Eden

An uninhabited island in the Galápagos is paradise and hell at the same time for a trio of couples who settled there in 1929. At one of the remotest areas on earth there is a clash of personalities; philosophical, libertine, and practical. While one couple seeks solitude, another wants to build a luxury hotel, and the third desires a nourishing place for family. As bugs and boars bite hard, and food and water become as scarce as doctors, police, and dentists, each couple is in for a shock. Darwin would be pleased, for on the island that gave him his fame it is survival of fittest all over again.

In this true story it is intriguing to see the starkly different personalities battle it out like in a miniature world. Ron Howard who was present at this screening at the Toronto International Film Festival, was captivated by the zany stories of the characters, and the good and bad of each of them. If anything, he said, he had to dial the antics back. It is hard to choose a side. Jude Law and the other actors are capable and convincing. Hans Zimmer orchestrated the playlist. How many soundtracks can one person do? I wish there was a little more depth to the dialogue, but Eden is a pleasure to watch and contemplate.

Set in the Galápagos Islands, but filmed in Australia.

I was able to see the press conference that Ron Howard and the four main stars gave. Howard explained that he had the project in mind for a time, worked on it some during the recent COVID pandemic and lockdowns. He knew it would not be a project that a typical studio would go for so he went at it his way.

The movie is a fictional drama based on real people and their attempt to find their own Eden in the Galápagos Islands (filmed in Australia). It doesn't work out as hoped because, in the end, people are people and they can cooperate together for only so long.

This is analogous to the theme that played out in the year 2000 movie, "The Beach" with Leo Dicaprio. As I wrote in my comments for that one, "Even though these 20 or 30 men and women all went to the island for "pleasure seeking", ultimately roles need to be taken, duties accepted, not everyone agrees, jealousy starts to erode relationships, certain people seek power, and when some get seriously injured, "out of sight, out of mind" is the remedy so as not to upset "paradise." In other words, they end up creating on a smaller scale the same world that they sought to escape from. Eventually this "house of cards" starts to fall down, and ultimately everyone realizes paradise is internal, not some idyllic place."

Good for Howard to bring this story to the screen.

The entire island setup effectively mirrors human civilisation, albeit in a simplified and somewhat a naive miniature form, with three primary groups of individuals embodying personas we encounter in our daily lives.

Dr. Ritter and Dora represent the educated individuals with rebellious spirits, striving for peace and advocating for a new world order.

The Wittmer family signifies the typical household, who having escaped a tumultuous financial situation in their homeland and now seeking refuge on this beautiful yet isolating island.

Lastly, the Baroness and her associates who epitomise the greedy and manipulative faction; while they pursue ambitious plans for personal gain, they ultimately become the primary catalyst for the disarray and collapse of 'social order' within this small island.

I appreciate how these diverse dynamics intertwine and influence one another, much like they do in the real world. At its core, this narrative serves as a survival drama that adeptly illustrates how personal ambitions can overshadow mutual benefits, ultimately leading to moral degradation among its inhabitants.

As for the performances, Ana undeniably stands out as she embodies the cunning and nefarious self with remarkable skill. I must also commend Sydney, who, despite inheriting a limited role in the storyline, maintained her composure and delivered a nuanced performance that is both subtle and essential to the narrative; the same can be said for Vanessa too.

Conversely, the male characters lacked depth as they were mostly operating on one note; it would have been beneficial if the writing had provided them with more substantial material to capitalise on.

An extremely interesting story, based on true events, an accomplished director, a top cast, Hans Zimmer behind the score. A smash hit? At least not at the box office, the budget is not even close to being recouped. In terms of feeling, 'Eden' was not represented in the media at all, apparently these days there is a lack of the muse to be caught up in realistic darkness and human abysses. The only partially resolved 'Galapagos Affair' sheds light on the hopes and utopias of conquering a new land or escaping the old world in order to build an alternative civilisation there, and how human nature buries all dreams again. The supposed heaven turns into a hell of envy, jealousy, selfishness and vanity. Not forgetting the harsh reality of the supposed island paradise. All the supposed and proven events are almost unbelievable, which makes this survival trip all the more fascinating. A real true-crime story. The film adaptation does justice to this, the well-known cast performs excellently and there is little to criticise in terms of craftsmanship. The response does not do justice to the result, so I recommend it.

There is Eden in the title. But Where is the Eden?

The story sets on a beautiful island, should have been bright and vivid colors, but pictures of the movie looks like covered by some kind of filthy substance... well, let's not say that word.

Why are modern Hollywood movies full of grey yellow filters? Several other new films I've watched recently are also like this. Thunderbolts, Ballerina, Lilo & Stitch, all in "ugly color grading". Why?

Nowadays Hollywood films have already been poor quality in terms of story, at least make the picture pleasing to the eyes, not?

Back to Eden, this is a movie based on a true story. The story itself is fascinating enough. "A murder took place in Heaven". Color grading for dark atmosphere is completely unnecessary.

Because by doing this, you're erasing the drama of the story in strong contrast with its background, making it into a ordinary melodrama: "A murder that can happen anywhere"

Furthermore the setting of this story is also a character. What the audiences want to see is a murder story on a picturesque paradise-like island. Without it, the charm of the story will be greatly reduced.