इटली के ग्रामीण इलाके में स्थित एक मठ में स्वागत मिलने पर सेसिलिया का विश्वास उस मठ के सुंदर बाहरी रूप के नीचे छिपे हुए अंधेरे रहस्यों से परखा जाता है.इटली के ग्रामीण इलाके में स्थित एक मठ में स्वागत मिलने पर सेसिलिया का विश्वास उस मठ के सुंदर बाहरी रूप के नीचे छिपे हुए अंधेरे रहस्यों से परखा जाता है.इटली के ग्रामीण इलाके में स्थित एक मठ में स्वागत मिलने पर सेसिलिया का विश्वास उस मठ के सुंदर बाहरी रूप के नीचे छिपे हुए अंधेरे रहस्यों से परखा जाता है.
- पुरस्कार
- 8 कुल नामांकन
Betty Pedrazzi
- Sister Francesca
- (as Betti Pedrazzi)
Niccolò Senni
- Customs Official
- (as Niccolo' Senni)
फ़ीचर्ड समीक्षाएं
If it wasn't for Sydney, no one would have seen this movie. I honestly don't understand what the higher reviews were watching...
This movie lacked both depth and any sort of character development. The movie would've been better if captions were provided, yet we had to rely on translations from another character.
On numerous occasions, what appeared to be a major development of the movie was either not explained or followed up. Just left there and the director moved on.
I was very disappointed by the movie and felt that they could have done a much better job of developing a storyline. Instead they phoned this one in...
Don't go see it in theatre, wait until it's out to steam if you want to see it. It's certainly not worth the price of admission.
This movie lacked both depth and any sort of character development. The movie would've been better if captions were provided, yet we had to rely on translations from another character.
On numerous occasions, what appeared to be a major development of the movie was either not explained or followed up. Just left there and the director moved on.
I was very disappointed by the movie and felt that they could have done a much better job of developing a storyline. Instead they phoned this one in...
Don't go see it in theatre, wait until it's out to steam if you want to see it. It's certainly not worth the price of admission.
Sydney Sweeney sheds her good-girl persona in Immaculate, a horror film that throws a devout young nun, Cecilia, headfirst into the nightmarish underbelly of a secluded Italian convent. While the premise is deliciously creepy, the execution lands somewhere between a campy throwback and a missed opportunity for deeper thematic exploration.
There's no denying the film's fun factor. The first act lures you in with idyllic Italian countryside visuals and a warm welcome for Cecilia. But the cracks soon begin to show, and the movie gleefully dives into increasingly bizarre and bloody territory. Think The Wicker Man meets Suspiria with a dash of Sweeney's signature intensity. The special effects, while not top-of-the-line, lean into a practical, grotesque quality that complements the film's grindhouse vibe.
Sweeney is the undeniable star here. She beautifully portrays Cecilia's transformation from wide-eyed innocent to a woman fighting for survival, both physically and emotionally. There's a vulnerability in her performance that makes you root for her, even as she descends into badassery. The supporting cast, however, feels a bit one-note. Their portrayals of the enigmatic nuns are more stereotypical than chilling.
The historical and cultural context of Catholicism is undeniably present, with religious iconography and rituals fueling the film's atmosphere. However, Immaculate doesn't quite commit to a deeper social commentary on faith or female subjugation. It throws out intriguing themes but doesn't fully explore them, leaving me wanting more.
The score is a haunting blend of choral music and discordant strings, perfectly capturing the unsettling duality of the convent. The editing is sharp, keeping the pace brisk and the scares coming. There's a sense of stylish chaos to the film, particularly in the later acts, that's undeniably entertaining.
Immaculate isn't immaculate. The script could have benefited from tighter plotting and a clearer thematic focus. But for fans of campy horror with a strong leading performance, it delivers a wild ride. So, if you're looking for something to shock you and maybe make you laugh a little (nervously), then step into the convent with Cecilia. Just don't expect a profound spiritual experience.
There's no denying the film's fun factor. The first act lures you in with idyllic Italian countryside visuals and a warm welcome for Cecilia. But the cracks soon begin to show, and the movie gleefully dives into increasingly bizarre and bloody territory. Think The Wicker Man meets Suspiria with a dash of Sweeney's signature intensity. The special effects, while not top-of-the-line, lean into a practical, grotesque quality that complements the film's grindhouse vibe.
Sweeney is the undeniable star here. She beautifully portrays Cecilia's transformation from wide-eyed innocent to a woman fighting for survival, both physically and emotionally. There's a vulnerability in her performance that makes you root for her, even as she descends into badassery. The supporting cast, however, feels a bit one-note. Their portrayals of the enigmatic nuns are more stereotypical than chilling.
The historical and cultural context of Catholicism is undeniably present, with religious iconography and rituals fueling the film's atmosphere. However, Immaculate doesn't quite commit to a deeper social commentary on faith or female subjugation. It throws out intriguing themes but doesn't fully explore them, leaving me wanting more.
The score is a haunting blend of choral music and discordant strings, perfectly capturing the unsettling duality of the convent. The editing is sharp, keeping the pace brisk and the scares coming. There's a sense of stylish chaos to the film, particularly in the later acts, that's undeniably entertaining.
Immaculate isn't immaculate. The script could have benefited from tighter plotting and a clearer thematic focus. But for fans of campy horror with a strong leading performance, it delivers a wild ride. So, if you're looking for something to shock you and maybe make you laugh a little (nervously), then step into the convent with Cecilia. Just don't expect a profound spiritual experience.
I liked the mix of Italian and English. It worked really well, imagining how the main character would not be able to understand the majority of what they are saying.
However, the priest asks something on the lines of 'if it is not God's will, why does he not stop us?'.
The answer to that is that He gave us free will, which any priest worth his salt would most certainly know.
Apart from that, it was a good take on an already over explored theme, with some nice bits of gore and violence thrown in.
I'd definitely recommend giving it a watch if the massive hole in the priest's explanation of what they are doing is ignored. It starts out as you would expect from the genre, but has it's surprises as it progresses.
However, the priest asks something on the lines of 'if it is not God's will, why does he not stop us?'.
The answer to that is that He gave us free will, which any priest worth his salt would most certainly know.
Apart from that, it was a good take on an already over explored theme, with some nice bits of gore and violence thrown in.
I'd definitely recommend giving it a watch if the massive hole in the priest's explanation of what they are doing is ignored. It starts out as you would expect from the genre, but has it's surprises as it progresses.
6.7/10 (Recommend)
I went into this one completely unaware of what the film was about. My brother-in-law briefly filled me in, but with having no visual expectations I was as virgin to this film has Mary, Mother of Jesus.
The main reason for checking it out is because Sydney Sweeney has been posting TikTok videos from people who have gone and seen the film and have come out "traumatized". There's certain aspects where I can understand why some are coming out of being "mind blown", but I also feel a lot of them aren't into horror films and are seeing just cause she's in it.
Truthfully, I enjoyed the film a lot more than I expected. About 80/85% of the film was good, but the last 15/20% is where it falters and loses all its build-up. Those last twenty minutes were laughable at best and disappointing. The story works, but is definitely fiction in context. Once everything unravels I began to really feel the ninety minutes that this film is.
What makes this movie work at times is the whole nun aspect. Horror nuns are creepy and unsettling for me. The jump scares work half the time. If I was feeling better than I am then the scares wouldn't have got me as much as they did, but recognizing that I can say they aren't anything special especially if you watch horror films often.
This is my first film with Sydney Sweeney and she wasn't bad. She brings good innocence to her character and a boldness, while not unexpected, is wrecked by the execution of the end. I am now curious on some of her previous roles to gauge what kind of actress she has. There's range going from romcom to horror, but doesn't mean you're good.
Overall, a more enjoyable film than I expected, but not out of this world horrific. It shows more graphic scenes than I expected, but I'm not complaining. The ending ruins the rest of the films build-up especially with the lack of graphic visuals. If it's a movie of interest to you then wait for a cheap night or its release to a streaming service.
That's all for now. Thank you for taking the time to read my review. Until next time.... Enjoy the show!
I went into this one completely unaware of what the film was about. My brother-in-law briefly filled me in, but with having no visual expectations I was as virgin to this film has Mary, Mother of Jesus.
The main reason for checking it out is because Sydney Sweeney has been posting TikTok videos from people who have gone and seen the film and have come out "traumatized". There's certain aspects where I can understand why some are coming out of being "mind blown", but I also feel a lot of them aren't into horror films and are seeing just cause she's in it.
Truthfully, I enjoyed the film a lot more than I expected. About 80/85% of the film was good, but the last 15/20% is where it falters and loses all its build-up. Those last twenty minutes were laughable at best and disappointing. The story works, but is definitely fiction in context. Once everything unravels I began to really feel the ninety minutes that this film is.
What makes this movie work at times is the whole nun aspect. Horror nuns are creepy and unsettling for me. The jump scares work half the time. If I was feeling better than I am then the scares wouldn't have got me as much as they did, but recognizing that I can say they aren't anything special especially if you watch horror films often.
This is my first film with Sydney Sweeney and she wasn't bad. She brings good innocence to her character and a boldness, while not unexpected, is wrecked by the execution of the end. I am now curious on some of her previous roles to gauge what kind of actress she has. There's range going from romcom to horror, but doesn't mean you're good.
Overall, a more enjoyable film than I expected, but not out of this world horrific. It shows more graphic scenes than I expected, but I'm not complaining. The ending ruins the rest of the films build-up especially with the lack of graphic visuals. If it's a movie of interest to you then wait for a cheap night or its release to a streaming service.
That's all for now. Thank you for taking the time to read my review. Until next time.... Enjoy the show!
I had the chance to catch "Immaculate" before its release, hoping for a fresh horror experience set in a stunning Italian convent. Unfortunately, the movie felt like a letdown. The story follows Cecilia, who's supposed to uncover some dark secrets in her new, holy home, but it all ends up feeling too familiar.
The film tries to be edgy and dark but doesn't quite hit the mark, almost playing it safe like a PG-13 movie so any comparisons to "Saint Maud" almost feel like an insult. It teases us with brutality but pulls its punches, leaving us with a sense of "been there, seen that" rather than genuine chills or thrills.
Despite its beautiful setting and a premise that could have taken us on a deep, disturbing dive into faith and fear, "Immaculate" doesn't deliver. It ends up feeling like a collection of horror clichés without the bite, missing a chance to really stand out. For those looking for a horror movie that packs a punch, this might not be it.
The film tries to be edgy and dark but doesn't quite hit the mark, almost playing it safe like a PG-13 movie so any comparisons to "Saint Maud" almost feel like an insult. It teases us with brutality but pulls its punches, leaving us with a sense of "been there, seen that" rather than genuine chills or thrills.
Despite its beautiful setting and a premise that could have taken us on a deep, disturbing dive into faith and fear, "Immaculate" doesn't deliver. It ends up feeling like a collection of horror clichés without the bite, missing a chance to really stand out. For those looking for a horror movie that packs a punch, this might not be it.
क्या आपको पता है
- ट्रिवियाSydney Sweeney auditioned for this film in 2014 when she was 17 but the project never materialized. Years later, she took on the role of a producer and reached out to the writer, acquired and revised the script, hired a director, found financiers, and sold the film to Neon.
- गूफ़The term "Immaculate" has nothing to do a virginal pregnancy, often considered in eg the birth of Jesus to the virgin, Mary. Immaculate has to do with "being born without sin" as in the reference to the Immaculate Mary, the Mother of Jesus, being herself born without sin.
- भाव
Sister Cecilia: Wait, so you don't even believe in God?
Sister Gwen: Of course I do. Life is so cruel. Only a man can be responsible.
- साउंडट्रैकRequiem Nostra Sigmora Addolorata
Written by Will Bates
Performed by Maiah Manser
Published by Music by FOYS Publishing
Courtesy of Fall On Your Sword
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Immaculate?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Inmaculada
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $90,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,56,71,307
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $53,38,921
- 24 मार्च 2024
- दुनिया भर में सकल
- $3,53,40,015
- चलने की अवधि
- 1 घं 29 मि(89 min)
- रंग
- पक्ष अनुपात
- 2.00 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें