El Conde

Very good movie. Probably one of the best "vampire" movies I have seen. Don't expect your normal hack and slash vampire stuff. Quite more sophisticated plot than that. You never know where the movie is headed. Thumbs up.

The black and white cinematography is excellent. The classical music score is excellent. Acting is top notch.

The plot keeps delivering new angles on a politically driven baseline. Key historical figures enter into the plot. I can be certain I didn't get all of the Chilean political references which are buried here.

The humor is very dry and subtle throughout. Just another ingredient that keeps things interesting.

The B/W cinematography is one of the best elements of the movie whilst the nun character is pretty useless because everything just could have unfolded in the same way without it.

Regardless the latter, the performances are great, but I think Chilean audiences should understand in a better way the jokes, allusions to Pinochet family and his actual political history than any other. I think that's not very efficiently worked in the script.

In the other hand what the script does work smartly enough is the relationship between him and his wife Lucia showing clearly who was in charge of everything.

A weird, not fully accomplished but in a way entertaining movie.

It is a strange film which is hard to fit any label or classification. It has great merits, but still disappointed my expectations. It also travels through multiple genres not fitting well any of them, for better or worse: gore horror, dark humour comedy, political satire, and even political thriller. Visually, the movie is very nice and Pinochet's portrayal is astonishing (how similar with the military devil makeup turned Jaime Vadell!). I loved all the vampire origin stories in Ancien Régime. It was also quite good to have a timeline drawn through Haiti, Cuba, Russia (Pinoche always against the revolutionaires)... it would be great if it were more explored indeed. The bad character of all members of the family and of the torturer butler was well depicted. However, the film also has serious drawbacks. The script is unbalanced and should have been tighter. Pace is irregular, alternating awesome moments with quite sluggish parts. The behaviour of the characters seemed too inconsistent too, being hard to understand their motivations, and not because they were deceiving them. The interviews by the exorcist nun were slightlty unconvincing as sonething to actually happen, but they did allow the script to mock and denounce a lot the multiple crimes (from corruption to murder) of Pinochet's family and their impunity.

Beautifully shot in 99.9% B&W from a very leftist perspective about the eternal legacy of power, corruption, greed and wealth using vampirism as a metaphor. Here the church in the embodiment of a condescending nun, who though in nature should be the liberator of vampire souls, is in reality secretly in pursuit of the same forces through lust. It's really quite bizzare, surreal, expressionistic, kind of incomprehensible and black as black comedy can be. The humor can suddenly jump at you and make you laugh and it has some famous political figures in it to set its political stance. Watch it if you want to experience something mesmerizing but weird from the other dimension.

Great premise; oddly executed. Chile's brutal fascistic former leader Pinochet was actually a vampire who started as a soldier in Napoleon's army. This film takes place while he's living in seclusion after faking the death all the world thinks it had witnessed. The Church sends a brilliant young nun there to try saving whatever soul may lie within him, and snatch what she can find among his massive hidden wealth for the Kingdom of God. His non-vampiric wife and five middle-aged children have their own financial aspirations, gathering in anticipation of the REAL death the old guy now wants. Pinochet can't remember where he stashed all the documentation of his global holdings, accounts and investments, so the hunt begins.

This setup could have played out as a zany farce, mocking real-life historic figures, as was done in the delightfully caustic satire, The Death of Stalin (2017). But this pursues a completely opposite comedic direction. It's shot in extremely gloomy B&W, in bleak and barren settings resembling a ghost town in a desert. The lack of color links it to the seminal vampire flicks of the 1930s -'40s, tones down the visceral impact of the gory stuff, and amplifies the craven aspects of human nature. Film students may admire the techniques for sustaining such extreme understatement.

This may unfold too slowly and subtly for many, but the satire hits multiple targets, with a wonderful bonus twist in the last 20 minutes that rewards one's patience.