Ye Wen: Zong shi jue xing

This doesn't feel like Ip Man at all. Not just that, but as far as martial arts movies go it wasn't even enjoyable. The acting was bad, the story was bad, everything about this felt really sub par. I may have enjoyed it as a bad martial arts movie more if it wasn't trying to pass itself off as an Ip Man movie.

Do yourself a favor and don't waste your time on this. The martial arts felt more 80s martial arts than modern day. The acting was rough, I struggled to watch the fights. This is not anywhere close to Donnie Yen quality.

I will not recommend pay to watch because its really wasting money. The story is just below average same as other versus gangster stories. The story nothing to phrase on and very predictable from start to end.

A lot of the storyline are very illogical and total nonsense. The acting are poor and worse the main Ip Man cast a young man still in college but the actor is so old with wrinkles! The make-up is so poorly invested and everything is so budgeted.

The directorship is poor, stunt is poor, story is below average, acting poor, effects poor, stunts poor, nothing is good!

I cannot give more than 4/10 because this is one of the worse martial arts movie I had watched in 2021 and 2022! It really brought down the Ip Man series of movies. The quality is like year pre 1997 when HK movie industry trying to make more money (before HK handover) by quantity and neglect quality.

One reviewer stated that it slaps Donnie Yen in the face; I didn't really mind that they cast Tse Miu (who oddly is not listed in the casting) to play Yen's character at a young age, his acting was actually decent. But the problem wasn't that Yen wasn't cast, it's that it lacked Wilson Yip's directorial magic, and Edmond Wong's creative writing - both of whom did all the previous Ip Man films (I've seen them all) that made me a fan of the franchise. The real slap in the face goes to those two, because it's evident this film was missing their magical touches, especially the fight scenes.

Here, you have two directors in this one - Li Xi Jie and Zhang Zhu Lin, and Fang Lan and Liu Bayin as writers, who instead gave us 1980's slow-mo cheesy and sappy scenes. Some of the choreography, especially at the beginning, was just as bad as the writing and directing.

Although the cinematography was up to par as the previous films, and the actual story had its merits, the rest of the production was a let-down of my expectations. Would I recommend this one? Well, if you're a fan of the franchise, it's a decent (but not great) origin story, so I'd say yes. But don't have high expectations like I did, as this production if far from the greatness we'd expect from Yip and Wong. Hopefully this mess inspires them to give up a better origin film. Sadly, it's a generous 6/10 from me, most going to the cast who I'm sure tried their best with what they were given.

Those responsible for this ignoble movie should at least be fined for defaming the Yip Man legend.

They did not even try to tell something new and even less original: they just patched up a few episodes from the previous fine films with some unbelievable ludicrous evil characters with the gullible heroes they were just dumb enough to conceive.

Looks like the IP MAN character is still capable of bringing in a few pennies, hence we have THE AWAKENING, a prequel film made on the Chinese mainland. There are no familiar cast members in this one and the story, in which the future hero tackles some local street thugs and gangsters, is absolutely negligible. What this does have going for it are some fairly commendable production values which at least get the scenery semi-convincing for the era, and a great deal of fight scenes which I found more than adequate considering the low budget nature of the production. Not the kind of film to set the world on fire, but it'll do...