De vuurlinie

The Fire Line is a new war drama directed by Roel Reine, director of Michiel de Ruyter and Redbad.

After returning from his military service in Afghanistan, Marco Kroon (Waldemar Torenstra) receives the highest award in the Netherlands: the Military Order of William. Yet he struggles with trauma from everything he experienced during the war.

If he is later suspected of criminal activities such as drugs and arms trafficking, he runs the risk of losing his status rewards. Furthermore, his personal life also comes under fire. This also affects his relationship with his girlfriend Mirjam van den Hoven (Sallie Harmsen). Now he must confront his personal traumas again in a court case to prove his innocence.

The film is based on the story of Marco Kroon, who helped the Dutch army in the fight against the Taliban and other terrorist groups. Despite his heroic deeds, he and his lover later ended up in bad news. However, what exactly happened to him has never really been recorded. The dark stories, which he himself describes somewhat vaguely, remain for some an abnormal fantasy, or just lies. Due to a lack of details, the film itself is unable to provide a clear explanation of this. So the real story and this film adaptation continue to miss something, such as clearer details. The rest of the film also comes across as a standard war drama. If you are familiar with such films, this film may remain on the familiar side.

The characters, just like the real people on which they are based, work themselves in the wrong direction. They do this by being unclear or hiding the real truth from each other. Despite the drama that the characters experience, as a viewer you sympathize with them a little less, because as a viewer you never really get a clear answer to what exactly happened. Because of these unclear aspects, the film sometimes has its long-winded moments, or remains difficult to follow. The storytelling is also poorly balanced at times. While Marco Kroon is first accused of drug trafficking, the story tries to suppress these actions by suddenly bringing his traumatic war experiences into greater focus. What really happened to him in Afghanistan cannot be made official due to a lack of witnesses. So at the end of this film you can judge Marco Kroon's own story more for yourself, or just see it as a strong story.

The acting is well done. Waldemar Torenstra comes across believably as a soldier who experienced intense things during his military days and suffered some trauma from this. Because the exact truth is not known, these aspects may remain somewhat unclear. Sallie Harmsen also gives a fitting performance as Marco Kroon's partner. Mirjam van den Hoven also had her secrets. If the real people had been more honest and open with each other and the rest of the world, they could have had a more detailed story at the beginning of this film adaptation.

With relatively low budget, compared to bigger Hollywood productions, it's amazing to see what Roel Reiné pulled off as the movie director.

The storyline is interesting: going from the warzone, to back home with his family, into the court where he was tried (these three locations are the corner stones of this story).

It's a new take for a Dutch movie to have a strong focus on the PTSS diagnosis where main character Marco Kroon has to deal with after returning home from Afghanistan, and how it affects all around him.

The movie gave insight into the live of a veteran and caught my attention for two full hours.

Maybe the the real Marco Kroon may have done things in live that should not have happened but the context of the movie helps to understand more of it. As this was a movie (not a real documentary), it remains unclear as to what really happened and what is pure fiction. For me this was unimportant, I've tried to see the bigger picture here for veterans in general. And I believe the movie enables you to do so.

"I really don't care what people think of me anymore. Really." These were the words (roughly translated from Dutch) spoken by the real Marco Kroon at the premiere. At the very least an admirable stance, though the film that started its theatrical run right after made it a suspiciously convenient thing to say.

Line of Fire doesn't care much for nuance. Not in the drama, the action, the scenes of war it recreates, but especially in building the character of Marco Kroon. I don't believe stating right at the start that the story being told merges fact and fiction absconds it from presenting Kroon as a nearly unequivocal good guy, dodging a ton of questions that could be raised after a basic Google search by simply leaving out inconvenient facts. It doesn't just make for a dubious moral situation, but also simply makes for a dull lead. Kroon is the most interesting character in this and his depth reflects that of a typical side character (it follows that not a single other person in this entire film has an ounce of personality). This wouldn't be that big of an issue if the film wasn't clearly about him. Not the charges or the war, this is a Kroon story front and centre, and if it's not, some very poor choices were made. It's a tale of two parts which are intercut throughout: the case/trial against Kroon and his time in Afghanistan. None of the war scenes contribute anything to the other side of the story, so you can't help but assume they're there purely to further flesh out Kroon - which they do a terrible job of, but that's beside the point here. What I am concerned with, is how that development is only really achieved in the final ~30 minutes, when a series of events leads to a grueling experience for Kroon. Before that, it's comprised of completely unmotivated action scenes that exist purely for spectacle, so Dutch people can cheer about the fact that they're seeing a picture from our own soil that actually has some decent production value behind it. But all the gunfire and explosions ultimately don't mean or accomplish anything. And it should honestly come as no surprise considering Roel Reiné helmed this project (he has a filmography that is excellently summed up by the posters of his most popular work). Maybe letting the creator of countless B-movie action flicks get his hands on a 'serious' war film was not such a great idea. The tonal whiplash is hilarious: moments of grief, shock and intensity are placed right next to laughable one-liners, POV shots of RPG's and epic synthwave music accompanying the action like you're playing the intro mission of the new Call of Duty - speaking of which, every Arab here is either a faceless soldier to be mercilessly downed with lead or a child rapist. To top it all off, Reiné infuses the whole thing with a sort of half-baked Snyder aesthetic where you get the desaturated colors and overly dramatic lighting (almost every interior scene has overblown light rays beaming through the windows) but none of what makes his work any fun.

The drama side of it doesn't fare any better, in fact, it might be even worse. It's so hilariously undercooked you start to wonder whether the stove was even on. You get superficial characters yelling superficial things at each other and having superficial reactions until two basic courtroom scenes take place and resolve the entire conflict with means that were never established or hinted at. Screwing up a courtroom drama is a sure-fire way to get me pissed and, boy, was I glad the film ended almost right after.

Look, I get it. It's exciting to see a Dutch film with money clearly thrown at it, especially when most of what we get to see is awful romcoms. But that's the point: the bar is so low that clearing it doesn't automatically grant you my approval. I'd like to see this kind of funding and effort go to other projects that try to raise that bar. We desperately need it in our industry.

It is a well written story which is a combination of stories of Dutch Afghanistan veterans and Dutch distinguished special forces major Marco Kroon in particular. At the beginning of the movie it is stated that the story is based on facts as well as fiction and this makes up for a great and thought-provoking watch.

The acting by the lead actors Waldemar Torenstra (Marco Kroon) and Sallie Harmsen (Mirjam van den Hoven) was good and in my opinion very believable.

Major Kroon has been distinguished with the Netherlands' greatest military award "Militaire Willemsorde" but despite this honor he has been pretty controversial. This movie shows mainly the other side of the story that the media doesn't highlight where he and his family go through difficult times which is very understandable considering the circumstances. I did like it that they didn't portray Kroon as the perfect superhero either, but in the end nobody is perfect.

A couple of military details weren't correct, this is a bit annoying for someone with a military background and with a bit more research wouldn't have been necessary. A couple of examples: saluting inside, incorrectly wearing the baret, counting two stars for the captain rank instead of three, a military psychologist working in a bunker of sorts, incorrect procedures while driving and using their personal weapon, the commander of the armed forces working from a big mansion etc. Small details for the average viewer, but important for military personnel all over the world.

These flaws didn't let the story down. A story most importantly about veterans and their family and the experience they go through. I would recommend it!

"Kudos to the Dutch film industry! This film, despite its limited budget, stands out with its thrilling action sequences and stunning, true-to-life visuals. The action scenes are pulse-pounding and expertly choreographed, keeping you on the edge of your seat throughout. The use of practical effects and real locations adds a level of authenticity that's often missing in big-budget blockbusters. It's a testament to the skill of the filmmakers that they've created such a visually impressive and action-packed movie without breaking the bank. If you're a fan of action films, this one is a must-see."