This short-film's structure is interesting. In his writing and editing, Dmitri Frolov assembles several atmospheres. Despite a first eloquent shot (an elegant simulation with a pianist starting to play under a cinema screen), the « Dream of the past »'s intro is comedic, even taking codes from slapstick (running people, fainting characters, overacting...). Quickly, the film leans toward bucolic portraits and stagings, happy then serene, then pensive... Until a last part way more serious and darker (eruption of war).
Some of us in the first viewing thought that the story (we mean: the fictional line) should've been more highlighted; but actually, this is not the aim of the film. The whole thing is smart and plunges us into a state of contemplation where simple situations and sketches are indeed more appropriate than a proper narration. This docufiction concept turns out to be very good, and its execution excellent: the archives (taken until 1922) perfectly blend into the director's pictures. The historical reenactment's illusion works. The sound, thanks to its "old-fashioned" quality, is also very immersive. By the way this film would've had its full place in our Musical category.
Two curious technical anachronisms- a few shots in 16:9 format, and the included sound effects of a lonely character's footsteps (in one of the most striking scenes). Which absolutely does not lower anything: « Dreams of the past » takes the audience and without warning slowly instils emotions.
Conclusion
This nostalgic experience, sensory and intellectual at the same time, will touch you more and more minute after minute, until a cold finale that'll make you feel like you've just lived a gripping time travel.
G. W.
