Molli and Max in the Future

Snappy, thoughtful, and insightful dialog drives the audience through a surreal deep future. Science Fiction with a good dose of absurd fantasy and special effects that set the tone perfectly. Most immediately reminiscent of The American Astronaut (2001).

The level of absurd fantasy sci-fi in this movie is for anyone who likes Rick and Morty or Adventuretime; ridiculously sublime.

The music is a perfect jazz score. The acting is superb from those with one line to the main cast. Spot on delivery.

With a running time of a tight 90 minutes it left me wanting more, especially once treated to the outtakes that run through the credits. Some hilarious lines that didn't make it in.

Greetings again from the darkness. I'll readily admit that I'm not an expert in outer space-based Science Fiction Romantic-Comedies. If you press me for a description of writer-director Michael Luk Litwak's film, it would be "WHEN HARRY MET SALLY ... in future space". Of course, this low budget flick is no match for Rob Reiner's classic 1989 Rom-Com, yet the mismatched couple and the recurring spontaneous meetups does strike some familiar chords.

Zosia Mamet stars as Molli and Aristotle Athari is Max. Zosia is a quirky actress known for "Girls" and the daughter of renowned writer David Mamet. Aristotle is best known for the season he spent on "Saturday Night Live". This isn't one of those shock-and-awe super special effects sci-fi spectacles. Instead, beginning in Chapter One, spaceships collide. One driven by Molli and one by uninsured Max. Rather than bicker over fault, the two display out-of-this-world chemistry ... unorthodox chemistry for sure ... but chemistry nonetheless.

Beginning with that initial bonding, viewers should brace themselves for non-stop banter whenever Molli and Max are together - something that happens frequently over the 12 years featured here. These reunions occur on various planets, across multiple dimensions, during a relationship with a robot, after joining a cult, and while living as a celebrity. One's enjoyment of the film will surely be determined by how the rapid-fire dialogue strikes - is it charming or grating? Those charmed will likely focus on the friendship/romantic two-step. Those annoyed will likely notice the political angle that filmmaker Litwak tries to sneak in.

With Special Effects intentionally a notch below BARBARELLA (1968) and FLASH GORDON (1980), the green screen images may be cartoonish, but they fit with the overall tone here. This feels like one of those films that will find a very receptive niche following, while others will be baffled by the appeal.

In theaters beginning February 9, 2024.

Molli and Max in the Future is probably too rom-com centric for sci-fi geeks and too bonko f/x-driven for Hallmark Channel subscribers.

Written and directed by Michael Lukk Litwak, Molli and Max in the Future pays homage to Nora Ephron's When Harry Met Sally, as well as Woody Allen sex farces, all wrapped around a glitzy sci-fi rendering that looks like the backlot of Luc Besson's The Fifth Element. Litwak then takes Ephron and Allen's caffeinated humor and blends it down to a vanilla soy latte. Rude sex and emotional inadequacies are jettisoned in favor of Millennial over-achievement and career depression.

Adapting Annie Hall in outer space makes for a great concept. Honestly though, when it comes to sci-fi and love, most Trekkies, Wookies, and Time Lords might instead opt to simply rewatch the Han & Leia scenes from The Empire Strikes Back.

I can't give it the whole 10 stars, because, if there's something that I can't stand almost as much as my tinnitus it is, jazz lounge music...I could put it in the same list as babies crying in airplanes, cats in heat and overly happy parrots, and there's a lot of that music in this movie. Actually I think the whole soundtrack is jazzy music. Other than that it was awesome.

Put in a blender, Futurama, When Harry met Sally, and one of the best written sketches from Saturday Night Live and you'll have this movie.

There are so many kinds of humor, but in here you're going to find the intelligent kind, no rudeness, insult, stupid slapstick or dark. It's just clever and silly, just the way we feel when we are in love.

If you liked the 2006 cult classic Idiocracy then you'll get this as well.

A vehicle for the writer/director to unload on the foibles of humankind (apparently universal themes that apply to alien cultures as well).

There's a presidential election, a plague, a cult, an evil cheese corporation, and two people trying to understand what love is. All this is topical at the moment, but timeless.

Low cost production which adds to the comic effect. A really impressive effort for the writer/director, perhaps his magnum opus - hopefully there's more to come.

The actors played their parts brilliantly, innocently bumbling around until coming to some personal realisations.