On Chesil Beach

Having only watched the trailer once and not acknowledging the existence of its source material, I was going into this pretty open minded. Period romantic dramas are not exactly the reason why I wake up in the morning, nevertheless I came out of the screening feeling rather pleasant. It tells the story of a newly married couple who potentially destroy their marriage due to fears of physical intimate relations. Exploring frigidity is rather rare, particularly for a romance because sex sells apparently, and so I found myself compelled to dive into the psychological reasoning for Florence's lack of sexual endeavours. It's a deceptively rich story which has more to say beneath the surface than it does through the clean direction and excellent acting. Cooke's directorial debut offers a tantalising question: can you love someone without having physical interaction? A surprisingly relatable question. Weighing in on the emotional and tangible levels of love, McEwan (who also wrote the novel) crafts a script comprising of subtle warmth. The kind of lukewarm temperature you would feel when dipping your toes into the sea. At first, it may look like a drama shifting between the most awkward sex scene ever and flashbacks establishing the origins of their relationship, but there's more lurking underneath. It's understated. The non-linear narrative, while slightly contrived, does make the story that little bit more exciting. I appreciate the upkeep for authenticity by actually filming on Chesil Beach in Dorset. Ronan and Howle projected natural chemistry and bounced off each other well, even if the execution of some of the dialogue felt too mechanical. The epilogue however was completely unnecessary and negated the nuanced atmosphere that was created beforehand. The forced melodrama, whilst beautiful to watch, just didn't fit with the complexity of their relationship. So whilst there are some stumbles, it's constructed upon layers of pebbles to create a beautifully acted picturesque romance.

At times it felt very clunky and over complicated for no reason by the script and it was carried throughout by the once again spectacular Saoirse Ronan but the film just about gets across what it's trying to achieve without achieving the maximum effect it could have. A reasonable watch but nothing amazing.

"On Chesil Beach" (R, 1:50) is a drama from first-time feature film director Dominic Cooke (known mainly for helming TV's "The Hallow Crown" and "National Theater Live: A Comedy of Errors"). The screenplay is by British writer Ian McEwan, adapting his own 2007 novella of the same name. The film stars multiple Oscar nominee Saoirse Ronan and Billy Howle - and was released one week after another literary adaptation, "The Seagull", in which the same two actors played young Russian lovers. This story follows two young Brits as they meet, fall in love and get married, focusing mainly on the wedding night.

Florence Pointing and Edward Mayhew have just been married and have arrived at a hotel at the titular beach for their honeymoon. Through an uncomfortable dinner in their room and awkward fumblings with their clothes, it becomes painfully clear that they are equally inexperienced and nervous regarding sex. As the evening slowly progresses, we see flashbacks of how their romance developed, with hints at what makes the prospect of sleeping together so uncomfortable for them - especially Florence. When things come to a head, the young marrieds have a seaside conservation which reveals much about who they are (and the era in which they live) and has very important consequences for the rest of their lives.

"On Chesil Beach" is one of the most layered and most profound movies you are likely to see in 2018. Woven in with the development of the romance, the developments on the wedding night and the repercussions of all of it are themes of sexual repression, gender roles, class differences, pride, regret, communication, forgiveness and, of course, love and marriage. Some will say that not much happens in this film, but there is still a whole lot happenING. And through it all, the considerable acting chops of the two leads (bolstered by solid performances from multiple Oscar nominee Emily Watson, Anne-Marie Duff, Samuel West, Adrian Scarborough and Bebe Cave) make the characters exceedingly sympathetic and relevant. This is a very well-done film without much action, but with plenty to show all of us. "A-"

Saw this at the London Film Festival. Saoirse Ronan and Billy Howle enter the perilous territory of marriage in a slow, sleek coming-of-age story adapted from Ian McEwan's 2007 novel. I found the cinematography to be superb, the play of colours very well done in accordance to the mood. I wish there had been more development near the end, but the film was sufficiently beguiling to give it a 7/10.

I love Saoirse Ronan so much, just like everyone else in the universe should. She's a supremely talented actress and I knew I had to see this film as soon as I could. On Chesil Beach is a film made by a first time director in Dominic Cooke. The film also reunites Billy Howle and Ronan, after starring in The Seagull (which came out a week ago as it is). So Saoirse Ronan month continues and On Chesil Beach was definitely enjoyable. The film is a little different than I expected but is a satisfying experience.

The film is about two young people who get married and are anxious about consummating for the very first time. It turns out having sexual intercourse has really big implications on their present relationship and what their future holds for them as well. The film utilizes flashbacks within present time and then flashes to the future so that we can see the two leads in different times of their life and how their lives coincide at each step.

Saoirse Ronan is typically fantastic in this. She's such a talent in everything she's in and her raw emotion and hesitation in committing to a physical relationship is portrayed with a delicate confidence. The film is sharply written, although it falters a few steps of the way. Its a different type of story focused on a physical experience that usually doesn't matter to this extent in other films. The film's last twenty minutes are really well done and bring the picture together. We've all kind of been there with the first time so its easy to relate and know the nervousness involved by both parties.

The cinematography is fantastic, especially when it comes to life on the extended scene at the beach. Costumes design and set design are also up to par. The film presents itself with grace and poise. The film will make a name out of Billy Howle and Dominic Cooke. Cooke seems like an experienced filmmaker and he can only grow from here. I will obviously continue to follow Saoirse's films like a lost puppy in the hopes that she is finally rewarded with an Academy Award.

7/10