Boss

It's a good movie that is based on a real heist, as the makers of the movie say. The film follows the story of Bogdan, an ambulance driver, and indirectly the problems in the Romanian health system .The protagonist, Bogdan, manages to convey some emotions to you. The film along the way will try to have 2-3 moments with a little humor and some in the cinema hall smiled or remained indifferent . The characters (secondary or episodic) and the protagonist played well and each changed the "direction" of the action/film . In the end, the movie is a good one, with good parts but also with bad parts, but it was worth a chance .

I don't understand why most of the Romanian movies are so boring. The right length for everything that happen in this movie would be 90 minutes not 120.

The movie directors don't understand the current realities where our brains are trained for speed and not able to cope with a 3 minutes scene when nothing happens or to wait 30 seconds a reply of an actor to just say one word.

This style of movie would fit with the 70's of the last century. It is a pity because there are many good stories but the way how they are made are not difficult to keep interest of the viewer.

I liked the main character and would love to see him in more movies.

How to review a movie so bad that you start wondering if the director has any friends? Didn't they watch it? Didn't they tell him it is not a neo-noir, it is just a very bad and boring artsy movie. I gave it a 6 stars for the sake of "first try" - Romania's pitiful first neo-noir movie. However, we may still compare it with a psychological thriller that gives the anxiety and anguish that a neo-noir movie should make you feel, Sergiu Nicolaescu's Ciuleandra. That was a well played, well directed and well written movie.

Boss gives a painful and incredibly unrealistical story, without a narrative, without a competent plot twist and with a nonsense ending.

Although the plot could have been more impressive, the actors deliver a really good performance. The "thriller" feeling is effectively conveyed to the audience through the music, color grading, and the plot itself. On the other hand, the movie lacks depth in some places. The action is quite slow and boring, and the dialogue is delivered in a manner reminiscent of a snail's pace, which feels entirely unrealistic. The camera movement is uninspired and generally static. It seems they just set up a camera on a tripod and adhere strictly to framing rules. I hope that Romanian movies will attain the fluidity and pacing of modern-day films, as it appears we are still trapped in the 1990s era of Romanian cinema.

Everybody talks like they had a stroke and their brain reverted to being 14 and listening to My Chemical Romance. From the soundtrack to the pace and the neon cinematography you can tell that the director tries to rip off NWR, so I guess he got done with the Coen brothers now.

Not a lot happens, but they really try to stretch the running time by having characters spew cringe purple prose and two words a minute. You can also smell the disgusting air of superiority with which the director paints a "social tapestry" of all the small people, people that speak with broken grammar, except when they burst into spontaneous Bukowski monologues.

Sucked balls.