Dope Thief

If George Pelecanos has Baltimore and Dennis Lehane has Boston, Tafoya is probably the best spotlight for Philadelphia's crime fiction considering the similarities, which is a shame considering he lacks the volume of work the other two have. Nonetheless, Peter Craig does a good job adapting the novel as a series.

Brian Tyree Henry is Ray Driscoll, an intelligent self-taught crook who makes his money as sticking up drug dealers in Philadelphia alongside his best friend, immature dopehead Manny Carvalho. Deciding to go bigger, they recruit ex-convict Rick to act as a third man while robbing a meth lab. The problem? Rick is killed in a gun battle with the cooks and wounds a third woman, who turns out to be an undercover DEA agent. The bigger problem? The meth lab belongs to an outlaw biker gang pushing into Philly's drug trade, and they know both Ray and Manny stole their product.

The cast is good, with Kate Mulgrew standing out as Theresa, the girlfriend of Ray's father and a loving mother figure to Ray, who calls "Ma" without hesitation. However, the DEA side of the series doesn't really mesh well. Marin Ireland is fine but doesn't really feel noteworthy as Mina. She's not emotive as a character except for a few scenes.

People complained about the dialogue, but I like it well enough. It adds to the influence of both The Wire and Lehane's own body of work. Manny cries and freaks out a little too much for me, but nothing seems out of place in spite of that.

Brian Tyree Henry and Wagner Moura deliver an amazing performance in Dope Thief. They are like virtuoso violinists, transitioning from one scene to another with remarkable skill. The story is engaging; however, the TV series incorporates too many elements simultaneously, making it feel overly chaotic. Yes, it belongs to the crime genre, but it feels like a well-crafted dessert overwhelmed by excessive sauce.

Character development focuses almost entirely on Ray (Brian Tyree Henry), while the other characters could have been explored more deeply. Supporting roles are relegated mostly to the background, which feels like a missed opportunity. I find it frustrating when a series fails to surpass the standard despite having all the ingredients for success.

Although I've criticized the series on these points, I still recommend watching it. It's a good TV series-but it had the potential to be even better.

This came on after I was watching Severance otherwise I would never have watched it. And it's not too bad. There's a lot of going on in the first two episodes. It's action and shootout heavy. But the characters are likeable. So far.

The scenery, lighting, camera work, locations are great IF you like that sort of grainy, grungy look for the most part. I do, so for me I loved that aspect. I'll be going back to see more of the sets for sure.

Hard to tell where it's going. Hopefully the pace slows a little: less gun fights, more character driven storyline. Time will tell. It's worth the first two episodes.

Dope Thief is a well produced show, it looks and feels like a movie and has a decent fast pace to keep you interested. But I found myself struggling to stay immersed in its world. The criticisms I've read about bad dialogue are something I don't agree with, it's fine as those are the characters. The problem is more the contrivances to manipulate your buy-in, in terms of how it wants the audience to root for the anti-heroes. They're essentially thieves, putting people at huge risk, yet they of course have to be likeable, big fuzzy well-meaning bears, with Ray looking after his stepmom, a dog and such like. It just seems a bit much. Then of course the implausibility of allowing this newly-released moronic redneck to tag along on a house siege, even giving him a gun, because of course our anti-heroes can't be the ones to actually kill anyone and ruin their 'innocent' status. That was some contrived writing right there.

It feels like it's trying to be a bit Breaking Bad, a bit 90s Tarantino, the gritty gray tones of The Wire - all of which makes it feel slightly dated. But there's also a strange comfort and familiarity in all that, the lack of gimmicks etc makes it an easy, chill watch. So despite its implausibilities it's still definitely worth a watch.

Dope Thief follows a pair of childhood friends who decide that ripping off drug dealers is their golden ticket to easy money. Because, you know, that always ends well. Their plan? Pretend to be DEA agents, steal the stash, and walk away like criminal masterminds. The reality? Well, let's just say things spiral faster than a TikTok conspiracy theory.

I've only watched the first two episodes so far, but I'm already hooked. The story is developing in a fascinating direction, and while I was skeptical about watching it at first, I'm really glad I gave it a shot.

The heart of Dope Thief lies in the dynamic between its two leads, Wagner Moura and Brian Tyree Henry, who deliver outstanding performances. They carry both the dramatic weight and the tension of the series, portraying two deeply flawed but compelling characters. Their chemistry is undeniable, making the emotional core of the story just as gripping as the crime itself.

Visually, Dope Thief maintains the high production value expected from Apple TV. The cinematography is sharp, the pacing is deliberate, and every scene builds tension in a way that keeps you on edge. The show isn't just about crime-it also quietly explores themes of loyalty, survival, and the blurred lines between right and wrong. And, in true Apple TV fashion, it looks incredible while doing it.

Ultimately, Dope Thief is a crime drama that knows exactly what it's doing. It's smartly written, well-acted, and undeniably addictive. If you're into stylish, character-driven crime stories, I think this one is worth your time. This is my take after two episodes, and I'm definitely sticking around to see where it goes.