Christmas at the Drive-In

This was a light hearted and fun little movie that I really enjoyed.

Danica and Neal Bledsoe have a great on screen chemistry. They were both very good in this movie as well as the rest of the cast.

The premise may seem far fetched and maybe it is, but everything they did to try and save the drive-inn from making cake pops to putting up all kinds of beautiful festive decorations, I found lovely and charming.

I did take off a few points because something kept sticking in my craw, did she not say she came home to help his dad get historical status for the Drive-in? If that were the case than he could not sell it nor could they demolish it! Also the ever handsome Neal Bledsoe's hair annoyed me they dyed his gorgeous dark/salt and pepper hair some kind of yellowish brown and it appeared he didn't comb his hair through the entire filming of the movie. This may sound superficial to some but it was very distracting to me and it detracted from his very good looks.

This was a fun little movie if you don't take it too seriously, a great way to relax and wallow away a few hours. I would definitely watch again!!

"Christmas at the Drive-In" delivers the predictable Hallmarkish (But actually on the Great American Family Channel) charm, complete with a "Big Bad Developer" (who inherited the very drive-in he wants to sell) versus a determined local hero. The stakes? The titular drive-in, recently designated a historical site but facing demolition. Our heroine, a lawyer returning home after a career setback, champions its preservation - a mission that felt somewhat lacking given the drive-in's apparent lack of business and staff.

While the film adheres to the familiar formula, the leads unfortunately lack chemistry, despite their shared history from elementary school and a past romance. Their relationship past and current, just didn't give me the feels. Honestly, I struggled to understand the drive-in's inherent worth; its saving grace seemed more the heroine's vision than any existing community need. That said, the transformation of the drive-in into a festive event space - complete with Christmas trees, blankets, and warm cider - was visually appealing, and I did appreciate the heroine's creative ideas for revitalizing the space. Ultimately, while the film offers a cozy holiday viewing experience, the thin plot and unconvincing romance hold it back from true greatness. It's a perfectly acceptable holiday movie for those who enjoy the genre, but don't expect to be blown away.

One last thing: The tropes always present in these holiday movies include the couple decorating or baking cookies together, and then sharing a dance-usually to a holiday song. Another holiday gem, *A Lot Like Christmas*'s couple's dance to "Jingle Bells," is one of the cutest holiday movie dances ever. This movie's swing dance to "Hark! The Herald Angels Sing" wasn't bad; I enjoyed it.

You get exactly what is expected - run of the mill formula, story, and production that's comfortable and bland - a good feeling filler of time that will make most any Lifetime or Hallmark watcher very happy. The actors had a fair amount of personality and chemistry. I personally tuned in because I've seen a number of other Danica McKellar Christmas projects over the years - so it's kind of tradition! Everyone did a decent job except with the graphics people and continuity - at one point the drive-in screen displays -

"Come Join Our Caralers Tonight!"

No - seriously. Uh Oh. Someone can't spell carolers!!!!!

It was quite a distraction from the movie.

Back to which - they wrote a mind numbing "twist" resolution to wrap up every loose end in one shot during the last few fleeting minutes of the run. BAM - it was over! That's how these things always go though. Would it be so hard to leave the formula behind and be a little more creative? Unfortunately the execs have to rubber stamp projects - and if it doesn't fit their mold, it becomes too frightening to green light. This one's worth a watch for an easy going holiday film.

Ah, it's Christmas time which means the occasional watch of the Danica McKellat Christmas movie since I was a fan of hers on the Wonder Years. I've actually found the ones on Hallmark to be a bit entertaining but his one (I know it's a different network) was by far the most boring and predictable of the bunch. Last year's wasn't much better, feels like her Christmas fare is going downhill. Christmas at the Drive In made zero sense for these two people to grow a relationship even with the lazy writing of having them been school mates. The relationship felt a bit forced and hopefully they find better writers for Danica's next Christmas adventure.

Meet Sadie (Danica McKellar) a failing lawyer, who has returned to her home town to find out that the drive-in cinema which she used to love going to is closing down. And Sadie gets determined to save it and prove that it's a good way to bring the community together. When she proposes that the Drive In should be saved to the major and his friends they give her 'til Christmas to prove that it's worth keeping open.

But as the days go by Sadie soon finds out this drive in is not gonna be saved overnight and it's gonna take more than just a few ideas about how to keep people warm whilst they're watching a film outside to stop it from closing down.

At first I almost turned this film off because the acting is not that great and it didn't make me laugh much but as the film went on, I got more and more interested in how or if Sadie is going to be save her local cinema. And I think that's because I enjoy going to the cinema and it upset me a bit when they closed during the COVID pandemic and in the end I found it watchable and I might watch it again next Christmas...if I can't find anything else on TV or Netflix.

I also liked this film because it was only 87 minutes and didn't drag on for too long, but I think the length of this film could have been more appealing if they had made it more kid friendly, perhaps by having a few child actors and then it could have attracted families with children that are too young to sit still throughout a long film.