Agneepath

The old Agneepath completely belonged to AB and the new one has HR written all over it...Hrithik is at his Bloody Best..The movie doesn't belong to Sanjay or Priyanka or anybody..It completely rests on HR's muscular Shoulders which he has carried with ease...This is clearly (one of) Hrithik's best performances ever where 'one of' is optional and can be removed depending on the audience ...I should not take the credit away from Rishi Kapoor as he was outstanding too.....Sanjay Dutt looked menacing but was let down by weak dialogues.. I really missed Kader Khan from the original. ( The most underrated Dialogue writer ) Statutory Warning : The movie is violent as per Bollywood standards.

Statutory Request : Comparisons are inevitable when a remake comes, but to enjoy the movie you will have to forget the old one completely..

Its a movie with old skeleton and a completely new soul.

The best thing about the movie was it was on a constant roll, never trying to fill in stuff. From the moment we witnessed the small Birju with all his intensity and the menacing Kancha, we knew something special was in store. This is the first time i have found Sanjay dutt this scary ,even more threatening that his Khalnayak Role. Rishi kapoor proves once again why is the versatile hero of bollywood. Nobody could have done that rauf lala role better.

But the person who has lent his heart and soul into the film is hrithik. He has expressed so many moods and emotions in one movie, this may be his best role till date. There are so many subtle tender moments in the movie with Hrithik alternating between vengeance(Kancha), comradeship(Gaitaonde)and Joy ( seeing his sister). However at times i felt certain scenes were overdone to intentionally create a dramatic effect. Ah but thats bollywood.

Yet another winner this movie. Go see enjoy :)

Watched Agneepath ......

It's not a complete remake. It has its own diversions but it's a wasteful effort not to compare it with the original. Some parts of the remake are a total downer. I think the original was far better. Both Sanjay Dutt and Rishi Kapoor did a marvelous job of portraying the bad(read evil) guys. And Sanjay Dutt surely surpasses the over hyped Voldemort through his exceptional acting and dialogue delivery. The music was good and the background score was fantastic and in tone with the plot of the movie. The music was good and the background score was fantastic and in tone with the plot of the movie. Hrithik Roshan is brilliant, probably the best anybody could justify the real VDC. When he cries, feels happy, kills a man, runs, wants revenge, gets bruised – it's all in his eyes, he makes it real enough. He might not have been able to replace Big B's attitude but it was time they used this side of him than just counting on his looks & moves

Agneepath (1990) to begin with, is remembered majorly for Mr Amitabh Bachchan as Vijay Deenanath Chauhan. Agneepath (2012), however, will be remembered for Sanjay Datt as Kancha Cheena and Rishi Kapoor as Rauf Lala.

First half of movie, is racy,compelling and entertaining equally, thanks to brilliantly shot sequences, tight screenplay, heart-throbbing background score and power packed performances. Sanjay Datt excels throughout the movie, this is probably his milestone performance. Rishi Kapoor on the other hand, after showing brilliance in Do Dooni Chaar, again proves that a star remains a star! How about Hrithik?

Hrithik chooses expressions rather than words. He may not have mass - appealing dialogues but his expressions works like wonder! If you compare Hrithik directly with Amitabh Bachchan, he has, still, done a commendable job.

So where this movie lags? Post interval. Movie misses the thrill that it creates prior to interval, slows down its pace to focus on sub plots, which rather adds melodrama that is unneeded. Film seems dragged a bit too. Story, predictable and yet entertaining, somewhere challenges your logic. Climax, which seems to be written for justifying Sanjay's role, is not grand.

Music is good, background score is really thrilling.

Overall, a deserved watch for sure, but somehow keeps you longing for more.

This Vijay Dinanath Chauhan is not interested in comparisons. All he wants is a fair chance to payback the killer Kancha (Sanjay Dutt), who remorselessly murdered his father Dinanath Chauhan, when Vijay was a kid. Gaon Mandwa, this is where Vijay was born and since the time he could remember, his father used to recite poems for him. Poems that would talk about path of fire.

To say that "Agneepath" is simply a technologically superior version of the original Vijay played by Amitabh Bachhan would be being unfair to the interesting spirals plugged into the story by Ila Dutta Bedi and Karan Malhotra. The most absorbing spiral is the drug dealer and pimp Rauf Lala (Rishi Kapoor), a character assayed so earnestly that in a few scenes Lala fills all the space offered by the movie. The cinematography by Kiran Deohans and Ravi K Chandra blends beautifully with the story as well as the costumes and explanation of the characters; but tries too hard to add an epic feeling to the climax, which spoils the sympathy for the rendition by overstuffing it with filmy shibboleths.

The passionate craving for penalizing Kancha separated a 12-year-old Vijay (Hrithik Roshan) from his mother Suhasini (Zarina Wahab) and his newly born sister and found a medium in Lala. Roshan's adaptation of the cult character has a calmness in his deep-rooted anger, a silence in his hatred and a fire in his eyes - all of which combine to a mighty performance. Thankfully, the burdensome task Arish Bhiwandiwala has left for Roshan with his sharp illustration of the character of the young Vijay Chauhan, has been done justice to. Hrithik's description could have been unexampled had the dialogues by Piyush Mishra been weighty enough and the editing by Akiv Ali wiser.

The screenplay and the editing, following the traditions of Bollywood, has reduced Kaali Gawde (Priyanka Chopra) to a beautiful piece of furniture, the only difference being that this one dances. Pity. While the director Karan Malhotra tries hard to make a thunderous appeal to the audience with the electrifying decibels between Vijay and Kancha, an unaware Lala steals the thunder from the two for the larger part of the movie. Sanjay Dutt as Kancha is a solid institution of wickedness in a way that hating Kancha would make someone feel better about himself/herself as a human being. Lala, with his unashamed spontaneity, is few notches higher though in my opinion.

A film crowded with powerful performers leaves little inspiration for Indian directors to focus too much on the story. With responsible editing and lesser concentration on dressing, "Agneepath" could easily have been 45 minutes shorter and more compelling. The movie reveals a certain degree of naivety in the direction. There is an immaturity in the way the clichés lifted from the 1980's and the brother-sister angle have been treated.

Vijay Chauhan's disinterest in Chikni Chameli is understandable; what is worrying is that a movie from Dharma Productions behaves so poorly in the music department. Ajay-Atul must have good reasons behind the heavy-duty background music and the pointless songs of "Agneepath". Chikni Chameli is long forgiven.

Mind you, don't practice comparing while watching "Agneepath", even if you are an ardent fan of either of the Vijays. Life would be simpler.