Russia 1985-1999: TraumaZone

An amazing series, filled with extraordinary first-hand archive footage presented without audio narration that provides viewers with unique and often highly-intimate perspectives on life in the USSR and Russia during this period. Overlaid only with basic English text, it provides an unfiltered and graphic visualisation of the often-appalling world that Soviet citizens endured - and then how dark malignant forces took root. Watching this series helps one to better understand why Russia and her neighbours are the way they are today, to appreciate the immense pain and endless hardships endured by generations of people across a vast stretch of land. It feels epic and is epically insightful in the process. Brilliantly presented, compelling TV. Living history at its best.

.... But after watching this, I realise I knew virtually nothing.

I was born in 1971 in the UK. I studied modern history. I lived through the of the Cold War and vividly remember the Berlin Wall coming down. I remember the attempted coup in Russia. I remember the joy at the Cold War ending and Russia emerging from communism

Watching this, I now realise all I had was a hideously narrow view of things. You can't help but feel utter sorrow for the Russian people as the world collapsed around them and the wealth of the country was stolen. It's heartbreaking

This is a horror film. It was aptly named.

I could lie and say I've watched every Curtis, I haven't, in honesty I've watched around 5 of his creations. Often found his work a mixture of mesmerisingly brilliant and somewhat simplistic.

What he's done here is truly impressive, and I say this as someone with a particular interest in the subject matter. For weeks friends have been telling me "I must watch the new Curtis" and "it's all the stuff you find interesting, how haven't you seen it".

I folded and turned it on, and have been thinking about it ever since.

He's somehow managed to organise (with his team) a patchwork of archival footage into one of the most hauntingly brilliant works of film. Many moments I thought, he's going to miss this thing, this moment or important reference and yet he never does.

A harrowing and important work, makes the viewer feel the absolute madness of the place and time, the visceral horror and unbelievable unfairness of it all.

Adam Curtis made an excellent choice not to narrate Russia 1985-1999: TraumaZone. Although at times I've almost heard his voice and it would have fitted perfectly, the images were so strong and speaking for themselves that narration would've just spoiled them.

In fact it would be very difficult to summarize in one review what this documentary tried to convey. We saw a lot of extremes one associates with Russia, probably intensified because we're observing a country partially rooted in European culture.

It was inevitable that Russia 1985-1999: TraumaZone offers some insights in the former Soviet republics, as well, even some satellites of the Warsaw pact. I'm pointing this out since it still puzzles me why a lot of people use the terms Russian and Soviet interchangeably.

Russia 1985-1999: TraumaZone was very good, both in terms of content and delivery. Even the inevitable bias, given the footage stemming from BBC archives, was so slight that it didn't ruin the objectivity of the documentary.

Loved it, as I do with all of Curtis's films.

That being said I was first put off by the lack of narration. Upon further reflection I mostly find Curtis's narration and attempts at sensemaking confounding anyway. This footage mostly doesn't need it.

The dissolution of the Sovjet Union is right at the cusp of that which I recognize from everyday life and that which is completely foreign to my personal experience. This series reflects this back to me perfectly. It is both fascinating and unnerving to watch, like actually being there, not fully understanding where you are or what to do. I suspect the people portrayed must have felt similarly.

If the point is to give an emotional history of the events this series is most certainly the best effort I can imagine. The footage is well chosen and the lack of music makes for a pretty raw emotional imprint.