Die Wand

This is a film that has left such an impression on me that I was very curious what other viewers interpretations of it were. I felt the beauty and despair of loneliness. The connection humans can have with nature and above all... animals, our need for them not only to fill our void socially and emotionally, but as creatures to sustain our life in all ways. Even if to give us a purpose.

The irony that she was there on a hunting trip with friend that she obviously was not partaking in, but had probably not thought much about . I appreciated that she really understood that hunting should only be for food and could not understand how any being could take pleasure out of death of an animal.

The vivid beauty of Austria was captivating. This is a beautiful film that I will never quite forget. It has reminded me of how strong humans can be when they have to be to survive, how fragile we are, and how our brains have the capability to adapt to situations that are unexplainable when all feels hopeless.

While browsing on IMDb for interesting scifi flicks to watch I stumbled upon this Austrian science fiction film. A scifi concept movie I should say: there are no lasers or spaceships or any other hi-tech stuff to be seen. A woman (her name is never mentioned) goes on weekend in a mountain cabin with and elderly couple. The couple leaves to take a walk but never returns. Reason: the Wall or 'Die Wand', an energy forcefield which keeps everything from going out or coming in. This leaves this woman completely cut off from civilization, society and basically everything she knows and loved. Obviously this is what this film is about. It's not about explaining why this wall is there or who built it or for what reason. It's about the mental, emotional and ethical problems that arise when there is no more society to live, work and function in. This film was apparently based on a successful 1963 Austrian novel. The whole film is told via the voice-over of the woman (she never has any direct dialogue) and all the acting is delivered through expressions or actions. This was smart on the part of the filmmakers coz it works well and it feels a lot like a book. Although the film lasts only 103 mins it does have a slow pace, but like a book you have to take time to see it at the pace it's intended to. Recommended!

I came here after viewing this very odd film and I expected to read an equal amount of bad and good reviews and I wasn't incorrect. I'm sort of in the middle. This is most assuredly not a film for everyone. It has to be classified as science fiction, but it rarely feels like one. A woman goes to spend a weekend in a isolated cabin and is kept captive by some sort of invisible wall or force field of some sort. Rather than sci-fi, this plays like some sort of cerebral meditation on the joys and pain of loneliness, mostly the latter. This film also involves numerous animals and the trapped character's connection with them. Some of this aspect is touching, but some of it is difficult to watch, especially one scene. This is no doubt slow as some have been critical of, but I found quite a bit of it sort of intriguing. It is a one woman show starring the acclaimed German actress, Martina Gedeck. There were a few things that annoyed me, primarily a couple of things not explored, but overall this is an interesting film for the serious minded viewer.

THE WALL is an interesting--though people who want a really tangible storyline and/or fast action and suspense might choose the word "boring"--little film.

How to describe it? Quiet, somber, original, going deep without trying too hard. Fantastic in the most literal sense. Well-acted and well-filmed: The Austrian Alpine scenery, perhaps the single best thing about THE WALL, is just spectacular. Still, there are a number of plot-holes and incomplete threads, things that don't add up and are not apparently supposed to--"Kafkaesque" is another word that kept running through my mind as I watched.

Though it's nothing great, I'm happy to have seen THE WALL and, most of all, am eager to read the original novel by Marlen Haushofer, which, even if it doesn't make completely logical sense, based on the reviews, apparently has more sense of completion.

This film will not appeal to everyone, but it certainly appealed to me. I'm a big fan of films and books depicting people in isolated, alienated circumstances, whether physically alone or within the boundaries of society. The Wall effectively portrays this unnamed woman's solitary confinement behind an invisible wall, while the world outside has stopped functioning as she knew it (the apocalyptic reason is never brought to light and is really not necessary, and the couple at the cabin is an effective symbol of the frozen state of time and circumstance). The woman develops a tender-hearted relationship with the animals she must nurture and care for as she learns to care for herself and survive. Certainly the viewer (like the reader) can draw many conclusions about the nature of solitude, isolation, alienation, and human psychology. The film invites that kind of thinking, if not open dialog. The woman experiences a wide range of emotion, desperation, yes, but also solace and even joy in her steadfast self reliance and the beauty of the world to which she is given access (scenes of the night sky are particularly moving). The outlook is ultimately a bleak one, though, and expect no clear resolution. This ambiguity may be off-putting to viewers who would prefer the woman find a way out, encounter a rescuer, or at least discover a partner in her exile (which makes one of the events in the film all the more horrific).

If for no other reason, watch the film for the fine acting, exquisite scenery, and dramatic depiction of nature. I have not yet read the book on which the film is based, but am looking forward to doing so. I congratulate the filmmakers for bringing this story to a wider audience.