Truelove

Truelove starts with a question that nobody wants to answer - could you and should you kill a friend if they asked you to? But it doesn't linger. The story moves forwards at a pace that keeps the weight of its moral quandary off of the shoulders of the viewer. It's comical, nostalgic, heartwarming and fun despite its subject matter.

The story, told through a stellar cast, is well balanced and constantly developing through each episode. It resists the temptation to be carried too far into any specific genre whilst giving the audience enough familiarity on which to hang their reference points. Police procedural, thriller, drama, it has hints of each without compromising on its highly original concept. The show strikes a pleasing balance between entertainment and stimulation whilst opening up discussion with viewers both young and old(er).

Sue Johnston is amazing - I take my hat off to her she still looks amazing and I recently read she's not had a long term partner for decades (She could've had me at any point) which makes this even more poignant really seeing the married long term dynamic.

Lindsay Duncan is up there, she's very good at playing cool as a cucumber and again still looks great.

The whole cast we've seen over the decades on our everyday screens but that doesn't sully the bond that's quickly built between the main group.

It's very close to home for me and I did shed a few tears, my own Grandma has Dementia and I've been seeing this - I pray lovely Sue remains sharp as a tack and it's never too late for her to find love (you don't have to share a house - as per the article I just read!) I watched The Cockfields sitcom and it then lead me here in 2025 so I'm glad for that.

I'm disappointed but not flat out shocked at the number of reviewers here who seem to view any treatment of end of life subjects played by actual oldsters as depressing.

This isn't -- not a bit. Instead, it's a very twisty take on the subject of assisted suicide with plenty of nuance and a lot of surprises you won't see coming.

One of the biggest surprises is someone actually turned out a script about old people that isn't solely comprised of patronizing stereotypes. These folk all feel very real -- the unique distillation of their own complicated (and often compromised) lives and careers.

It's fun to watch, despite the subject matter -- more police procedural in tone and content than dark night of the soul.

I got hooked about 10 minutes in due to the stellar cast. This moves slowly but in a world of fast everything, this isn't a bad thing.

This story is so pertinent with the current demands for assisted dying and the wonderful Esther Rantzen appeals.

I am currently up to the end of episode two and the last scene broke me, the first class actress Sue Johnston played this scene mesmerisingly.

I realise that the rest is going to be a hard watch but the story telling takes you along slowly with it.

I'm age 57 and this is something that interests me greatly.

It will make you think deeply about the subject matter which is covered in a beautiful and highly sensitive manner.

After the death of a friend, a group of close friends in their seventies make a pact with one another, true love, a merciful act of assisted dying, question is, will they get away with it?

What a year 2024 has been for drama so far, Mr Bates and The Post Office has rightly taken most of the oxygen, but this drama has also had people talking.

This is a captivating drama, I loved it. After the first two episodes, I didn't quite know what to expect, a romance, a dramedy, or a social exploration of assisted suicide, after episode five, I was left in no doubt, it's a straight up thriller, one with some fantastic twists and turns.

Full of surprises, it will have you guessing til the final act. There simply aren't enough dramas like this these days, certainly those with as much imagination.

I like that the central characters aren't particularly likeable, Phil for example is rather unpleasant, she is very manipulative, and incredibly controlling, Duncan however is marvellous.

Wonderful to see a primarily mature audience, and each of them nails it, Lindsay Duncan, Clarke Peters, Phil Davis, Sue Johnston and Peter Egan, all outstanding.

9/10.