हाँग काँग वॉरियर्स

I expected great fight scenes, great backdrop, some over acting, and a bit of fun. I got this.

The beginning was a good setup for the film and drew me in immediately. The main actor was very good.

The first half was actually better than I expected. It was well paced and gave you a good understanding of the character and how he finally felt at home with a new family while also not losing out on some action scenes. Plus, the environment was wonderfully dystopian and looked just what I imagined Kowloon would have been like.

The second half, OH MY, was a whimsical, non-sensical, over-the-top, non-stop fighting fest. It certainly wasn't 'The Raid' standard but it was still a fun watch.

Overall, totally worth a watch.

Twilight of the Warriors: Walled In is a colorful blazing fury of fisticuffs that spins the infamous Hong Kong landmark into an entertaining pop art mythology.

Director Soi Cheang, cinematographer Cheng Siu Keung, and production designer Kenneth Mak strike the perfect tone, crossing Hong Kong nostalgia with a wuxia comic book aesthetic.

The story chronicles the rise of Chan Lok-Kwan, an illegal immigrant and bare-knuckle boxer surviving on the streets of 1980's Hong Kong. Getting in trouble with local gangster Mr. Big, Chan finds refuge in the Kowloon Walled City, a lawless territory outside of British Hong Kong, and is taken in by gang boss Tornado and his underlings.

The British Government announcing the demolishing of the Walled City ignites a gangland war, settling personal vendettas and seizing the Walled City.

Kenji Tanigaki's inventive fight choreography is fluid and powerful, slightly exaggerating the character's comic book fighting abilities just right.

The Kowloon Walled City set is exquisitely detailed, keeping with Soi Cheang's trademark of arranging garbage into intricately beautiful backdrops.

The set design and fight choreography are well integrated and tell the story visually, with the characters scurrying through the cement crevices, alleyways, and scaffolding.

Raymond Lam, largely known as a TV actor, shines in an iconic movie role and establishes himself as a solid action lead. As Tornado, Louis Koo gives solid support, building a memorable character separate from the star persona created from ubiquitous film appearances. Richie Jen's mob boss is the weakest link, lacking grit and veering into dress-up pantomime territory. Phillip Ng steals the show as the crazy laughing villain King.

The one flaw is a gaping plot hole, an unexplained story contrivance of "how did that character know that?" The error wasn't obvious to me until after the film ended, but it hangs there like a jigsaw puzzle missing its last piece.

Walled In is no masterpiece, but a well-executed crowd-pleaser that has entered the zeitgeist at the exact moment for the audience.

In its quieter moments, Soi Cheang directs the audience's eyes toward the lives of the Walled City residents. Even though this is an exaggerated comic book film, it nostalgically refers to real history where people lived and struggled in these harsh conditions. This is the film's heart; it works in a "look how far we've come" way.

Locally, the film's been the talk of the town, and everybody I know has seen it, some even more than once. It achieves a classic status that Hong Kong people will remember fondly, like a Bruce Lee film.

Only giving it a 6. Maybe a repeat watch and it will become a 7.

Whole movie feels rush and by the time the movie ends it doesnt feel satisfying.

Could be better if the movie have a longer running time or probably split to 2 part. Too many fight scenes but unfortunately no memorable ones. There should be some tense buildup prior to a fight scene think of SPL Donnie vs Wu Jing at the rooftop or Winter soldier elevator fight.

Cinematography and colorful character is wonderfully done. Raymond Lam is convincing as the hero and much better than his role in New Kungfu Cult Master.

The movie need a prequel to explain on the flashback in depth.

Finally I can see silver lining in HK movie after all these ten years. This is what a signature movie of HK style should be like. I'm delighted to see a movie that is so "Hong Kong". Old plot is never outdated, it is about how to present in a modern way. The brotherhood of the gangsters were so touching. No MSGs, no grandstanding, no too much focus on the old movie stars - this is just what we, the audience, want.

The Kowloon Walled City is always a mysterious legend to me, I must give credits to the production team for building such a beautiful replica of the city. No matter you like the plot or not, I suggest everyone who like HK culture or miss the old HK to watch this in the theatre.

I didn't read the book or comic so I watched it without prior knowledge. This movie got really great set pieces remind me of old shops I have visited in Hong Kong when I was little. The set pieces and art directions is top notch and respect to they chosen to film close ups of it all during the end credits.

But story wise it is a run off the mill revenge and triad story, so if you were gonna to expect some interesting story it quite lacks it. Next to that the more interesting stories were happening around the main story, with people working in the walled city and especially the little girl doing all kinds of odd jobs was more interesting then the all the main character combined and also the only character you really feel most for. But also it feels like we are missing a whole prequel movie that was shown in the flashbacks moments, to understand the main story a lot better.

The movie has a lot of over the top action, but also comic characters who are over the top with special moves. But for me the final fight felt it dragged on for too long.

For me for I wished they made another movie with these set pieces, but too bad all of it is long gone as they were filmed several years ago. I would rather watched a less triad involved simple romantic or coming of age stories set in the walled city.