Vesper

Vesper is a very special film. The sort of sci-fi you rarely see - one with heart, meaning, social conscience and an important message about earths future wrapped in emotional drama, stunning visuals and originality aplenty.

At the centre is Vesper herself and the whole movie hinges on the shoulders of its thirteen year old star. Raffiella Chapman turns in a nuanced performance at once both the brave heroine and fragile child. It is so accomplished a performance it's hard to believe this young actor was indeed just thirteen at the time of filming.

There is a wonderful scene where Vesper forgets her adult responsibilities and howls like a wolf with all the vigour and lack of self consciousness of a child and it's both poignant and incredibly emotional. Moments like this might feel out of place to sci-fan fans used to the action obsessed Hollywood mainstay of the genre but it is these unusual touches that make this film so unique.

Eddie Marsan is wonderful as Vesper's sinister uncle and Richard Brake terrific as Vespers ailing father, his voice given life within a drone in yet another original touch.

I've never seen anything quite like Vesper and the incredible imagery and performances will stay with me a long time. If you like your sci-fi cerebral and challenging with superb characters and world building then this is a must watch. 10/10.

I don't want to spoil anything so I will not even mention anything negative.

I thought it was very good, visually, storytelling and sci-fi wise. The lead young actress did a fantastic job, as did the more supporting roles. I also got a very positive feeling of synergy from the movie Brazil. Not the story or plot but more the design of things.

Some reviews mentioned they wanted more of the world- or back-story. I thought it was about perfectly delivered. Sketched in enough that you can imagine and wonder about it but not heavy-handed.

Other mentioned it is slow and I could see ppl. Thinking that in some cases. However I did not think any of it was filler or just padding out for any reason. Every slow and artsy sort of shot tells you something about the story world. And was very pretty or at least carefully presented in disgusting detail.

Perfect? Nah - but yea it's well worth a watch, IMO.

I'm really surprised that this film is not more well known even though I myself had never heard of it! It has a fascinating production design with many unusual, interesting, original and beautiful special effects. The entire film is well made with a very original vision and the lead actress, a young woman named Raffiella Chapman helps a lot with a very solid performance and the rest of the principle cast is fine. This apocalyptic tale also has a very good cinematography and is well directed. It does get a little lost in the latter half though I thought it ended on a strong as well as intriguing note.

It's a pretty ambitious attempt, imperfect but I loved it. Most important thing is it needs a sequel to explain everything, because you're just thrown into it with a vague introduction to this dystopian future, you don't get to explore the vastness of this sci-fi world. It's not so unfamiliar though, there hints and cues to help you imagine what life is like outside of those the niche story focuses on, there's so many little side plots that you wouldn't usually pay attention to. When you hear sci-fi especially if you usually only watch movies you might think more of flashy, space travel or aliens, light sabers... but this is the gloomy type that's more accustomed to in tv series, for me at least. So you might be disappointed if you're expecting that. Cinematography is great, despite the bleak setting there's still so much beauty nature offers.

Biggest problem is we don't learn much and there's huge lack of details, but it's a well made low budget sci-fi that deserves a sequel for that reason. To explore the work it's based in. Love dark science fiction.

It's nothing like game of thrones but I'm trying to think of an analogy that'd be widely accepted, so imagine instead of focusing on Westeros affairs, it focuses on a little girl and her father, living on their own in a village in the middle of nowhere. You don't get a picture of the grand scale of things, just a really small piece of a puzzle. That's why I think turning this into a franchise has great potential, because their dystopian future has so much more to explore. The problem is this doesn't feel like a first movie. More like a solo entry to an already established film franchise.

It's something new, a breath of fresh air(gloomy one) and for that I fear that it'll land in the same shoes as Mortal Engines which I loved, because it won't be as widely appreciated by audiences enough to warrant a franchise or even a sequel to explore everything this dystopian world has to offer.