791 समीक्षाएं
The conjuring and the conjuring 2 remain some of the best horror films within the last 15 years for my taste. Some would even say the conjuring is one of the top horror films of all time. WAN found his niche within his created conjuring universe with the likes of these films, insidious, and all of the other spin offs. With this has come quite a few more filler movies from other directors that are much less experienced aside from (Whannell) at the helm. Michael Chaves is not a bad director by any means, but this simply does not hold a candle to the first two films or even the last one which was actually decently solid. This one just feels like the most uninteresting of the four and while it has a few decent demonic scares and visuals, it simply does not serve that much of a purpose other than a supposed ending. I actually do not think this will be truly the last of the conjuring films either, though I think it should've ended after the last one. I can think of at least three other films within the universe that aren't even great by any means, but are still more interesting than this. Annabelle Creation, The Nun, and even insidious 4 are all more effective . That's not to say this doesn't have a few redeeming qualities if you're a fan, but if it really was the end, Wan should've ended the Warren's story ...
I went in with high expectations, but this final film turned out to be a letdown. The story isn't very powerful-it feels more like an extended family drama than a true Conjuring movie. What disappointed me most was that the focus shifted away from Ed and Lorraine, the heart of the franchise.
The scares rely too much on jump scares, loud noises, and crude tricks to shock the audience. They startle, but they don't deliver the bone-chilling fear that earlier Conjuring films are known for.
It's not a total waste of money or time, but as the last chapter of such a beloved franchise, it feels like a weak wrap-up. I left the theater more sorry than satisfied.
The scares rely too much on jump scares, loud noises, and crude tricks to shock the audience. They startle, but they don't deliver the bone-chilling fear that earlier Conjuring films are known for.
It's not a total waste of money or time, but as the last chapter of such a beloved franchise, it feels like a weak wrap-up. I left the theater more sorry than satisfied.
Would Say the movie was quite Okay. I was there to get scared but instead it was all goosebumps due to the Prayers being told by Ed Warren. The story was fine, some peak moments also exist. Best thing was the climax where they pulled out a GOTG vol.1. Overall the point is I enjoyed the Movie. A nice end to the franchise.
The 9th film in The Conjuring Universe and the intended finale of the saga so far, The Conjuring: Last Rites starts on a rather promising note and even features a strong first half but soon heads downhill after that to finish as another underwhelming chapter in the series. Definitely no match to the first two films but certainly an improvement over the third, this latest entry settles for a lot less than what was up for grabs.
Directed by Michael Chaves (The Curse of La Llorona & The Nun II), the story finds the Warrens taking on one last case that forces them to confront an evil from their past. Chaves never really was the right choice to helm the main stories but he does get some things right before resorting to cheap thrills. The film takes a slow-burn approach that patiently guides us towards the finale that proves to be downright forgettable.
The first two films directed by James Wan had that vintage quality, old-school flair, foreboding atmosphere & effective scares that heightened the experience. This one borrows bit of that for the build-up but fails to capitalise on it later in the story. Patrick Wilson & Vera Farmiga remain the glue holding this picture together and their warm chemistry helps keep things afloat for the most part but the film needed more on all fronts.
Overall, The Conjuring: Last Rites brings the Ed & Lorraine Warren journey full circle and gives them a proper send-off with its radiant epilogue but for a climactic chapter, it is disappointing without doubt. Add to that, like most instalments in the franchise, the jump scares are bland & predictable, lacking in intensity, and also devoid of the ingredients that made its predecessors stand out. In short, a lacklustre finale of The Conjuring saga.
Directed by Michael Chaves (The Curse of La Llorona & The Nun II), the story finds the Warrens taking on one last case that forces them to confront an evil from their past. Chaves never really was the right choice to helm the main stories but he does get some things right before resorting to cheap thrills. The film takes a slow-burn approach that patiently guides us towards the finale that proves to be downright forgettable.
The first two films directed by James Wan had that vintage quality, old-school flair, foreboding atmosphere & effective scares that heightened the experience. This one borrows bit of that for the build-up but fails to capitalise on it later in the story. Patrick Wilson & Vera Farmiga remain the glue holding this picture together and their warm chemistry helps keep things afloat for the most part but the film needed more on all fronts.
Overall, The Conjuring: Last Rites brings the Ed & Lorraine Warren journey full circle and gives them a proper send-off with its radiant epilogue but for a climactic chapter, it is disappointing without doubt. Add to that, like most instalments in the franchise, the jump scares are bland & predictable, lacking in intensity, and also devoid of the ingredients that made its predecessors stand out. In short, a lacklustre finale of The Conjuring saga.
- CinemaClown
- 23 सित॰ 2025
- परमालिंक
I just left the cinema, and there's a lot to share. Conjuring: The Last Rite opens really strong-the beginning and build-up are amazing, with a solid story foundation that pulls you in right away. Unfortunately, the ending didn't land for me. The tension and scares were there in parts, but they never fully hit the level I was hoping for. Compared to the first movie, which is still the best in the series for me, this one falls a bit short in delivering lasting chills.
That being said, the cast was great-the actors really carried their roles well and gave strong performances. Overall, it's worth watching if you're a fan of the franchise, but the payoff at the end just didn't match the promise of its opening.
That being said, the cast was great-the actors really carried their roles well and gave strong performances. Overall, it's worth watching if you're a fan of the franchise, but the payoff at the end just didn't match the promise of its opening.
The movie has a slow build-up but lacks interest in developing the story of the demon, or it had a rushed ending with a lot of questions not being answered. As the movie has a few sequels, we expect more as an audience. For me, The Conjuring 2 is still the best, with a perfect build-up and living up to the characters. It was a shame to see such a good story turn into another "fast food" movie.
- ricky_chin32
- 2 सित॰ 2025
- परमालिंक
First off, the based on a true story tagline is like that one friend who tells you that he met a extremely good looking girl and that she was extremely down for him the whole night, but in reality, these two just had a coffee and talked about the economy or smth the whole night, maybe she slightly striped her feet upon his knee or something but... that's it.
These film are overly-exaggerated pieces of HALFWAY real events, and I don't mean that by scenario or concept, I also mean that by performance and cinematography. When you look at a film like The Exorcist from 1973, it roughly cuts fast, it is very slow paced for today's standards, the camera holds itself long, not many effects or anything, the whole horror is made by build-up and performances... it's the simple things. Lightning and Sound-Design are top tier and makes you feel unease. Here, we have so much of it, and it still feels flat. Why? Because they don't know how to CREATE and USE tension. It is a tool to boost emotional development of the characters. It is also a tool to increase our feeling of unease for example. And to anyone who says, The Exorcist was the first film and is hella old, they can't just redo that all the time, you don't get the point.
Veronica, a Spanish horror film, made in I believe 2013, falls into this category of great reality-inspired horror. It is terrifying because it doesn't hold or loses its tension, it does neither of that. It just FLYS by, and what we care for, is her psychological well-being and the survival of his brother. We gotta care, and know that THESE characters aren't safe, these films don't play anymore with psychological fears of the human mind that are deeply rooted in our nature. Recently I watched and film from France, Spoorlos, or The Vanishing. Without context, there's a scene where a character lies in an tomb alive. That was scary and made me feel uneasy, it made me sick for minutes. Same with claustrophobic environments, they just want to scare us with LOUDNESS and unexpected things. And that is the main problem.
There are a few scenes where that feeling gets transported, for example when someone looks around and see's a demon in silent darkness, or when someone suddenly starts to throw up glass and blood, these scenes are great, especially the second one catched me, but that is made by the performances of her and everyone standing beside her.
Conjuring's Final isn't bad by any means, but It is so exaggerated in its simplicity of that makes sense. It's not bigger, it's not more intense, it's just overly-more exaggerated in the way it pays-off its scenario. The actual characters, especially the Main Cast, they deliver well and the chemistry of Lorraine and Ed is again what makes this film halfway good. I just think they're chemistry and love is perfect and felt through every scene of these films, especially in this one.
I enjoy it for what It is, but looking back, the first Conjuring was something that still gave you shivers weeks after watching only by thinking about it...
These film are overly-exaggerated pieces of HALFWAY real events, and I don't mean that by scenario or concept, I also mean that by performance and cinematography. When you look at a film like The Exorcist from 1973, it roughly cuts fast, it is very slow paced for today's standards, the camera holds itself long, not many effects or anything, the whole horror is made by build-up and performances... it's the simple things. Lightning and Sound-Design are top tier and makes you feel unease. Here, we have so much of it, and it still feels flat. Why? Because they don't know how to CREATE and USE tension. It is a tool to boost emotional development of the characters. It is also a tool to increase our feeling of unease for example. And to anyone who says, The Exorcist was the first film and is hella old, they can't just redo that all the time, you don't get the point.
Veronica, a Spanish horror film, made in I believe 2013, falls into this category of great reality-inspired horror. It is terrifying because it doesn't hold or loses its tension, it does neither of that. It just FLYS by, and what we care for, is her psychological well-being and the survival of his brother. We gotta care, and know that THESE characters aren't safe, these films don't play anymore with psychological fears of the human mind that are deeply rooted in our nature. Recently I watched and film from France, Spoorlos, or The Vanishing. Without context, there's a scene where a character lies in an tomb alive. That was scary and made me feel uneasy, it made me sick for minutes. Same with claustrophobic environments, they just want to scare us with LOUDNESS and unexpected things. And that is the main problem.
There are a few scenes where that feeling gets transported, for example when someone looks around and see's a demon in silent darkness, or when someone suddenly starts to throw up glass and blood, these scenes are great, especially the second one catched me, but that is made by the performances of her and everyone standing beside her.
Conjuring's Final isn't bad by any means, but It is so exaggerated in its simplicity of that makes sense. It's not bigger, it's not more intense, it's just overly-more exaggerated in the way it pays-off its scenario. The actual characters, especially the Main Cast, they deliver well and the chemistry of Lorraine and Ed is again what makes this film halfway good. I just think they're chemistry and love is perfect and felt through every scene of these films, especially in this one.
I enjoy it for what It is, but looking back, the first Conjuring was something that still gave you shivers weeks after watching only by thinking about it...
- hanschsolo
- 3 सित॰ 2025
- परमालिंक
This movie is a real letdown. It drags endlessly with unnecessary dialogue and scenes that add nothing to the story. The pacing is painfully slow, making it hard to stay engaged. Only the last 15 minutes manage to bring some energy, but even that feels rushed and cheap. The so-called "horror" is full of clichés, more funny than scary, and the plot is extremely weak. Instead of building tension, the film relies on repetitive conversations and filler moments that go nowhere. Overall, it's poorly written, poorly executed, and fails to deliver as a horror experience. Definitely not worth the time.
- ahmedkadry-57167
- 4 सित॰ 2025
- परमालिंक
I watched this in IMAX, so of course my expectations were pretty high for The Conjuring: The Last Rites. Maybe I set the bar a little too high, but honestly it didn't disappoint me.
What I liked:
What didn't work for me:
What I liked:
- Solid emotional build-up.
- A satisfying ending.
- A few scenes actually made me flinch.
What didn't work for me:
- Way too predictable (though, to be fair, the Conjuring formula is easy to guess).
- A slow burn at the beginning.
- The music didn't feel scary enough.
- The ending felt a bit rushed.
Let's get one thing straight: technically this movie works. If you want a night of pure scares, if you want to be shaken, frozen in your seat, and jump at every shadow on the way home.. this movie delivers. In 4DX, people were literally walking out disheveled, laughing nervously about how they "almost died." The atmosphere is there. The sound design is oppressive. The possession sequences are cold and terrifying. For raw horror execution, this is still the best franchise of the decade.
And that's exactly why the disappointment stings so much. Because when you peel back the scares, the story is garbage.
Last Rites was marketed as the Smurl case, which in real paranormal lore is one of the nastiest, longest, most infamous hauntings ever tied to the Warrens. This could have been the darkest Conjuring yet. Instead, the Smurls are basically window dressing. Their nightmare is pushed into the background so the script can revolve around... a haunted mirror. Yes, a mirror. The entire plot boils down to Ed, Lorraine, and Judy Warren holding hands in front of some cursed glass.
The result? We don't get The Smurl Haunting. We get Warren Family Values.
Fans wanted horror first, casefile first. What we got was a forced farewell story, sentimental, glossy, more about "love conquers all" than the true nightmare they promised. And that's frustrating, because the film had the perfect chance to go bold. Imagine a version where the Warrens are finally out of their depth, forced to admit they can't control what's happening. Imagine a film that actually leans into their controversial legacy instead of polishing it. That would have been a legendary ending. Instead, we get a Hallmark conclusion with some jumpscares.
Ed and Lorraine are treated once again as untouchable heroes, which is laughable when you know the real history behind them. The studio has turned two very questionable figures into horror superheroes, and by film four it feels like we're just watching brand management instead of a story.
So here's the bottom line: yes, it's scary. Yes, it's better than 90% of horror in 2025. But if you came for the plot, if you were hoping the infamous Smurl case would finally be given the full terrifying treatment, you'll leave frustrated. The Conjuring started as top-tier horror storytelling. Last Rites ends it as just another franchise movie, big on chills, empty on substance.
We wanted fear rooted in a real case. We got a haunted mirror and a love story.
And that's exactly why the disappointment stings so much. Because when you peel back the scares, the story is garbage.
Last Rites was marketed as the Smurl case, which in real paranormal lore is one of the nastiest, longest, most infamous hauntings ever tied to the Warrens. This could have been the darkest Conjuring yet. Instead, the Smurls are basically window dressing. Their nightmare is pushed into the background so the script can revolve around... a haunted mirror. Yes, a mirror. The entire plot boils down to Ed, Lorraine, and Judy Warren holding hands in front of some cursed glass.
The result? We don't get The Smurl Haunting. We get Warren Family Values.
Fans wanted horror first, casefile first. What we got was a forced farewell story, sentimental, glossy, more about "love conquers all" than the true nightmare they promised. And that's frustrating, because the film had the perfect chance to go bold. Imagine a version where the Warrens are finally out of their depth, forced to admit they can't control what's happening. Imagine a film that actually leans into their controversial legacy instead of polishing it. That would have been a legendary ending. Instead, we get a Hallmark conclusion with some jumpscares.
Ed and Lorraine are treated once again as untouchable heroes, which is laughable when you know the real history behind them. The studio has turned two very questionable figures into horror superheroes, and by film four it feels like we're just watching brand management instead of a story.
So here's the bottom line: yes, it's scary. Yes, it's better than 90% of horror in 2025. But if you came for the plot, if you were hoping the infamous Smurl case would finally be given the full terrifying treatment, you'll leave frustrated. The Conjuring started as top-tier horror storytelling. Last Rites ends it as just another franchise movie, big on chills, empty on substance.
We wanted fear rooted in a real case. We got a haunted mirror and a love story.
- clashmovie
- 13 सित॰ 2025
- परमालिंक
There is lack of story throughout the whole movie. There was no point Judy to said someone wants me in this haunted house. Even Oculus movie mirror thing was more horror and logically explained than this conjuring last rites mirror. This movie could have a better direction but the director totally failed to deliver a impact on audience. Seriously speaking the last 30 mins of movie were good but rest of the movie doesn't make sense so last 30 mins also didn't entertained because of long 1 hour 30 min just waiting for something serious and spooky happen in the movie. Highly disappointed. Only a one time watch movie just because it's of conjuring universe. None will waste their time for the second time.
- TayyabA-75
- 10 सित॰ 2025
- परमालिंक
Recently I just watched the movie in the IMAX cinema and it was a scary film, yes I can say that there are some flaws in the movie but there is no such movie that bad things come to mind, I will not talk much about this movie bcz of spoilers. Go and watch the movie. U will enjoy the movie... i just want to say that dont go to critics falst statement. It worth to wath movie...
- meetmustafapakistani
- 2 सित॰ 2025
- परमालिंक
The movie signs off the main series with a decent but decidedly cautious final note. It's noticeably better than Part 3 (The Devil Made Me Do It), which I can barely remember today, but it never reaches the freshness and punch of the first Conjuring. I was entertained, yes, but I was never truly thrilled.
The strength is clearly the characters. After more than a decade with Ed and Lorraine Warren, you're automatically invested, and the film finally leverages that. We see them aging, wrestling with thoughts of retirement, putting their waning fame in perspective, and, most importantly, functioning as a couple. Daughter Judy moves to the center as well, which makes sense given her history with the supernatural. These quiet, personal beats carry the film. I saw the first part in theaters back in 2013; that baseline feeling of "I'm attached to the Warrens" was new and lively then, and here the movie tries to tap into it again as a farewell letter. It works in part. There are also a few nicely composed shots where I briefly thought, "Okay, something creative might happen now."
The strength is clearly the characters. After more than a decade with Ed and Lorraine Warren, you're automatically invested, and the film finally leverages that. We see them aging, wrestling with thoughts of retirement, putting their waning fame in perspective, and-most importantly-functioning as a couple. Daughter Judy moves to the center as well, which makes sense given her history with the supernatural. These quiet, personal beats carry the film. I saw the first part in theaters back in 2013; that baseline feeling of "I'm attached to the Warrens" was new and lively then-and here the movie tries to tap into it again as a farewell letter. It works in part. There are also a few nicely composed shots where I briefly thought, "Okay, something creative might happen now."
But sadly, it stays at "might." On the horror side, the movie runs the well-worn jump-scare template for the umpteenth time: you enter a strangely quiet room, an object isn't where it was, the music swells, then total silence, a prolonged stare, and after the turn into the off-screen space comes the loud BAM. This cycle repeats almost beat-for-beat throughout. It's no longer nerve-racking; it's predictable. Precisely because the camera occasionally offers interesting perspectives, it's frustrating when the staging slides right back into the exhausted "boo!" reflex.
Add to that the inconsistent demon logic in the finale. Throughout, the threat shows real power: trapping people in illusion loops, sealing doors, scrambling orientation and perception, even pushing someone to suicide. But once the endgame begins, the film forgets those abilities. Prime example: Judy is threatened in the attic, the ladder is left down, Ed and Lorraine simply climb up and thwart the whole thing; only afterward does the attic magically lock. That doesn't feel like clever outmaneuvering, it feels like convenient screenwriting. In general, the Warrens enter the last third without a plan, even split up, and only at the very end is the holy text brought in, the same text the demon can destroy at will. Why not earlier? Choices like these undercut the tension. On top of that, possessed characters suddenly "force-push" people and deliver wooden trash talk; it lands as unintentionally goofy rather than threatening.
Story-wise, the haunting is set in a Pennsylvania house, clearly nodding to the Smurl case from the 1980s. The focus is curious: the Warrens only get deeply involved fairly late, which slows the investigative dynamic but does bolster the character focus. And yes, Annabelle shows up again. It's narratively defensible because of Judy, but it still feels like box-ticking. The "hey, I know that!" effect is no substitute for genuine menace, and I'm personally oversaturated with that doll. For what it's worth, the spin-offs The Nun and The Nun 2 blur together for me; this sequel at least does better than those offshoots.
As a character piece about Ed and Lorraine, The Last Rites works surprisingly well and even gives the supposed finale an emotional tint. But as a horror film, it stays formulaic and risk-averse. If you like the series, you'll maybe be decently served and probably leave satisfied.
The strength is clearly the characters. After more than a decade with Ed and Lorraine Warren, you're automatically invested, and the film finally leverages that. We see them aging, wrestling with thoughts of retirement, putting their waning fame in perspective, and, most importantly, functioning as a couple. Daughter Judy moves to the center as well, which makes sense given her history with the supernatural. These quiet, personal beats carry the film. I saw the first part in theaters back in 2013; that baseline feeling of "I'm attached to the Warrens" was new and lively then, and here the movie tries to tap into it again as a farewell letter. It works in part. There are also a few nicely composed shots where I briefly thought, "Okay, something creative might happen now."
The strength is clearly the characters. After more than a decade with Ed and Lorraine Warren, you're automatically invested, and the film finally leverages that. We see them aging, wrestling with thoughts of retirement, putting their waning fame in perspective, and-most importantly-functioning as a couple. Daughter Judy moves to the center as well, which makes sense given her history with the supernatural. These quiet, personal beats carry the film. I saw the first part in theaters back in 2013; that baseline feeling of "I'm attached to the Warrens" was new and lively then-and here the movie tries to tap into it again as a farewell letter. It works in part. There are also a few nicely composed shots where I briefly thought, "Okay, something creative might happen now."
But sadly, it stays at "might." On the horror side, the movie runs the well-worn jump-scare template for the umpteenth time: you enter a strangely quiet room, an object isn't where it was, the music swells, then total silence, a prolonged stare, and after the turn into the off-screen space comes the loud BAM. This cycle repeats almost beat-for-beat throughout. It's no longer nerve-racking; it's predictable. Precisely because the camera occasionally offers interesting perspectives, it's frustrating when the staging slides right back into the exhausted "boo!" reflex.
Add to that the inconsistent demon logic in the finale. Throughout, the threat shows real power: trapping people in illusion loops, sealing doors, scrambling orientation and perception, even pushing someone to suicide. But once the endgame begins, the film forgets those abilities. Prime example: Judy is threatened in the attic, the ladder is left down, Ed and Lorraine simply climb up and thwart the whole thing; only afterward does the attic magically lock. That doesn't feel like clever outmaneuvering, it feels like convenient screenwriting. In general, the Warrens enter the last third without a plan, even split up, and only at the very end is the holy text brought in, the same text the demon can destroy at will. Why not earlier? Choices like these undercut the tension. On top of that, possessed characters suddenly "force-push" people and deliver wooden trash talk; it lands as unintentionally goofy rather than threatening.
Story-wise, the haunting is set in a Pennsylvania house, clearly nodding to the Smurl case from the 1980s. The focus is curious: the Warrens only get deeply involved fairly late, which slows the investigative dynamic but does bolster the character focus. And yes, Annabelle shows up again. It's narratively defensible because of Judy, but it still feels like box-ticking. The "hey, I know that!" effect is no substitute for genuine menace, and I'm personally oversaturated with that doll. For what it's worth, the spin-offs The Nun and The Nun 2 blur together for me; this sequel at least does better than those offshoots.
As a character piece about Ed and Lorraine, The Last Rites works surprisingly well and even gives the supposed finale an emotional tint. But as a horror film, it stays formulaic and risk-averse. If you like the series, you'll maybe be decently served and probably leave satisfied.
- spyder-85359
- 5 सित॰ 2025
- परमालिंक
I went into this flick hoping for a grand send-off. What I got was a limp, recycled mess that felt more like a bad spin-off than the franchise's finale. The setup had promise, but the movie just dragged until the halfway point. By then, I'd already checked my watch 2 times.
The screenplay? Paper thin. Characters exist just to be spooked, and the scares are predictable jump-outs you can see a mile away. There's no tension, no atmosphere, just loud bangs and cheap tricks. At this point, you can practically set a stopwatch to when the next door will slam.
And then there's Michael Chaves. Let's be real-this isn't his first stumble. La Llorona was weak. The Devil Made Me Do It barely felt like a horror movie. The Nun II was a snooze. And now here we are again, same bag of empty tricks. He confuses loud noises for scares and speed bumps for suspense. If James Wan built this house of horror with care, Chaves has turned it into a carnival ride running out of batteries.
Who in their right mind thought that hey let's give the guy who delivered 3 trashes in a row another story to butcher? Perfect for a franchise closer.
Sure, Patrick Wilson and Vera Farmiga do their best, as always. Their chemistry still works, but they can't carry a whole movie on their backs. A "heartfelt farewell" means nothing when the movie itself can't even scare a nervous teenager in a dark theater.
The screenplay? Paper thin. Characters exist just to be spooked, and the scares are predictable jump-outs you can see a mile away. There's no tension, no atmosphere, just loud bangs and cheap tricks. At this point, you can practically set a stopwatch to when the next door will slam.
And then there's Michael Chaves. Let's be real-this isn't his first stumble. La Llorona was weak. The Devil Made Me Do It barely felt like a horror movie. The Nun II was a snooze. And now here we are again, same bag of empty tricks. He confuses loud noises for scares and speed bumps for suspense. If James Wan built this house of horror with care, Chaves has turned it into a carnival ride running out of batteries.
Who in their right mind thought that hey let's give the guy who delivered 3 trashes in a row another story to butcher? Perfect for a franchise closer.
Sure, Patrick Wilson and Vera Farmiga do their best, as always. Their chemistry still works, but they can't carry a whole movie on their backs. A "heartfelt farewell" means nothing when the movie itself can't even scare a nervous teenager in a dark theater.
- dextermorgan-91603
- 3 सित॰ 2025
- परमालिंक
- vengeance20
- 5 सित॰ 2025
- परमालिंक
From the very beginning, the movie felt overly focused on Judy, which was never the case in the previous installments. Instead of delivering a well-deserved conclusion to what has been a fantastic universe, it merely served as a setup for future films centered on Judy. While it's clear that more movies are on the way, this direction feels forced and uninspired. Personally, I doubt I'll be interested in watching any of them.
- caglarozsir
- 4 सित॰ 2025
- परमालिंक
The jump scares are too predictable as it can be find every where on YouTube. PS too many spoilers ahead on the scary part. I was expecting a better build up on the scares as it was the last chapter of the whole conjuring universe, it was pretty disappointing but overall still love and admire the actors especially Patrick and Vera,their performances are truly incredible as always. The chemistry between them is a never ending story which is truly beautiful.
- ggracejoseph
- 2 सित॰ 2025
- परमालिंक
There is little to no storyline in this film, really it is just a bunch of edited filler scenes with a few 'horror' moments. The let down this is to the series of films, bares witness to the film studio wanting nothing more than to churn out another sequel to generate money based off the quality of the original films. As mentioned by another reviewer, James Wan didn't write this and it really shows, DO YOURSELF A FAVOUR and watch ANY other Horror film than this. The ONLY HORROR in this film is the quality of the film itself!
Honestly its lackluster, the jumpscares feel boring and just not scary, the plot is all over the place, its a good end to ed and Lorraine but the story with the smurls is mid, if you read about it before watching it will 100% be better as a whole. The tie in with Judy before the smurls is just confusing honestly.
While aiming to build upon a great legacy, the film ultimately disappoints. It lacks the intense horror that defines the genre's best works and struggles to deliver genuine scares. Consequently, it falls short of being a proper horror movie, particularly when compared to earlier installments in The Conjuring series😔
- AbdulRehmanS-4
- 2 सित॰ 2025
- परमालिंक
I've been a huge Conjuring fan ever since I first watched the original at 8 or 9-it terrified me and set the bar high. I was hoping to feel that same vibe again with this movie, but two things ruined it for me. First, all the jump scares and haunting scenes were spoiled in teasers and marketing, so they lost their impact in the theater. Second, the writing felt lazy. Judy and Tony's arc was rushed, and the final act was especially weak. The devil, shown as overwhelmingly powerful, was defeated with a cliché "we won't run, we'll fight" attitude. That might work in other horror films, but for The Conjuring, it felt unworthy-especially for a movie that could've closed the franchise.
Went to the theatre with high expectations. The movie was about 2h 15 mins. I waited for some thing thrilling for 2 hours with expectations. Almost slept in the theatre with boredome. After 2 hours there were like 10 mins of horror stuff and thats it. It was a total waste of my time and money. This movie should never be watched by spending money.
- abrarhaq-25095
- 21 सित॰ 2025
- परमालिंक
"This film is easily skippable. It has only one scene that's good at best, and even that feels like an accident in an otherwise poorly directed production. The rest is just over two hours of mind-numbing boredom, dragged down by sluggish pacing and characters you won't care about. It's just plain bad, not 'so bad it's good' funny, and for a movie trying to be a thriller, it is absolutely NOT SCARY!"