IMDb रेटिंग
6.8/10
2.5 हज़ार
आपकी रेटिंग
एनआरआई मधुमति पश्चिमी संस्कृति की आदी होकर अपनी शर्तों पर जीवन जीती हैं। उसकी मुलाकात एक लापरवाह शराबी मधुसूदन राव से होती है, जिसकी पत्नी लेखा थक चुकी है और तलाक चाहती है।एनआरआई मधुमति पश्चिमी संस्कृति की आदी होकर अपनी शर्तों पर जीवन जीती हैं। उसकी मुलाकात एक लापरवाह शराबी मधुसूदन राव से होती है, जिसकी पत्नी लेखा थक चुकी है और तलाक चाहती है।एनआरआई मधुमति पश्चिमी संस्कृति की आदी होकर अपनी शर्तों पर जीवन जीती हैं। उसकी मुलाकात एक लापरवाह शराबी मधुसूदन राव से होती है, जिसकी पत्नी लेखा थक चुकी है और तलाक चाहती है।
- पुरस्कार
- 4 कुल नामांकन
Chaitanya Garikina
- Gopal
- (as Chaitu Babu)
- …
Kishore Kumar Polimera
- Rajesh
- (as Kancharapalem Kishore)
फ़ीचर्ड समीक्षाएं
Madhusudhan and Lekha have been separated with Lekha applying for divorce citing his alcoholism as one of the major reason. He spends all his time drinking and hoping she would come back, refusing to divorce her. A 19 year old NRI teen Madhu arrives in India to attend a marriage. She feels alienated in both the countries and has frequent clash with her disapproving mother, be it the way she behaves or how overweight she is. How these two Madhus meet and why goes through their lives, will Madhu and Lekha divorce or will Madhu and her mom make up, forms rest of the story.
On paper, it definitely sounded far more decent than what was executed on screen. Definitely, the performances elevated the scenes quite a lot and the non-linear narrative helped to stay invested with the story. But, the way I was connected to the story of Madhusudhan and Lekha, I felt as disconnected with the story of Madhu and not that I couldn't follow her story but how her subplot felt had nothing to contribute to Madhusudhan, neither she takes away anything from his life. It's just two random strangers meeting and talking to no avail.
If I get to separate these two stories and entirely then it appears much better with Madhusudhan and Lekha story having much weight and most importantly being relatable. To put it simply, it was more wholesome. Here's a couple who loved each other and then they fell out of love. The mystery behind why the parted is well kept till the end though it's not hard to predict but is more satisfying in seeing the character remember and realise in the end. Overall, Month of Madhu is in a way a missed opportunity and could have been a far better film if the NRI story was handled more effectively.
On paper, it definitely sounded far more decent than what was executed on screen. Definitely, the performances elevated the scenes quite a lot and the non-linear narrative helped to stay invested with the story. But, the way I was connected to the story of Madhusudhan and Lekha, I felt as disconnected with the story of Madhu and not that I couldn't follow her story but how her subplot felt had nothing to contribute to Madhusudhan, neither she takes away anything from his life. It's just two random strangers meeting and talking to no avail.
If I get to separate these two stories and entirely then it appears much better with Madhusudhan and Lekha story having much weight and most importantly being relatable. To put it simply, it was more wholesome. Here's a couple who loved each other and then they fell out of love. The mystery behind why the parted is well kept till the end though it's not hard to predict but is more satisfying in seeing the character remember and realise in the end. Overall, Month of Madhu is in a way a missed opportunity and could have been a far better film if the NRI story was handled more effectively.
When I watched it for the 2nd time, I have realized more of what director really wants to show through this movie.
Every character at its best. Less dialogues with great expression.
This movie making must have needed a lot of observations of different characters and their way of showing affection, and people around them.
It has so many hard hitting points with a deeper meaning.
Definitely this movie is not for commercial purpose.
How many times I ever watch, May be if will feel new Everytime just like a piece of abstract art Music is extraordinary. Music and dialogues Felt very close to heart.
Every character at its best. Less dialogues with great expression.
This movie making must have needed a lot of observations of different characters and their way of showing affection, and people around them.
It has so many hard hitting points with a deeper meaning.
Definitely this movie is not for commercial purpose.
How many times I ever watch, May be if will feel new Everytime just like a piece of abstract art Music is extraordinary. Music and dialogues Felt very close to heart.
Watch MoM on your mobile or your laptop when you've got a great game of tennis or something far more engaging is playing on the TV.
It's the pace of narration that gets to you at first, and then you start noticing that it's a story of a typical cocky, irresponsible and egoistic youngster who's, by local standards better looking than the rest of the unkempt lot. All Naveen Chandra had to do was rehash his role in Ammu. It's usually those girls with low EQ that fall prey to characters like these. And Swati did well as the ignorant teen and the practical young lady.
The US track looks like it was slapped on so that a short film can pass off as feature length movie.
While it's understandable that the mutton packet is kept a mystery until the end, it's criminal to parch the audience with hot air for the length of the film.
The chances of viewers tapping out in the middle of 2nd half are very high. This mutton biryani takes forever to cook.
It's the pace of narration that gets to you at first, and then you start noticing that it's a story of a typical cocky, irresponsible and egoistic youngster who's, by local standards better looking than the rest of the unkempt lot. All Naveen Chandra had to do was rehash his role in Ammu. It's usually those girls with low EQ that fall prey to characters like these. And Swati did well as the ignorant teen and the practical young lady.
The US track looks like it was slapped on so that a short film can pass off as feature length movie.
While it's understandable that the mutton packet is kept a mystery until the end, it's criminal to parch the audience with hot air for the length of the film.
The chances of viewers tapping out in the middle of 2nd half are very high. This mutton biryani takes forever to cook.
-Overall screen play ,
-story ,
-and background scenes are good
-and seems to be it's realistic moments,
-good music ,
-background score,
-at last must watch movie.
-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5
-Overall screen play , -story , -and background scenes are good -and seems to be it's realistic moments, -good music , -background score, -at last must watch movie.
-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5
-Overall screen play , -story , -and background scenes are good -and seems to be it's realistic moments, -good music , -background score, -at last must watch movie.
-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5.
-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5
-Overall screen play , -story , -and background scenes are good -and seems to be it's realistic moments, -good music , -background score, -at last must watch movie.
-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5
-Overall screen play , -story , -and background scenes are good -and seems to be it's realistic moments, -good music , -background score, -at last must watch movie.
-Movie 4/5 -Music 3.5/5 -Story 4/5 -Values 5/5.
Month of Madhu is tale with real life characters who live next to us. The director Srikanth shown us what is cinema, and how is it done. Madhu (naveen Chandra) and Madhu (Shreya navya) belong to two different worlds happen to meet and what happens next. This movie shows us what true love looks like, the decisions made in love and out of love.
Lekha(Swati) is the most realistic character of any movie till date, she takes you to her life.
Vasuki (Gnaneswari kandregula) is an epitome of beauty and her performance makes you cry with her.
Viva harsha is the best comedy and actor ever. Mayya!
Camera man did great job. Music is awesome.
Lekha(Swati) is the most realistic character of any movie till date, she takes you to her life.
Vasuki (Gnaneswari kandregula) is an epitome of beauty and her performance makes you cry with her.
Viva harsha is the best comedy and actor ever. Mayya!
Camera man did great job. Music is awesome.
क्या आपको पता है
- ट्रिवियाIn the grocery shop scene (2003) where Bhushan and Madhusudhan Rao are talking, the landline at the shop really rang and the actor Harsha Chemudu attended the call impromptu! The director liked it and included it in the movie.
- गूफ़In the scene where Madhumathi sees Gopal at the beach road and asks him if he is following her, the film's dumb chief AD can be seen walking away in the background realizing that the shot is in progress.
- साउंडट्रैकNaa Tholi Chinnari Premo
Krishna Kanth
Haricharan Sheshadri, Aditi Bhavaraju
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 2 घं 20 मि(140 min)
- रंग
- ध्वनि मिश्रण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें