अपनी भाषा में प्लॉट जोड़ेंWhen the body of his oldest friend is found buried in a shallow grave, Dan, a small-town cop, seeks answers from a volatile Hermit who may have been the last person to see his friend alive.When the body of his oldest friend is found buried in a shallow grave, Dan, a small-town cop, seeks answers from a volatile Hermit who may have been the last person to see his friend alive.When the body of his oldest friend is found buried in a shallow grave, Dan, a small-town cop, seeks answers from a volatile Hermit who may have been the last person to see his friend alive.
- पुरस्कार
- 6 जीत और कुल 5 नामांकन
फ़ीचर्ड समीक्षाएं
I'm not a feminist and I believe men deserve to have their stories told but I found this to be a tedious journey trying to explore the minds of broken men. The exploration itself is at the pace of a snail, I found myself and my girlfriend looking at our phone because many of the scenes just were too quiet that nothing was really going on. I love quiet and poetic cinema and always applaud the use of restraint in storytelling, especially not to over-indulge with so many film-making trickery and camera angles.
This film did not tell a story well, instead it indulged itself with men behaving like boys and a chance for an esteem actor such as Hugo to have fun and act like a fractured, naughty little boy.
The other actor seemed to play it very calm, but I felt his presence was not quite there.
I didn't know what this film was about, maybe I wasn't paying attention, maybe it wasn't clear enough or maybe I'm just not intelligent enough.
It seems to be a theme in Australia where directors like to mimic other styles of Aussie storytelling, it's the tedious and horse-flogging style of really dragging it out.
As they say boys will be boys.
This film did not tell a story well, instead it indulged itself with men behaving like boys and a chance for an esteem actor such as Hugo to have fun and act like a fractured, naughty little boy.
The other actor seemed to play it very calm, but I felt his presence was not quite there.
I didn't know what this film was about, maybe I wasn't paying attention, maybe it wasn't clear enough or maybe I'm just not intelligent enough.
It seems to be a theme in Australia where directors like to mimic other styles of Aussie storytelling, it's the tedious and horse-flogging style of really dragging it out.
As they say boys will be boys.
This is so much more than a mystery. It is a beautifully crafted story about friendship and Hugo Weaving deserves every award going around for an absolutely authentic performance (Phoenix Raie is brilliant too). The background of the story is a man dealing with depression but it is not a sad film - without giving anything away it turns all your expectations on their head. The script is perfect and sparing - at its heart it is a film about male communication, how hard it is and how kindness and trust are so important. I have never seen anything like it and have not stopped thinking about it since I saw it two nights ago.
I honestly don't get all the naysayers here. Yes, it's a slow movie. Yes, it's depressing. Yes, not much happens in the typical sense. None of that makes this a bad movie. I personally really liked it. I enjoyed watching this unlikely friendship happen at its own abnormal pace. I thought the actors were quite adept at making me believe this. And I also enjoy where this story went and where it ended. I recommend anyone who's OK with this type or cinema that's not meant to have you at the edge of your seat, but rather witness life happen, to give this film an honest try and watch it any way they can. I certainly hope you aren't disappointed.
I thoroughly enjoyed this film written and directed by Mark Leonard Winter. An amazing performance by Phoenix Raei and Hugo Weaving. The film touches on mental health issues as well as the loneliness that many people face. To me It inspired many emotions which change throughout the film. The policeman played by Phoenix. Raei was outstanding and highlighted the stresses and mental issues that some police officer may be subject too. Hugo Weaving's performance was brilliant. I loved the film setting and the cinematography. The sound editing was amazing with a special mention to the excellent work by the foley artist whose work was outstanding.
"The Rooster," starring Hugo Weaving and directed by Mark Winter, is a cinematic gem that I was lucky enough to see it at MIFF. Hugo Weaving's performance is exceptional. He effortlessly embodies the complex character, bringing depth and authenticity to every scene. Mark Winter's direction is a revelation. He masterfully navigates the narrative, creating an atmosphere of suspense and intrigue that keeps you on the edge of your seat. The pacing is spot-on, and Winter's ability to capture the essence of each moment is truly remarkable. His visual style adds an extra layer of depth to the film, making it a visual treat.
The Rooster's screenplay is equally impressive. It weaves a compelling story filled with unexpected twists and turns, making it impossible to predict the outcome. The dialogues are sharp and thought-provoking, adding layers of complexity to the characters and their motivations. The cinematography was also a real standout for me!
The Rooster's screenplay is equally impressive. It weaves a compelling story filled with unexpected twists and turns, making it impossible to predict the outcome. The dialogues are sharp and thought-provoking, adding layers of complexity to the characters and their motivations. The cinematography was also a real standout for me!
क्या आपको पता है
- ट्रिवियाThe director lives in the area this film was set in and was also scared to feed his chickens, like the main character.
- भाव
The Hermit: Shove your fucking poem up your ass, fuckhead!
- साउंडट्रैकNa Na Hey Hey Kiss Him Goodbye
written by De Carlo, Frashuer & Leka
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Rooster?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $47,356
- चलने की अवधि1 घंटा 41 मिनट
- रंग
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