Fantasmas

Lovely use of color and obviously very creative, but having seen one episode, I am unlikely to see any more of them. It's surrealistic and quirky, with some characters that are trying to be perfectly normal and Julio Seeming to be puzzled by life.

But he's a consultant to various companies starting with Crayola where he advises them to create a crayon that's transparent. He points out that a glass of water is transparent so how would you color it? Of course, the very glass of water he points to has blue edges to it, and anybody who's ever, painted a glass of water and blues that work quite well for it.

He has a robotic creature who keeps house for him and nags in the other things, including the eviction notices he's been getting. He's too busy trying to find a lost earring and apparently that's going to be the theme of the whole series.

Well, good luck, Julio. I hope things work out for you and for the TV show.

Julio Torres never presents a cliche' subject. Go with the flow, and enjoy every delicious moment. Surprises around every single corner awaits. Stories within stories, within stories. He packs each half hour segment like a can of sardines with his enchanting plots. His wardrobe and background settings are done with an artist's vision of both beautiful colors and unique geometric shapes. He may have changed his hair color of choice from blue to orange, but his signature creativity is still woven in the wickedly absurd vignettes. The new characters that he introduces to us like Chester the driver, played by Tomas Matos or Steve Buscemi, as the unforgettable Q, are hysterical! I can't wait for the next episode to come an take me into his magically twisted dreamland of delight.

First episode and it's seemingly more of Julios spontaneous, surreal style of filmmaking. Very quirky, very funny and clearly influenced. There's a unique feel to his projects, like a flow of thoughts coming and going, creatively juggling themes in this dreamlike splash of colours, costumes and alternate worlds similar to something you'd see in "poor things". The first episode picks up many concepts in 30 minutes, though so far they dont really land well enough to impress me (or hopefully these ideas will be explored in following episodes) but based on this being the exact issue I had with his feature film, I'm uncertain if these established themes will be revisited in this "stream of Julio's conscious thoughts" style. I liked his feature "problemista" but he is still clearly in the early stages as a filmmaker.

Check this out if you like funny, surreal, quirky weirdo filmmaking from an exciting upcoming indie director still finding his footing.

Premise: been forced to watch this stuff by a group of friends. Had no idea.

Do not waste your time.

Opening scene somehow promising: "maybe we are getting into Zoolander territory?" I asked myself. You know, full on farce, clear over exaggerated characters who become a caricature of themselves and hysterical dialogues.

Well, the illusion evaporated quickly.

The whole thing is a step below the surreal stories kindergarten kids create when bored.

Our writer-director-protagonist gets into one senseless situation after another (+ pitiable characters who take the spotlight) with the explicit goal of taking himself seriously in the search of an earring and pretending to make the audience laugh (or at least giggle). The egotism is too intense for my brain and I had to (mentally) check out.

Seeing Steve Buscemi made me sad, but I guess the paycheck was alright.

Out of curiosity I had a look at some critic reviews. One pathetic sentence after another meant to elevate what i think are the author nightmares written once he woke up.

High-concept mania; dream logic-fueled sketches ; nihilistic remark ; loose, over-arching narrative ; digressive vignettes ; outsized characters

Must say would love to be a fly on the wall in the producer's room when the marketing folks are discussing the different ways to present this colorful scam to the HBO audience.

I think the way the series starts is rather bold. He's consulting for a crayon company and saying they should make a "transparent" color. The crayon people are apprehensive - I don't blame them. So Julio gestures to a glass of water and basically says if water can do it, so can you.

I get this is supposed to show how creative Julio is and that he thinks outside the box, but really it makes no sense. You obviously can't make a transparent crayon, and if you did it would be the worst crayon ever.

So I was a bit put off by this, but the rest of episode was fine and strange in its own quirky way. Overall it's not bad. It's definitely its own unique flavor.