New York'ta Bes Minare

Let's face it. Whenever there is an overt pre-screening hype surrounding a Turkish movie which will possibly get a box-office success we either idolize the movie or we just anathematize it. As of today, out of the 1644 voters here on IMDb 921 voters (56.0%) rated this movie '10'. Guess which number of rating has the best percentage after ten? '1'. When a careful devotee of motion pictures rummages through reviews on the net, he/she will notice that those who love the movie do not (maybe can't) really expatiate on why they just loved the movie, and those who hate the movie turn their review into a blatant personality thing about Mahsun Kırmızıgül. At this point,alas, it goes without saying that Turkish voters again made IMDb lose its objectivity and genuineness.Many foreign IMDb followers do already know that Turkish voters have already manipulated votes for many Turkish movies (as in "The Breath" and Valley of the Wolves.)I guess this is the perfect example of an expression that I caught from a friend :'masturbatory nationalism' Let me write about the movie and clarify what I exactly mean.Five Minarets in New York takes its name from a well-known folk song in Turkish. Though the the name of the movie actually does not have much to do with the title,there are actually five historical mosques in the city of Bitlis which is located in eastern Turkey (mostly populated by Kurds and it is the director's hometown actually.)Potential leader of a radical Islamic terror organization, Deccal (Antichrist) against whom Interpol issued a red notice has been taken into custody in USA. Since he has not committed any crime in US land he is supposed to be handed over to the Turkish authorities. Two successful anti-terror Turkish policemen Fırat (Mahsun Kırmızgül) and Acar (Mustafa Sandal) have been charged with fetching the convict.In the beginning of the movie, when I saw the anti-terror armed clash,awe-inspiring dhikr scenes made by the religious sect that that police infiltrated I have to admit that I was impressed. Then the two police officers flew to USA and met the agent Becker (Robert Patrick)the first thing that the detective Acar asks 'You have been to Iraq for the oil or for the freedom of Iraqi people?' reveals the immutable nature of another Kırmızgül movie: 'didactics'. This is third movie that has received enough box-office success and I thought he would give up on preaching his message in such an overt way. Kırmızıgül may have good intentions but he should just stop turning his movies into a sort of 'message mania'. This,so to speak,insults the intellects of Turkish cineastes. The man whom the two Turkish detectives are supposed to fetch Haji (Haluk Bilginer- The Turk (Ahmet Sunay) of the movie 'The International') sounds like a peaceful Muslim leader who opposes violence and tries to show the tolerant face of Islam but I suppose the movie-makers mistake tolerance for insubstantiality and lightness. When you mistake tolerance for political correctness, you just run the risk of becoming untruthful. Haji's wife Maria (Gina Gershon) is a Christian and Haji is perfectly OK with that because he thinks all roads lead to Allah. Islamic point of view on interfaith marriage is clear;A Muslim who weds a non-Muslim woman cannot adopt the religion of his spouse. In case he does, the non-Muslim risks apostasy.She is supposed to convert to the Islam. Haji repeatedly quotes Rumi but let's not forget even Rumi's Christian wife changed her religion to marry him. What else? Haji does not mind his daughter's living with her fiancé out of wedlock but an American agent enters a mosque with his shoes on that's sheer blasphemy-is it-? Especially if he is an agent who lost his brother in the debris of Twin Towers? Tant mieux for the preaching cut-and-dried art of cinema-making! The veteran actor Haluk Bilginer has always been brilliant on the screen and there is no doubt that his performance is laudable again but the character he plays,Haji is not really an inspirational one. He quotes Rumi (and some other Islamic scholars) but he does not really say anything new, not anything that any Muslim layman doesn't know about. Our guy is a terrorist at one moment, later on he is someone whom everyone calls 'the best man I've ever known'.Perforce or by intention this is really awkward for a movie in which there is no character arc. Plus, dialogs are quite poor in the movie. For instance, when Haji was taken into custody to be interrogated, his longtime friend Marcus (Danny Glover) says "But they are making a big mistake. I have known him for thirty years" like that does count in his legal favor. To cut a long story short, I did go to this movie by setting aside any unfairly prejudicial views or any preconceived publicity and unfortunately I realized that Kırmızgül did not give up on his 'message mania'. He even turned this into a habit. I know he has had good intentions and I hope such intentions will give better movies to the Turkish film industry. I do sincerely hope that the box office success he has had with three movies won't lead him to make more movies like this. Otherwise Turkish movies will continue to get screenings only in those countries where Turkish Gastarbeiter live(like Belgium,Germany and Austria.) For now, the news that this movie will get screenings in 120 countries is no more than a dream while the internationally acclaimed Avatar got screenings in less than 90 countries.One last note for the real movie aficionados : If you want to see the tolerant face of Islam, if you want to see that Islam has nothing to do with terrorism, keep in mind there are way better movies out there like Bab'Aziz, Le Grand Voyage and My Name's Khan. 18/11/2010

NEW TORK'TA BES MINARE starts off in familiar fashion, as two Turkish cops travel to New York in pursuit of an alleged terrorist from Turkey who has been living in New York for thirty-seven years. There they encounter a group of FBI agents with innate prejudices against foreigners, and Muslims in particular. The two cops are drawn into a complex world, presided over by Islamic convert Danny Glover, where they seem apparently powerful to act. As the film unfolds, however, so the story becomes more complex. Hadji (Haluk Bilginer), ostensibly the prime suspect in the case - whose capture the Turkish cops are entrusted with - turns out to be completely different from what we, as the audience, expect of him. Director Mahsun Kirmizigul's film turns out to be a meditation on extremism, irrespective of religious difference: some Americans, as well as Turks, seem incapable of adopting either a moderate or a tolerant point of view. The film has a surprise ending, where we discover the true reason why Hadji went to America, and what kind of a person he actually was. Both noble yet self-aware, he remains a figure to admire in a complex world. NEW YORK'TA BES MINARE is an unexpectedly complex work, tautly filmed and grippingly told.

In Istanbul, terrorists abduct executives, blow-up the car of a journalist and plan five great attacks to the city. The violent police officer Firat Baran (Mahsun Kirmizigül) interrogates a terrorist and informs that the responsible for the attacks is the leader code-named Dajjal that lives in New York under the identity of Hadji Gümüs (Haluk Bilginer). In New York, the bigoted FBI Special Agent David Becker (Robert Patrick) is assigned to arrest the well respected religious and family man Hadji, who has a store in Soho, in his apartment in front of his wife Maria (Gina Gershon). The police officers Firat and Acar Dogan (Mustafa Sandal) travel to New York to bring Hadji back to Turkey.

While traveling to the airport under the custody of the two Turkish officers, Hadji is rescued by his friend Marcus (Danny Glover) and members of the Muslin community. Then, Firat and Acar are captured and Hadji proposes them to stay with him for a couple of days, and then he would turn himself in and travel to Istanbul with the police officers. Firat and Acar realize that Hadji is a good man, but they are forced to bring him to Turkey. Once in Turkey, Hadji is interrogated and the officers believe that he is innocent. But why Hadji was so afraid to return to Turkey?

"Five Minarets in New York" is a magnificent story of intolerance, bigotry, ignorance and feud. The screenplay is very well written without flaws and there are sharp dialogues, like for example, the conversation between Becker and Acar when they are introduced to each other at Becker's office. Further, the film uses few clichés and the plot is absolutely unpredictable.

The cast has good performances and the haunting music score is awesome. I decided to see this film with low expectations since the Brazilian title "Terrorismo em Nova Iorque" (meaning "Terrorism in New York") misleads the viewer. The grabber of this movie for me was Gina Gershon, an actress that I like a lot and I have not seen for a long time. She is almost fifty years old and is still a very beautiful woman. In the end I had a great surprise and I have watched a great film. My vote is nine.

Title (Brazil): "Terrorismo em Nova Iorque" ("Terrorism in New York")

Note: On 25 June 2016, I saw this wonderful film again.

Despite a few clichés, the movie is not, first of all, a predictable one. It starts like any other Hollywood picture, with secret agents and the most fresh subject: Muslim and terrorism. But further more we find that it is about religion, about the fact that there is only one God. We find that the fundamentalist's of Islam are not tolerated by the Islam itself. We can see a dialog between a fundamentalist priest and a true one, despite the fact that they are dressed in ... white and black, suppose a lack of inspiration. We find that the destiny is inevitably. We find that there is love and forgiveness in both - in all of religions.

The script and story is a direct link to how society and government views the Muslim nation after 9 11.

A captivating story of the search for a supreme leader in the terrorist organization with ties to Turkey. One of the Turkish officers is hiding a decades old secret and God sees all as is parlayed throughout the film. A direct homage to the faith true Muslims share and what we as Americans fear.

The film is written by and direct by Mahsun Kirmizigul who also portrays the lead Fyrat. Good performances by Gina Gershon as the wife to Hadji and Danny Glover as Marcus. I found the fil strikingly captivating and well rounded. I give this a solid 7out of 10