds the transition to sexual adulthood easy, particularly as one is supposed to find it natural. It must have been even harder in the 1950s, when sex was something that you weren't supposed to talk about in polite company. And yet, I never quite understood the point of Ian McEwan's novel 'On Chesil Beach'. The fact is, the human race has never had a problem, overall, in reproducing itself, whatever Larkin may have said about sex starting in 1963. And the book, it seemed to me, sets up the past as another country, completely different from the world we know today, instead of showing how (for most people) life went on more or less as it does now, albeit masked by different norms. Dominic Cooke's film, with a screenplay by McEwan himself, is a pretty faithful rendition of the novel, but doesn't manage to escape its nature as a carefully constructed, unfortunate but fundamentally minor story, whose anchoring in a generally frigid past obscures rather than illuminates its more universal aspects. Now, if someone was to film 'The Comfort of Strangers' that is a movie I'd sure like to watch.

    इस तरह के और

    The Seagull
    5.8
    The Seagull
    Weepah Way for Now
    5.6
    Weepah Way for Now
    Brooklyn
    7.5
    Brooklyn
    How I Live Now
    6.4
    How I Live Now
    Ammonite
    6.5
    Ammonite
    Stockholm, Pennsylvania
    6.0
    Stockholm, Pennsylvania
    Free Agents
    5.7
    Free Agents
    Jack & Diane
    4.5
    Jack & Diane
    The Girl from Monday
    5.2
    The Girl from Monday
    The Starter Wife
    6.8
    The Starter Wife
    Old Boys
    6.1
    Old Boys
    Persuasion
    6.9
    Persuasion

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Executive Producer, Author, and Screenwriter Ian McEwan stated to an audience back in 2014 that he wanted Saoirse Ronan to play Florence Ponting.
    • गूफ़
      In the tennis match between Edward and Florence's father (Geoffrey), they're either counting the games wrong or not alternating service properly. Edward begins serving at the start of the third set, so he should be serving when the game score is even. We immediately jump forward to a later game in which Geoffrey is serving. Geoffrey loses the game (for a change), and Edward announces the score as 1-4 before serving, which means he is now serving when the game score is odd.

      It's also slightly off that Geoffrey starts serving the first set, and then Geoffrey begins serving the third set after 12 games. This, however, could simply be the result of Geoffrey letting Edward begin serving the third set, out-of-order and out of strict compliance with the rules, as a sop after beating him 6-0, 6-0 in the first two sets.
    • भाव

      Florence Ponting: [during foreplay] Say something. No, say something stupid like you used to.

      Edward Mayhew: Miss Ponting, you have a clavicle and a philtrum that all men wish to play on, and a vibrato that all men adore, but you're entirely mine, and I'm so very glad and proud.

      Florence Ponting: In that case, you may kiss my vibrato.

    • कनेक्शन
      Features A Taste of Honey (1961)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    Saoirse Ronan Through the Years

    Saoirse Ronan Through the Years

    Take a look back at Saoirse Ronan's movie career in photos.
    See the gallery
    Production art
    फ़ोटो

    अक्सर पूछे जाने वाला सवाल17

    • How long is On Chesil Beach?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 18 मई 2018 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • आधिकारिक साइट
      • Official site (Japan)
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Sahilde
    • फ़िल्माने की जगहें
      • Chesil Beach, Dorset, इंग्लैंड, यूनाइटेड किंगडम
    • उत्पादन कंपनियां
      • BBC Film
      • Number 9 Films
      • Golan Films
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $7,45,971
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $35,765
      • 20 मई 2018
    • दुनिया भर में सकल
      • $33,38,249
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 50 मि(110 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 2.39 : 1

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