Malpractice

Excellent miniseries. Well written. Paced to perfection. Intelligently shot.

It didn't drag on too long, nor was it truncated to too few episodes. The casting was superb. And the actors performed brilliantly.

The plot also dealt with a very topical issue: the problem of addiction to prescription - rather than street - drugs. And touched upon the stress of the recent COVID pandemic as well. A strong story that had me hooked through all 5 episodes. Yes, at times a few characters were over-scripted (namely the duo on the internal investigation panel), which was grating, but this can be forgiven considering the quality of the rest of the drama.

It's great to see GOOD telly made once again, considering all the 'pap' put out by TV these days, both in too many other miniseries and in non-dramatic broadcasts.

They didn't labour the 'ah-ha' realisation moments. The viewer wasn't treated like an idiot. So there was no feel to this of a soap-y and lightweight miniseries. This one will stay with the viewer for some time. And it is a good memory.

Look, this didn't send frissons of excitement up my spine but it was reasonably tense at times. The thing is not to take everything at face value or there wouldn't be a TV series.

How anyone in charge, no matter what class of work - could have access to such detailed personal information about one of their employees is mind boggling, admittedly.

At any rate, I did enjoy it and even rooted for the main character even though I found her to be rather unlikable. There were other unpleasant characters too, I guess none of them really covered themselves in glory.

Still, in the end it was a good watch. The only guy I vaguely recognised, still not sure from where, turned out to be the baddy!!!

I loved series 1 (majorly helped by the always-excellent Niamh Algar) but S2 falls into the realm of ludicrous. Tom Hughes (excellent individually) plays a doctor who has such bad luck it's a wonder that he didn't choose to take a few days off.

Affairs, bullying, drugs, mother/daughter drama and lying senior staff makes this feel a bit 'naff'. There's several solid acting performances but the material limits them.

It's actually a concern if 'real doctors' ever have this level of poor judgement...I also think s2 would put anyone off having a baby again on an NHS ward.

The whole of series 2 beckons the question 'Why didn't anyone think it was getting a bit silly?!' I don't recommend. In a world where there's lots of good T. V Dramas on various platforms, I'd avoid...in fact I'd go and watch Casualty instead.

Malpractice doesn't muck about it has an explosive opening that shows the pressure A&E departments and their staff live with. The writer Grace Ofori-Attah was herself a Doctor in the NHS for ten years and the world's she's created here felt totally authentic.

Some of the critics have christened it Call of Duty meets Casualty and that's not a put down. Its an investigative thriller and a very twisty one - far removed from the more earnest look at the NHS under the cosh seen in 'This Is Going to Hurt' on BBC1 last year.

Production values were good throughout with an excellent script and a strong cast. A big shout out to the lead Niamh Algar for another stellar performance (also brilliant in 'Deceit').

There are a few moments you may need to suspend belief (could someone she previously knew investigate her - no) - but with such a good story and cast I didn't mind.

It's a truism that it's easier to start an interesting story than it is to finish it. I found this one gripping in the first couple of episodes. By episode 3 I was looking up how many more episodes there were left to go.

The story and the predicament of the lead character got more and more fraught, but it might have been hurried along, in my opinion.

In episode 5, not surprisingly it all reaches a crescendo - but then rather lamely, too smoothly and quickly comes to the conclusion.

I think it's almost a rule now that TV drama serials have one or two episodes too many. I presume it's somehow cheaper to spin out one series out than to generate two.

There are some clichés, for example those TV drama disputes where characters have an argument lasting one minute, which ends when one of them simply leaves the room.