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This movie is quite bad. I gave it a 4 (which is probably too high) due to the fact that I actually made it through all the way, albeit close to giving up a few times. Basically, it does nothing right: it's not scary, the story is not original or intriguing; it's very predictable; there are many irrational decisions being made by the characters; the psychology of the characters doesn't feel authentic. Sometimes the scenery was quite good, and the fact that it was so bad made it a little bit charming in a weird way. There might or might not be some talented folks involved in the making of this movie - probably not - but it's likely one of those cases where too many people submitted ideas (taken from other movies) and the actual creator(s) threw too much in there, creating a mess. I don't recommend this to anyone with the slightest ability of critical thinking - it will torture you. However, if you're an oblivious man or woman, this might be just for you.

The concept and storyline in the movie was alright, the acting as well. I also found the balance between jump-scares and overall creepiness good. But after 80% of the movie, the plot took such an awful turn and everything until that point was also suddenly destroyed by this. It got too much and I felt like the creator wanted to cram in every single idea in the last ten minutes, even though it would have been so much better and more creepy if he'd just end beforehand. The characters where also quite stereotypical and there was not a single character development. The dialogue was also boring.

At the other hand, for Joakim Lundell, I think this is a great accomplishment. Even though I'm not too familiar with him, I almost feel proud. And you also have to keep in mind that this was a debut from someone who haven't done film before.

But I still hated this movie and I wouldn't recommend it.

I really did want to give this movie a honest chance because I like Joakim but it really was terrible.

The character development didn't exist what so ever, for all I care all of them could die and I would've forgotten about them the next scene.

The sound effect were so over the top that I almost thought some I've them were a joke. For example why would you add a jump scare sound to a small drone flying by?

The over all cheapness and lazyness it so apparent that I actually laughed at times. For example when a character almost drowns and. Lies on the bridge, why is her hair completely dry? And in the first scene, you can see the shadow of the Serbian girl when she jumps down in the grass.

The plot was so predictable that I said out loud what was going to happen next and 9/10 I was right.

My final judgement is that this is more of a YouTube video that a movie and it does not belong on the big screen. I prefer Wicca over this.

After seeing about 2500 movies I have to say that this felt like a 80s rip-off. Boring, predictable plot. Didn't make any sence at all, we've seen it all before. Felt like it was made as a tribute to old horror movies from the 80s? Felt like I was watching friday the 13:th part 5...I watched it just to see what all the fuzz is about Joakim Lundell and well I'm not impressed. I could easily tell what was coming and there was no horror-effect on me at all. Acting was ok, but the plot between "old lovers" is also seen before. Overall It didn't bring anything new to me. It could easily had been done with more horror and scary feeling. The water sceens for example. Boring...

One of the most annoiying and boring movie. I have ever watched the plot is just.ad Move barely bothers to disguise its pilferings from the DNA of other comedies. The self-sufficient neighbours are descended from the Goods of The Good Life. The grouchy shopkeeper who barks questions at an invisible husband out back is a straight lift from Little Britain. There are Tykeish traces of Last of the Summer Wine. The main joke of the recent sitcom This Country was that the countryside is a moral and intellectual cul-de-sac. But the show's main ancestor is Lead Balloon. Bad Move is Lead Balloon in wellies.

It's hard to tell yet whether Dee's grouchy web designer will be as good company as his perpetually thwarted writer in Lead Balloon, and whether rural Yorkshire's cast of supporting players can supply anything other than sketchy gargoyles. No one's exactly stretching themselves - Miles Jupp as the smug paterfamilias next door in particular feels like he's phoned one in he did earlier, and Seann Walsh as the overgrown rock star next door is a wild card with limited appeal.

At the moment it looks as if the script has sent away its knives for sharpening and not got them back yet. But Dee's miserablism is a gift that keeps on giving. "We can't even take the easy way out and slash our wrists," he concludes. Might have to see how this one pans out.