The remake trilogy pushes onwards, blowing up the middle chunk of the original to bigger and prettier screens.
The main flaw of the first part persists here. The game is bloated; story beats are too dragged out, elongated, never ending, like a sentence that just refuses to let that full stop get in there; onwards and onwards it goes, exhausting the reader, until it's assured that there will indeed be words after it and perhaps it is actually time to quickly wrap up. But, it works. Mostly.
One of the main strengths of the original is how it throws so much at the wall with such confidence. Perhaps this is because in its shift from 2D to 3D the devs were unknowingly setting so many standards, in the same vein as Wells with Citizen Kane. Some of it doesn't work, but that's ok. It's pure unabashed entertainment, with little meddling from above.
Rebirth emulates this, with its plethora of minigames, tone shifts and crazy sequences. Parts of Rebirth are now up there in my favourite gaming moments.
The section this part is adapting is a string of quests exploring individual character's pasts. So the pacing is, like the original, rather stop and go. This is an adventure game, through and through, with extremely well defined characters. Running around the different locations was glorious, simply glorious.
I am a little dubious of the game's final act. After going through the hellscape that is Kingdom Hearts, I'm tentative towards a plot of convolutions. While Rebirth did make Remake somewhat more coherent, I'm still a little weary of complications for the sake of complications. Unless they pull off some interesting narrative tricks in Part 3, I do find this a flaw of the remake trilogy.
Having said that, I like that it's technically a new story. The original is still there. If it was just a straight remake, the trilogy wouldn't nearly have the staying power that I hope it eventually has. I do hope for a remaster of the original though, the gameplay is still pretty fun but a remodel of the Lego people would be nice.
In a shocking change from Remake, the side quests were actually pretty decent. Even the ones that felt initially tedious tended to have something charming or memorable at the end. Some of the songs specifically designed just for sidequests (Bow Wow Wow) were as incredible as the rest of the soundtrack.
By making the world vast and explorable, they've spread out Ubisoft style objectives. Most of these are pretty perfunctory, giving the player an excuse to run around and experiment with the game's excellent combat. I did them all. Every tower, every unique battle, every god damn moogle minigame. And I never, not once, felt bored as I usually do with Ubisoft's approach. This is a testament for either my inhuman patience or how fun the game actually is.
As for the other minigames, I really liked the majority. Some people really seem to not enjoy them, but that's ok, culture isn't for everyone. From Tower Defense, to Virtual Bikes, and a Gwent-tier card game (strong words, I know) there is bound to be at least a few things each player can enjoy. All of them feel pretty fleshed out; the quality found here is just astounding. This is the first modern Final Fantasy to match the grand scope of the originals, both in its gameplay elements and world scale.
Rebirth is a step up in almost every way from Remake. The oppressive and moody atmosphere is gone (I still miss Midgar!), but in its place is a genuine feat that I can't believe actually got made. It's flawed, so very flawed, especially in its final act if Part 3 doesn't pull finger. But I'd rather a game be flawed with style - it's more interesting than a "perfect game" of the times. So many of those are lost to technological improvements. Final Fantasy VII has charm, and the remake trilogy brings it to the future.
