The Present

A brilliant but mute boy (Easton Rocket Sweda) discovers that he can manipulate time using a family heirloom. He soon teams up with his siblings in returning to the time of their parents' separation, with hopes of changing the outcome.

The idea isn't new, but it's still an enticing idea: being able to control time to affect an outcome. The story has a sweet and wholesome intent, to get the warring parents back together so the family remains whole. Greg Kinnear is as good as you would expect as the father, the rest of the performances aren't bad, but they're pretty meh.

The film itself is slightly annoying in that going back in time is one thing, doing it repeatedly so many times is quite tedious and boring. We got the idea early on so the manic repetitive i think was filling in for a story that could so easily have been a short film. Also silly camera tricks that have proven to universally not be liked at all, such as spinning around a group of people in circles, made me almost motion sick and I had to fast forward through some parts. There were some quite childish scenes too so I wonder if the makers meant this film to be aimed at younger children whose parents were thinking of divorce?

It wasn't awful, but it wasn't great, I gave it a 5.

Dysfunctional family is about to break up and an old antique clock arrives that changes everything. The youngest boy who refuses to be touched or speak (easiest part for any actor) fixes the clock and discovers it can reset the day about 12 hours earlier. He goes about trying different time paradoxes to attempt to keep his parents from splitting up. A lot of goofiness and just plain weird encounters with other people who have their own agendas. Kind of a strange, can be very confusing as the time resets so many times during the movie till they finally get it right. Nothing questionable, no nudity a few foul language words but not much. An "ok" watch but didn't keep me interested as much as other films of this genre. Ok for all family members. Enjoy!

The main issue with this movie is how the movie cant seem to decide which demographic its for. Is this a kids movie? Definitely not. Theres sex jokes, condom jokes, implied sex, and tons of other stuff that would lead to you having some really awkward conversations with your kids afterwards ("mommy, what did that guy mean when he said that the girl was a 'virgin'?") is this a movie for adults? Ummm... nope. The tone and premise is just way too childish and silly for that either.. so who is this movie for?

Its also got plenty of other problems under the surface as well. The actor playing the therapist was just annoying, the middle child max is just an extra in the first 2 thirds of the movie before suddenly deciding he wants to be an actual character in the final act. Also some of the sources of conflict were just dumb, like oh no, the dad is renting out a bathelor pad for when he moves out? Thats terrible for... some reason. I will say though that i did like it how whenever the movie relived a day it didnt re-show everything beat for beat, it only showed the stuff that changed from the previous day, that definitely saved a lot of filler.

Its just... meh. It just feels like a movie that came out a couple decades too late, it literally feels like a movie from the 80s or 90s. Its not terrible, but its just not completely compatible with any specific demographic.

There's something quite engaging about Easton Rocket Sweda's "Taylor" character in this quite enjoyable and fast-moving family fantasy. He is a young man who loathes being touched and who communicates via an audio-board or by using an Etch-a-Sketch. Indulged? Well that was my first thought, then we meet the family and maybe the kid has the right idea. Anyway, his grandfather's bust old clock arrives and it's put in his basement where he tinkers around with it and gets it, somewhat miraculously, to work. His parents (solid efforts from Isla Blair and Greg Kinnear) have summonsed the family to a dinner that evening to announce their trial separation, but "Taylor" has discovered that the now repaired timepiece allows him to manipulate time - within a twenty four hour period. He reckons that he can change the circumstances of his mum and dad's struggling marriage - but every time he thinks he's on the cusp of averting familial disaster, well we are soon back to square one. He decides to enlist the help of his loved-up sister "Emma" (Shay Rudolph) the then finally their brother "Max" (Mason Shea Joyce - wasn't he in "McFly"?). The more they meddle, though, the messier things get as the grown ups all lurch from one near miss to an other. Old Father Time is starting to get a bit bored with the repetitive nature of this story (not just him) and when the kids realise that they can't keep doing this indefinitely, things have to come to an head. It works quite well for about an hour with quite a quirky storyline and the five main characters having some fun with almonds, a shiny red sports car and some fake snow but thereafter the story starts to recycle itself once too often as we head to what was always a fairly predictable conclusion. It's an easy film to watch, but not one you will remember and probably not one that needs to be seen in a cinema.

This is a comedic family drama fantasy about a couple with 3 kids who are on the verge of their separation. With the help of the old magical grandfather clock, their kids trying to stop their parents from separating. The movie showed the story from many points of view. Every time they rewind the day, it started from somebody else's point of view. And it gave the audience a chance to understand and relate to all of the family members. This is a funny, touching and beautiful family movie. I recommend this one to watch with your family. The acting is decent, the story is good, and it has a decent ending.