Ride

My impression is nearly everyone is responding to this in stereotypical ways - seeing the mother as impossibly overbearing and interfering.

Actually mother and son have a great relationship. They argue intensely and in detail about what his stories should be like - and about life and their relationship in general. This is very well portrayed. And most of us should be so lucky to have such a relationship.

So she takes it too far - but hardly in a Tennessee Williams way. And they argue intensely about that too, and work their way to a successful conclusion.

Sure, it's all a little too Hollywood pat and neat in the end.

But you have an unusual portrait of an unusual and very good mother-son relationship - and a very passionately involved mother. She's very OK.

I enjoyed it a lot.

It is a 2nd directional feature for Helen Hunt. She also starred in a prominent role which is about a mother-son relationship. I don't understand why it was rated very low, but I like this rare movie, which portrayed parent-children bond in an emotional way. Such kind of a beautiful film the last time I saw was the 'The Guilt Trip', I guess. Only the women filmmakers can make films like this.

Maybe this movie hit my weak point, I'm always sympathetic to the old people's struggle. Anyway, I liked the Helen Hunt's role and she was not struggling, but wanted to connect with her son who's grown up and trying to stretch his wings to fly away from her. This is very usual in the real world, an affectionate father towards his daughter and the same to a mother towards her son. I find this kind of themes are very cute and touches me.

There's nothing bad about the direction, but the screen writing. Helen Hunt is not a great writer, in some parts the film was very dry. Feelingless emotions, but overall keeping the prime target as a mother who's pursuing her son for some reason. There were a few scenes that added the fun flavour to the movie.

I wanted to give more points it, but I can't. Besides, I can recommend it to the people who're interested to have a movie about the family issues. Not like couples having a quarrel, but between parents and their kids, like maybe similar to the one I mentioned in the first paragraph.

7/10

My first impression of the movie was the dialog, and it seemed very unnatural as in normal people do not speak that way it seemed as if every conversation was contrived. Her son was overreacting and livid in an unnatural way, Helen Hunts Character was irritating which I think she wanted to be overbearing well she succeeded in that. Luke Wilson was a hollow character that did not serve much purpose but maybe he was not supposed to. Is this the way overeducated people speak? David Zayas from Dexter was in it as her driver and still not sure what his role was there for besides making painful quizzical faces. The whole movie seemed jumpy . disjointed. with conversations that seems out of place and over written. The only real part of the movie was the surf scenes which were quite accurate for learning surfers. Not sure what the aim of the movie was but with me as a viewer it missed the target.

Ride

When a woman says that she's riding the crimson wave it doesn't mean she's a sunrise surfer.

Mind your, the middle-aged mom in this dramedy could be the exception.

When her son Angelo (Brenton Thwaites) drops out of college to pursue his writing and surf aspirations on the West Coast, Jackie (Helen Hunt) takes a hiatus from her editing job to keep an eye on him.

In California she starts taking surf lessons from Ian (Luke Wilson) and discovers a new side to herself apart from her son's post-secondary life choices.

Free to explore, Angelo also finds his rebellious view on education may not be the best option for his art.

From its superficial self-discovery script to its stock surfing shots, this vanity project from writer/director Helen Hunt does little to showcase any noteworthy talents beyond her established acting ability.

Nevertheless, surfer parents sound way less involved than helicopter parents.

Red Light

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I'm conflicted.

Normally a movie of this type will be interesting and fun for most of the first 80 minutes and then end in a clunky manipulative way. It is that rare movie that is stubbornly insufferable for more than 80 minutes and then ends in a weirdly satisfying if predictable way.

It can be unbearable at times to watch Helen Hunt try and act her way through her impassively clay-like new face, as if she were a Star Trek Changeling character. It can be maddening at times at how sympathetic and misunderstood she thinks her character is. And it can be frustrating at how mechanical the scene construction and the in your face symbolism feels.

But I have to admit that there is a charming tone that coalesces nicely in the last 15 minutes. You know what's coming, and the unflinchingly cheesy dialogue up to this point is often unintentionally amusing, but when it happens at the end it feels real, just like the ending to the story she's been discussing with her son. There's just enough of a spark there to make you understand why she wanted to make this movie.