Blade Runner 2049

With great acting, great screenplay, incredible cinematography Blade Runner 2049 is one of the best sequels ever made!

The user reviews seems to be over-run by a troll. Lots of repetitive 2 and 3 stars reviews that all read like they're written by the same person.

It's a relief they still make movies like this; movies for adults. Yes it's a sequel, but it's quality and it stands on its own. This is real sci-fi, made with a proper budget and brought to life by artists. It's serious and paced so that you have time to think. If you're a fan of the genre and can appreciate some ambiguity and a little space for questions to breathe then I think you will appreciate this film. But if you can't remember the last time you read a book then maybe you will find this movie long and boring.

The cast, acting, and plot are all quite good with only a few misses. The soundtrack doesn't blow me away but it's suitable. The visuals are incredible though and where this movie really shines; I can't think of a single moment in the film where I felt like the vision was held back by the technology available. And the scene at K's apartment with Joi (you will know it when you see it) pushed the envelope of what I thought was possible to do in a film. This one is a real stunner visually. Like the original, I expect Blade Runner 2049 to hold up extremely well over time.

It's very rare when a modern sequel/reboot is equal to the original in terms of quality, but this movie is that rare one. It carries over the sweeping and hypnotizing cinematography, it continues the storyline in a natural way, it references the original, but doesn't rip it off, it introduces new concepts without ruining the continuity, it expands on the themes presented in the original in a very natural way, it doesn't drag nearly as much as said original and it's got a more compelling protagonist. I have a feeling I'll just enjoy this movie more and more as time goes by, and I already love it a lot. It's a movie with a lot to unpack, and I have no doubt it will improve even more on rewatches.

It is 2049, 30 years after the events of the previous movie. K is a Blade Runner, a policeman who tracks down and terminates replicants (androids) whose model are viewed dangerous to society. K is himself a replicant, but has been programmed to be beneficial to society. One day he tracks down and terminates a replicant that has managed to evade detection and capture for over 28 years. In his garden are found the remains of a female replicant. Shockingly, the woman died during childbirth and the baby appears to have survived. Replicants cannot reproduce. If word gets out that they can, the human-replicant hierarchy will forever be disturbed. K must find the child, quickly. Also after it is Niander Wallace, a billionaire whose company makes replicants and whose main interest is in changing the world order.

An intriguing and engaging movie, directed by Denis Villeneuve (Prisoners, Incendies, Sicario, Arrival) and co-written by Hampton Francher, who co-wrote the screenplay for the original Blade Runner. Good plot with some great twists and turns. Some clever manipulation of the viewer too, as you are funneled down one way of thinking, only to have things turn out in another direction. This unpredictability, and requirement that you use your brain, makes for some intriguing viewing.

Great special effects, without being too show-offy and gratuitous. Great action scenes too.

While I have seen the original Blade Runner (in all three forms), you don't have to have seen it in order to enjoy, or even understand, this one. It works fine as a standalone movie.

Solid performances by all involved.

On the negative side, the plot is not entirely water-tight. There are a few key moments where things take a turn for the implausible and contrived. The end result ultimately justified these turns, making me less critical of them, but the writers could easily have developed the plot around those moments more, in order to make them less loose and clumsy.

Though I thought it was going to be, the running time of 163 minutes is not an issue. The movie never drags and the time just flies by.

Great movie - certainly not your average sequel.

This is a review I wrote in 2017 for Blade Runner 2049 - the much awaited sequel to the hauntingly spectacular original directed by Ridley Scott.

Whilst Denis Villenueve has forged his own path with the second instalment of this futuristic tale of humans and replicants, there were certainly enough nods to the original to ensure that this was indeed a close relative if not 'brothers'. The cinematography was visually amazing - the USA of the not too distant future depicted awash with red dust, almost post-apocalyptic deserted cities and given recent political shenanigans in the real US., possibly not surprisingly, a great deal of Russian influence in the style and culture of the remaining social and architectural landscape.

Gosling provides us with the dour yet stoic 'K/Joe', our titular character as the Blade Runner, tasked with rounding up remaining old-style replicants from an Earth which has pretty much been destroyed by humans, most of whom have since elected to live 'off world'. The few remaining humans carry out their day to day life amid a society which is largely occupied by modern replicants who seem to have found their own level or semblance of 'life'.

The normally delectable Jared Leto could be criticised for his performance as blind creator of the replicant civilisation, Wallace, but I would disagree. His jarring, slightly wooden and emotionless depiction of one of the highest placed humans in terms of social and economic stature, cleverly illustrates that the most inhuman being in this dark world is in fact made of flesh and blood.

The ever-present driving rain makes even the broadest vista seem strangely claustrophobic as our hero makes a life-changing discovery and invites the viewer to question their own life, it made me ask 'what kind of human am I?' 'Am I all that I can be?' Whether intended or not, I feel the message is that life, in whatever form it has been presented, is a gift and it is up to every single being to make sure that it isn't wasted.

All in all a stunning film that although may never match the raw emotion of Rutger Hauer's final 'tears in the rain' soliloquy, it offers a simple yet age old message that is creatively delivered and stylishly told.