Phoenix Rising

If you've ever been in an abusive relationship, you will feel and understand every second of this documentary. Chilling, real, and honest. Thank you Evan for making this and coming forward and working so hard for change. In Canada (where I am), we don't have a stature of limitation on abuse and it's sickening that some places do. I am 7 years out of my abusing relationship and I still struggle and it took me years to not feel the guilt and shame that the relationship caused me.

So I wanted to recommend this series as being among the most powerful, compelling, gripping, riveting films I've watched in a long time. This film covers the circumstances surrounding and including the abuse of Evan Rachel Wood, and other women, by Marilyn Manson and their search for safety, healing, and justice.

I think this is an important film to watch to understand and see what family violence survivors can go through, how difficult it is to come forward about the abuse, the isolation, the pervading fear, shame and other lasting impacts of that abuse. The abuser creates another reality around themselves to normalize the abuse and render it acceptable to those present, a co-existing state of insanity. Harrowing.

This is a documentary about a number of things. E. R. Wood. Her family, upbringing and first career steps. Her relationship with Manson, the treatment she suffered there, and from an opportunistic, exploitive and occasionally vulgar press. How she got out of it, and, after a period of relief, couldn't ignore her symptoms anymore. Then her efforts to cope with them, on a personal level but also by making the story public. And then a number of agendas that emerge from there.

A change of legislation, for example, regarding statutory limits. Efforts to encourage others, to make themselves heard, and a desire to prevent others from falling into the same trap. And finally a wish and attempt to hold Manson himself accountable.

Much could be said about each of these items. Domestic violence. Abuse rampant in the entertainment business, and the constant hush-up due to the each-for-himself mentality and the money involved. Then, having gone through such an experience, the very tough question of what might actually help you, personally, in getting back on track and find some productive form of healing. The matter of the advice that you get, and if it's always good, considering that the priorities of parties joining you might differ. And so forth. It's endless.

Myself - and the documentary supports this approach when making her the main narrator - I simply focused on what she had to say about her personal experience, and her subjective view on it. In particular, there can be little doubt that what she tells is true. The description of the treatment she's been subjected to is all too familiar. Just as the description of her symptoms is. Fact is, you can literally see her still suffer from them right there.

Very saddening. The documentary, and she herself, try to put the entire matter into a broader context, to promote a cause. Of mixed nature, after all, when it becomes about the issue of holding the perpetrator accountable. Yet, at the center of it is still the individual, the pain and the damage. And for us, lots of food for thought, for discussion and reconsideration of ones own actions, as responsible members of our society and consumers of entertainment business and (tabloid) press products.

A documentary of this nature (psychological/sexual abuse) is always going to provoke strong opinions. As long as the viewer understands what "Phoenix Rising" is--and what it isn't--it can be appreciated.

For a very basic overview, this doc tells the story of Evan Rachel Wood, an actress probably most famous for her current role on the HBO hit "Westworld". Wood details how, after beginning a relationship with Brian Warner (also known as Marilyn Manson), she was "groomed" by him, or sexually and psychologically tormented for many years. After escaping the relationship, Wood becomes a strong advocate for legislation that promotes a longer statute of limitations for women to pursue prosecution against their abusers.

For the most part, "Phoenix Rising" is Wood's harrowing tale of how Warner brutalized her (physically and emotionally). Some of the descriptions are truly not for the faint of heart. I have absolutely no doubts that she was subjected to intense torment at his hands. In almost every sense, Warner deserves to be investigated and vetted for everything Wood accuses him of, as if true it constitutes severe abuse (if not outright domestic slavery, at times).

That being said, "Phoenix Rising" is very much Wood's story--not a comprehensive account of relationship violence as a whole. For example, I think a reasonable assumption can be made that there might exist some personal/familial factors that contributed towards Wood's long-term association with Manson. Again, that isn't to say that I distrust anything Wood is bringing to the table here--only that we are only getting her interpretations of events here and we're all sort of the hero of our own story. The fact that no introspection exists here from Wood was a bit disappointing--it's all about going after Warner.

There are also a few times where "Phoenix Rising" is downright manipulative. For example, Wood's fractured parental structure is played for sympathy, while Warner's similar upbringing is used to demonize him. This doc really doesn't play fair, in that aspect, and Warner is such an easy target that such subtle stylings easily go unnoticed.

Overall, "Phoenix Rising" ends up being a solid--and often heartbreaking--documentary. A story that deserves to be told, to be certain. However, it isn't spectacular because of how manipulative it can be narrative-wise and--fairly or unfairly--how it doesn't present any introspection or bird's-eye view of the entire situation.

This documentary has an important message, and it goes more into detail on Brian Warner and his borderline pedophilia and sexual abuse.

However, the documentary itself is far too long with way too many random panoramic shots on landscapes and close ups of Wood doing nothing.

I would have appreciate less time on the reality-show aspect of Wood's daily life, and more time spent on the other victims, the power structure in Hollywood, and the victim blaming culture - the continuous focus on Woods might make folks pull away, as it ends up becoming more of a biography than an awareness campaign.

I did, however, appreciate the small snippet on the statute of limitations (what an awful concept).