Maxine

Very difficult subject matter. It is hard to believe it is 20 years since this story dominated the news.

When the shock of the Huntley/Carr complicity finally came to light it was a shock to all those that had followed the story as the perpetrators were by now know to the public.

The thing about Huntley was he was believable and had an almost baby face of innocence.

This is where I feel the drama has got it wrong. The Huntley character is too hard looking with severe died black hair. In the drama he looked suspicious throughout which was not the case in real life.

However, the whole event has been dramatized well. Obviously the Huntley/Carr dialogue behind closed doors is a matter for conjecture, but they are word perfect in their public speaking.

Being Channel 5 I had expected it to miss the mark, but apart the casting of Huntley it was dramatized very well.

As contemporary dramas go we are force fed endless murder and serial killer stories, but the reality puts these into some sort of perspective.

Should a drama series be made about such a terrible crime? This will undoubtedly be a divisive piece of television and many will argue it's inappropriate. On the other hand there are exploitative true crime documentaries on TV every night which attract an audience.

To be fair to the makers they chose to frame the story through the eyes of Maxine Carr rather than her abhorrent partner.

As a drama it was well made and directed, the script was good and the two central performances were excellent. Its hard to believe this was Jemma Carlton's first major role playing Maxine, she surely has a great career in front of her. It was better than I expected all round.

Personally I didn't find it disrespectful the way it was told, but I can easily understand why others would disagree or avoid watching.

"Maxine" is a compelling true-crime drama series that delves into the infamous Soham murders from a unique and somewhat controversial perspective. The series, named after Maxine Carr, aims to shed light on her involvement in the case and the broader ramifications of her actions and relationship with Ian Huntley, the man convicted of the murders of Holly Wells and Jessica Chapman in 2002. The show is anchored by strong performances and a thoughtful script, which collectively provide a riveting, albeit unsettling, viewing experience.

From the outset, "Maxine" sets a dark and ominous tone, reflecting the gravity of the real-life events it portrays. The series doesn't shy away from the horrific nature of the crimes, but it also strives to explore the psychological and social dimensions of the characters involved. Maxine Carr, portrayed with nuanced complexity by the lead actress, is depicted as a multifaceted individual whose actions and motivations are examined in detail. The show navigates the fine line between understanding her perspective and condemning her actions, inviting viewers to grapple with the moral ambiguities of her involvement.

The narrative structure of "Maxine" is both its strength and its occasional weakness. By focusing on Carr's viewpoint, the series provides a fresh take on a well-documented case, emphasizing the personal and relational dynamics that contributed to the unfolding tragedy. This approach allows for a deep dive into Carr's psyche, her relationship with Huntley, and the societal pressures she faced. The show adeptly portrays her as a person caught in a web of manipulation, coercion, and self-delusion, raising questions about culpability and victimhood.

However, the series' decision to center on Carr also means that it occasionally feels slow-paced, especially for viewers expecting a more traditional crime thriller. The emphasis on character development and psychological exploration sometimes comes at the expense of narrative momentum. Yet, this deliberate pacing allows for a more profound engagement with the themes of the series, including the impact of media sensationalism, the complexities of abusive relationships, and the consequences of societal judgment.

One of the standout aspects of "Maxine" is its atmospheric cinematography and production design. The visual elements of the series effectively evoke the small-town setting of Soham, capturing both its quaintness and the underlying sense of foreboding that permeates the narrative. The use of lighting and color palettes enhances the mood, reinforcing the emotional and psychological states of the characters. The attention to detail in recreating the early 2000s setting further immerses viewers in the time and place of the events.

The performances in "Maxine" are uniformly strong, with the lead actress delivering a particularly noteworthy portrayal of Maxine Carr. Her ability to convey vulnerability, confusion, and determination makes for a compelling character study. The supporting cast also shines, providing robust portrayals of key figures in the case, including Ian Huntley and the investigators. Their interactions and conflicts add depth to the story, highlighting the various facets of the investigation and the personal toll it takes on those involved.

The series also benefits from a well-crafted script that balances factual accuracy with dramatic storytelling. The dialogue is sharp and realistic, capturing the tension and emotional stakes of the situation. The showrunners have clearly undertaken extensive research, ensuring that the depiction of events is grounded in reality while allowing for the dramatization necessary for effective television.

In conclusion, "Maxine" is a thought-provoking and emotionally charged series that offers a fresh perspective on a tragic real-life case. While its focus on psychological and relational aspects may not appeal to all viewers, those interested in true-crime dramas that explore the deeper implications of criminal acts will find it a rewarding watch. The series' strong performances, atmospheric production, and nuanced storytelling make it a standout addition to the genre, prompting viewers to reflect on the complexities of guilt, innocence, and the human condition.

Felt like I was watching a Shakespeare piece onstage. Very overdramatic acting, didn't feel natural for screen at all. Two main protagonists had no chemistry onscreen and felt totally miscast.

Didn't like the whole perspective of seeing things from Maxine's POV, the real victims in this story were Holly and Jessica. Their story felt pushed aside to tell Maxine's which feels completely insensitive.

Camera work and interview recreation was very good but a lot of details on this case were left out. We didn't need a series on Ian Huntley's fiancé, barely any attention to the crime committed. First episode felt so rushed, I don't think you'd enjoy this series if you weren't aware of the Holly and Jessica case to begin with.

I felt very uncomfortable while watching this ,well aware of the backlash that channel 5 were getting .

It was so hard to look at them both , without having that sick feeling that you get when you are repulsed by someone .

Perhaps it will help to keep us all reminded of the fact that there are evil people in this world , disguised in everyday jobs , in our towns and communities , and how easy it can sometimes be for them to slip under the radar.

Not for one minute ,did I find this in any way an easy watch , as I imagine everybody else did not either .

Jemma Carlton played the role very well,, a brave undertaking considering that she was a newcomer .

I did not like a lot of the scenes involving the journalists , it made me feel angry that tragedies like this are handled so insensitively by the press. For them, it's all about selling newspapers .

But , that is the reality of it .

Whether , this drama should have been made or not , I really cannot say, but I would imagine that everbody who watched it felt anger towards those two, and upset , and brokenhearted for Holly and Jessica's families.