Rain Dogs

It's bleak, it's dark, it's engaging and me and the missus were hooked from the first episode. I thought the characters were well cast and haven't seen another series quite like it. Nice to see somehting original.

I may be biased as I've loved Daisy in everything else I've seen her in. I was really pleased to see her in a straight role and watch her not just doing another comedy role- I hope she gets more opportunities off the back of this.

Haven't finished the full series yet, so may still be dissapointed, but have enjoyed this so far and would suggest people make their own minds up. And don't get put off too much by the negative reviews.

Costello is a single mum, trying to do her best for her daughter Iris, her life is chaotic, and the major cause is her best friend Selby, a gay man from an immensely privileged background.

I've waited until I've got through the whole thing before reviewing the series in general, by episode five I still couldn't quite work out just what it was, by the end of it, I just couldn't care less, all I knew, is that it's a great series.

It's funny, it's sad, it's relevant, it goes on to deal with several taboo subjects, there is some material here that I don't think I've seen tackled in any show, Costello's story with her mum for example, that was quite something.

A real snapshot of life in 2023, how tough it is, and just how people will do whatever they can to survive. Costello's relatively with Selby, it's sort of a toxic story of love and friendship, it's so complex, but so interesting, how many of us have that love/hate thing going on with people, nothing truly is black and white.

Daisy May Cooper sends out a huge signal ahead of her Bond role, totally deserving, she is phenomenal, as an actor and a writer, I have a feeling she's due to be something of a national treasure. Jack Farthing, what a contrast to his role on Poldark, he is phenomenal as Selby.

An awesome supporting cast, Anna Chancellor, Ronke Adekoluejo, Ade Edmondson, Siobhan Redmond and even Karl Pilkington.

Don't let this one pass you by.

9/10.

This alternative series is a breath of fresh air! I am very surprised by the relatively low score here, because this series is both innovative, well-made, varied, topical and humorous. Daisy May Cooper in particular excels here. She stars as the tired but resilient single mother Costello Jones. This is essentially the star here, and rightfully so. She is incredibly good at portraying both social challenges and economic problems - in general, the alienation that many people experience today. But her character never gives up. I think it's wonderful to follow her, and her small and big battles. I hope this series has a long life because Costello Jones has only just shown us what she is capable of.

It's like a jigsaw puzzle where all the emotional pieces don't go together yet somehow fit. Thus the overall picture has uneven, rough edges and a lack of symmetry.

Jack Farthing plays a brilliant but vile version of Hugh Grant complimented by Daisy May hiding her First in English Lit under her pebbledash exterior. Although at times it may seem to be writhing in the dysfunctional and lacking emotional empathy, it is real as a bag of mouldy potatoes. Drugs, gambling, cheating, lying, and glorious food banks are the norm, not romance, candlelit dinners or happy endings.

Take Ade Edmondson as the Lenny the perv. He epitomises disgusting and most would avoid writing his character like the bubonic. No hankies needed, just all be prepared like a good Boy Scout to be shocked.

Not nice but true.

I was so excited after watching the pilot: it felt like the freshest thing I'd seen in years. A novel and stimulating subject (the relationship between an upper class gay guy and an asbo single mother). It had enough 'trashiness' to keep things interesting despite the underlying sentimentality. The script was tight and punchy, the acting was mostly good (though I must say Daisy Cooper already lacked range).

Ep. 2 was not as good but I still had hopes. By Ep. 3 it was quite clear the writers first came up with the characters, and that the story was an afterthought. I've just watched Ep. 4 and it's only getting worse: or rather, getting nowhere. Bogged down with unnecessary sidekicks, the main characters fail to acquire complexity and are merely pushed further and further in the direction established in the pilot. Their relation is also rather flat and dialogues lack finesse. It's all around disappointing.

The series was marketed as a 'punk-rock romance' and I think it's quite an apposite description. There are two 'punk rock' areas in London: Camden and Hoxton. The first is full of has been tourists and a few crusties, the second is full of bankers and art school hipsters. Rain Dogs is 'punk rock' the Hoxton way: it's filled with intriguing and colourful character, but ultimately it's all navel-gazing passing itself as rebellion.