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Dear White People

  • 2014
  • R
  • 1 घं 48 मि
IMDb रेटिंग
6.2/10
27 हज़ार
आपकी रेटिंग
Tyler James Williams in Dear White People (2014)
A satire that follows the stories of four black students at an Ivy League college where a riot breaks out over a popular 'African American' themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post-racial' America while weaving a universal story of forging one's unique path in the world.
trailer प्ले करें2:33
12 वीडियो
99+ फ़ोटो
व्यंग्यकॉमेडीड्रामारोमांस

एक प्रतिष्ठित कॉलेज में चार अश्वेत छात्रों का जीवन.एक प्रतिष्ठित कॉलेज में चार अश्वेत छात्रों का जीवन.एक प्रतिष्ठित कॉलेज में चार अश्वेत छात्रों का जीवन.

  • निर्देशक
    • Justin Simien
  • लेखक
    • Justin Simien
  • स्टार्स
    • Tyler James Williams
    • Tessa Thompson
    • Kyle Gallner
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.2/10
    27 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Justin Simien
    • लेखक
      • Justin Simien
    • स्टार्स
      • Tyler James Williams
      • Tessa Thompson
      • Kyle Gallner
    • 93यूज़र समीक्षाएं
    • 133आलोचक समीक्षाएं
    • 79मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 13 जीत और कुल 28 नामांकन

    वीडियो12

    Trailer #2
    Trailer 2:33
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    Breakout Performances Before They Were 2021 Sundance Stars
    Clip 2:32
    Breakout Performances Before They Were 2021 Sundance Stars
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    फ़ोटो130

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    मुख्य कलाकार59

    बदलाव करें
    Tyler James Williams
    Tyler James Williams
    • Lionel Higgins
    Tessa Thompson
    Tessa Thompson
    • Samantha White
    Kyle Gallner
    Kyle Gallner
    • Kurt Fletcher
    Teyonah Parris
    Teyonah Parris
    • Colandrea 'Coco' Conners
    Brandon P Bell
    Brandon P Bell
    • Troy Fairbanks
    • (as Brandon Bell)
    Brittany Curran
    Brittany Curran
    • Sofia Fletcher
    Justin Dobies
    Justin Dobies
    • Gabe
    Marque Richardson
    Marque Richardson
    • Reggie
    Malcolm Barrett
    Malcolm Barrett
    • Helmut West
    Dennis Haysbert
    Dennis Haysbert
    • Dean Fairbanks
    Peter Syvertsen
    Peter Syvertsen
    • President Fletcher
    Brandon Alter
    Brandon Alter
    • George
    Kate Gaulke
    Kate Gaulke
    • Annie
    • (as Katie Gaulke)
    Brian James
    • Martin
    Keith Myers
    Keith Myers
    • Mitch
    Bryan Daniel Porter
    Bryan Daniel Porter
    • Gordon
    • (as Bryan Porter)
    Terry Hempleman
    • Professor Bodkin
    Naomi Ko
    • Sungmi
    • निर्देशक
      • Justin Simien
    • लेखक
      • Justin Simien
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं93

    6.227K
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    फ़ीचर्ड समीक्षाएं

    3djderka

    Boring and overdone

    There are plenty of other black films out there that really entertain and sometimes make a point about race perceptions and relations. (see last paragraph)

    The filmmakers scripted a real life situation, A racial Halloween Party in Texas...how boring can you get. Whites in black face... zzzzz..huh, oh I fell asleep. Why make a movie about one incidence of jerky white guys.

    Then the movie turns into a black Dinner with White People where people chat on and on.

    If you are into b/w dialogue just listen to the audio. Nothing to see here except a few very hot sorority girls. The filmmakers must have said, 'let's bring in comments on 'the weave'. Sorry Chris Rock did an entire documentary and it was great.

    Was Dear White People a class project? What was the point. "Hey some fraternity dudes can be assholes." Big surprise.

    Rent Hollywood Shuffle by Robert Townsend and then check out the reset of his film. He is good.
    3Reno-Rangan

    Is it about the student politics or racism?

    Actually, I don't understand this film, I mean the story, what it intended to tell us. Maybe it's for Americans only. I thought it could be some underrated cool comedy, but what I just saw was definitely not expected. I kind of felt it was a student politics and if it stayed like that way I would have had no problem. But they said it is a comedy and I did not get any, in between it became a racism thing. I never understood this American racism, why they're making it so complicated. Especially the condition of the US is not looking good right now and this film pours a more oil to it. I'm neither white nor black or an American, and sorry I did not find it a good film. Even more, I don't get, how a television series is getting ready to follow-up it. So no offense for those who liked it, seems I'm in a wrong place. I just rated and reviewed what I felt it deserves, other than that I'm not against the film. I'm out of here!

    3/10
    7cherold

    Quite good, but pales in comparison with the TV series

    I saw this movie after watching the first, brilliant season of the TV series it spawned, and that makes it difficult to review. Because the TV series is so brilliant, so funny, so nuanced, and so well structured, I can't help but see the movie as a dress rehearsal for what was to come. Would I have enjoyed this movie more had I seen it first? Very possibly.

    The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.

    The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.

    Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.

    The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.
    6MovieSonic

    I wanted to love this but....

    The film is essentially one big soapbox and dropped the ball many times and in many different ways.

    I want to talk about the positives first and the reason(s) the film is definitely worth watching: I was really impressed with the production value, the acting (most of it) and the humour. I think Teyonah Parris deserves special mention because she was the character I most empathised with simply because she was the only one looking at things from both angles. Tyler James Williams also stood out due to his humour and commitment to his role.

    Keeping in mind that a person (or persons) wrote this script with the intention of instigating discussion about the issues raised, I think it's only fair to discuss those issues in reviews especially as some of the commentary affected my enjoyment of the film.

    Obviously the film deals with more substantial issues but those applied (mainly) to the USA so to address a few lesser issues: Hair. This subject grates a little (/a lot) for me because I've never heard white people make comments about black hair. Again, this might be a bigger, more well-known topic in the US but here in the UK, I don't think anyone has ever looked twice at a black person's hair. The obsession appears to lie with black (USA) people, not with white people. What is the problem with someone touching your hair? I had a fringe cut in a few months back and people touched it and made comments. When I have my hair curly, people touch it and make nice comments. It might be annoying for you but hair isn't a race issue, it's a hair issue and anyone who focuses on this 'issue' needs to get over it. When Teyonah's character expressed annoyance with being asked if she 'weaved' her hair, I couldn't help but wonder why that was a problem. First of all, how many people say 'Google it'? We make verbs out of nouns all the time and the fact that her white friend asked if it was her own hair, instead of assuming that it wasn't, actually says a lot. Women discuss hair. White women ask each other if they have extensions, if they've had plastic surgery etc. and so for anyone to be annoyed at being asked if they are wearing a weave actually highlights how insecure they are. Not every question or action by a white person is about race. Sometimes it's genuinely about curiosity and taking interest in another person. If you are so touchy about every subject, white people will not want to talk to you for fear of offending you, not because they are racist.

    There were other bits of commentary that I took issue with but I don't want my review to turn into a soapbox, so I'll move on to the main gripes I had with the film: When Tessa's character stated that it wasn't possible for black people to be racist, the film lost all credibility. The definition of 'racist' is not up for debate. We have dictionaries to clarify and after consulting one, there is absolutely no mention that in addition to holding the belief that one race is superior to another "the race believed to be inferior must also be negatively affected in some way". It is indeed possible for a black person to hold the belief that one race is better than another which would in fact, make them a racist. How their racist beliefs affect the race they believe to be inferior is irrelevant to the fact that they would be considered racist.

    Finally, I disagree that white people dressing up as black people (make-up and all) is (always) the same thing as 'blackface' and I think the more that people focus on these scenarios as opposed to the real blackface which goes on in the industry, the more that film makers will get away with continuing the real tradition of blackface right under everyone's noses.

    It's all about intention. Going to a party and dressing as your idol, make-up and all, is flattering and should be encouraged. There is nothing wrong with wanting to look like someone you idolise and when white people are accused of being racist for donning an afro wig and make-up, all that happens is that white people try to isolate themselves from 'ethnic' people to avoid being accused of racism.

    The party in the film however, was 100% racist and offensive because the invitation was decidedly unflattering and had nothing to do with celebrating black people.

    True blackface is about 'presenting an acceptable image of black people to the world'. Which is interesting when you consider that the main protagonist of this film is mixed-race. It appears that the lead role was written in such a way that allowed the casting of a light skinned woman when it could just as easily have been written in a way that would allow for a dark skinned woman to make all the same points. Casting a light skinned actress to play a dark skinned black woman, is blackface. Especially considering that they will likely apply dark make-up to her skin. Casting a white woman to play a dark skinned Latin-American woman is in the spirit of blackface. Every time a white or light skinned person is given the role of someone who 'should' be darker, that is blackface.

    It's not about the make-up. It's about why you're wearing the make-up and any film which tries to hammer home a point about racism using the controversial theme of blackface, while casting a light skinned woman in the leading role, loses a few stars on IMDb for the sheer hypocrisy.

    6/10 (it's good entertainment but the message is a bit off)
    7nrabond007

    Well made satire but riddled with hateful undertones

    Menippian and Juvenalian satire are at the forefront here. There's no comedy, there's just a message. Unfortunately, today, people have allowed this satirical work to become reality. Set at a prestigious Ivy League school outside of Chicago proper, "Dear White People" takes so much time on the inherent differences between black and white people, that it takes no real time or consideration to realize that it's the American culture that binds everyone together. It's not a bad film, and my opinion of it has grown for the better over time because it must be taken as a satire instead of a message. Obviously the filmmakers have it in mind that one particular group is the enemy, when the reality is that the far left politics are used to brainwash extremely smart and talented minds.

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    संबंधित रुचियां

    Peter Sellers in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
    व्यंग्य
    Will Ferrell in एन्करमैन (2004)
    कॉमेडी
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    ड्रामा
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    रोमांस

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The invitation for the party as shown in the trailer is almost verbatim the invitation for a real life party that occurred at the University of California, San Diego, on February 15th, 2010. The synopsis and film take many cues from the UCSD "Compton Cookout," an event run by one African American but attended by UCSD's predominately white and Asian student body. The event itself went fine, but news about it prompted a massive uproar on campus.
    • गूफ़
      When Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice.
    • भाव

      Professor Bodkin: ...Might I also remind you that I read your entire fifteen-page unsolicited treatise on why the Gremlins is actually about suburban white fear of black culture.

      Sam White: The Gremlins are loud, talk in slang, are addicted to fried chicken and freak out when you get their hair wet.

    • क्रेज़ी क्रेडिट
      The end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax.
    • कनेक्शन
      Featured in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
    • साउंडट्रैक
      45 Drum Break
      Performed by The Co-Stars

      Written by Neely Dinkins Jr. (as Neely Dinkins)

      Vito Colapietro Courtesy of Atom Factory Music Licensing

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    अक्सर पूछे जाने वाला सवाल20

    • How long is Dear White People?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 4 दिसंबर 2014 (ब्राज़ील)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
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      • Official site
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      • Sevgili Beyaz Irk
    • फ़िल्माने की जगहें
      • University of Minnesota, मिनीपोलिस, मिनेसोटा, संयुक्त राज्य अमेरिका
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $44,04,154
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $3,47,959
      • 19 अक्टू॰ 2014
    • दुनिया भर में सकल
      • $46,33,961
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    बदलाव करें
    • चलने की अवधि
      • 1 घं 48 मि(108 min)
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