Anikulapo

Anikulapo is a very beautiful, well produced movie. The visuals are great. The production value is very rich, the acting in the movie is very good. The scores and soundtracks, and the very rich display of the Yoruba culture are top notch and one of the best things about the movie. My only issues with the movie is with the story. Although the story is decent, not a bad story but the story is not intriguing enough. The story needed to be as beautiful and captivating as the production value. The story needed more mystery and magic for a fantasy movie. Overall, this is a very produced and directed movie. I hope it gets a sequel or two to complete the story, because it shouldn't end there. I believe the sequel would give the story of Saro and Arolake, the better ending they deserve.

Acting. Special effects. Set and Set design. Audio sync. Dialogue. Costume. Plot.

All these were at their worst. It was a nightmare to sit through. Two hours of cringe and traumatic visuals. A slap on the already disfigured face that is Nollywood. This film does not deserve a national award, much less an Oscar.

The acting was below even the mediocrity that Nollywood is known for. Nostalgia was the director's trump card and it did not work. Instead, it served the purpose of creating a reimagined retro representation of early Nollywood film styles.

A folktale told with clear camera lenses. Poor.

It's a joy for the yoruba race lineage to see their history depicted in a good cinematography. As both enjoyable by the yorubas so those other good movie lovers will for a traditional movie. Anikulapo As it means in English who as conquered death. So as kunle afolayan conquered this movie. A true africa heritage it is. From the beginning to its this this vibe and rich characters that are not new to the nollywood blockbusters to the intrigue of the storytelling. This is a masterpiece for one of the best movie contender of the year. Yorubas should be proud so is the other true africa both in the continental.

I love the story, the cultural representation and the actors. Kunle outdid himself with this film. While i am Igbo, a different ethnicity to the Yoruba portrayed in this movie, I was not lost one bit and almost every scene was relatable as a person. The Settings looked authentic even though i have nothing to compare it to. But it just feels original.

The sex scene too was ok, not to erotic but enough to announce that Nollywood is ready for adding nude and sex scenes to movies to increase its standards. A daring move considering how reserved a lot Nigerian folks are.

Overall its an wonderful movie to see.

The production team achieved a fine work on set and it was beautiful to see a film told during pre-colonial times. Just wished the script was as robust as the production...

DELICIOUS

-What an outstanding display of life back in the day! We truly relished the antique setting, festival, dances, cooking, people walking barefoot, fabric making, clay molding, etc.

Hats off to the hair, make-up, and set design teams! The hard work paid off

-This was Kunle Remi's best performance so far. He genuinely impersonated the character Saro/Anikulapo by showing different facets: pain, pride, infatuation, and power.

The rest of the cast was sublime, especially Bimbo Ademoye annnnnnnd Sola Sobowale did NOT shout😄

-The title best suited Bimbo's role as she 'died and resurrected' to a brand new life embracing strength and seizing critical opportunities to change her destiny

BLAND

-The audio, the audio, sadly, sounded ADR-ish

-Anikulapo was a simple plot told in a simple way; there weren't any sizzling moments to glue us to our seats

We were more like spectators, not involved in the story but just observing Saro's journey. More gripping dialogues could have also made a difference.