Dark Touch

Dark Touch looks like a rework of Stephen King's Carrie, except it's more keen at the themes of suffering with abusive parents. Even though that this is a horror movie, it is at its most interesting when it deeply focuses on the main character dealing with her trauma. The supernatural elements only becomes the allegory of her feelings against the violence she faces at home. The narrative can get a little clunky and once it gets hateful at the third act, things felt sort of incoherent. Still, Dark Touch offers a compelling core that keeps it from being like any generic horror film we usually get these days.

The movie is pretty slow, while it satisfyingly shows enough disturbing violence, the movie is more concerned at the traumatized young girl who is unable to overcome on what she was treated by her family. We often just see the motions of her new life trying to fit in to a normal new family and visiting some therapy. The final note of the movie seems to indicate that this is a personal message against child abuse from one of the filmmakers. It's quite compelling when it keeps things grounded, the girl's supernatural abilities is only a symbolism of her anxiety and a growing tension of harming the people who cares for her. Apart from that realism and analogy, the movie becomes sort of clunky at its horror movie elements. This as well sets up to an ending that has an obvious meaning, but felt a little unfitting to what has accomplished. As a result, it looks glorious to those who agree with its sentiment, but also disappointing for how much better it could have been.

The movie still deserves a lot of credit. As much as there are characters dying violently, the movie doesn't try to make that the whole point of it all. It doesn't even bother explaining the origins of Niamh's curse. What's important here is to portray the terrible effects of abuse to a child. The movie brings a stunning cinematography that reflects their world's melancholic atmosphere. Young Missy Keating does fine as Niamh. Her limited expressions do work for hiding the pain of her character. Better are the supporting who decently back her up.

Dark Touch is alright, there is a potential of a better movie that may become an excellent allegory, but it's still difficult to explain what to exactly feel about the third act. It's probably to add more camp since it doesn't offer much horror within its storyline, or the filmmakers just hate child abuse too much that it has to take it that far. Wasn't her telekinetic powers already enough for their consequence? And it's also a pretty compelling one if you think about it. The point is, the conclusion just doesn't quite fit in the process, as it largely shifts the tone. But the movie has a clear statement, and I think that's enough for it. Horror fans may appreciate its bloody death scenes, though that's not exactly what this movie is about, the movie just could have been tighter in its messaging. There is an absolute reason why we must hate child abuse, but out of caricatures, too much hate really affects the experience.

I am going to begin by stating that, while I am not an expert on film making, I think this is a very well directed and edited movie. The pacing was spot on. I was entertained from start to finish. Morally righteous audiences should be pleased by the lack of naked female breasts and naughty language. The story does deal with a very serious and disturbing subject however, so this movie may not be appropriate for everyone.

The main problem that I think some people will find with this movie is that the thing, or device, that drives almost all of the action sequences has already been dealt with in what is considered by many to be a classic horror film.

The "summary", refers to the film's weirdest line, at the climax of the film.

It goes something like this, " Education used to be easy, but these days everyone has an opinion." ???? Was that supposed to be a joke? The film- makers seemed to concentrate on the looks of the film and the actors, more than the story. All the actors were "pretty", as was the scenery. I liked listening to the rich Irish accents. Unfortunately, the story seemed quite amateurish, as it contained bits and pieces from other movies, stuck together haphazardly. It jumbled "Carrie", "Who can Kill a Child", "Village of the Damned" and another recent Irish horror story,"The Daisy Chain", in which a little girl/elf burns her parents to death. The imagery was well done, but the plot was basically incoherent, with very little real story.

There are worse ways to spend your time. 'Dark touch' maintains an unsettling atmosphere throughout its length, and is filled with intermittent moments of violence and blood. And... that's a movie!

Moments of acute fright for the characters are supposed to inspire the same in the audience, but we just don't feel it beyond the maintenance of the spooky-ooky atmosphere. It's just interesting enough to keep us watching, to see what happens, but it's not especially engaging.

The thing is that 'Dark touch' relies heavily on a trope we've seen many times before. For most of its length, that's about all there is to say. With about 15 minutes left it takes that familiar narrative thread in an extra dark, surprising direction - but then ends rather abruptly.

This isn't bad. But nor is it noteworthy enough to specifically recommend. 'Dark touch' is the sort of supernatural thriller to view if you can't decide on anything else, or want to watch something with limited time and aren't very particular.

Yet another supernatural kid horror that has an eye for atmosphere but the script is just nothing special.

Our main girl Niamh is a very sympathetic and adorable protagonist but we have just been here before and you need some kind of twist to make it interesting especially since this movie kind of blows its load very quickly, revealing the things we really should have just been guessing.

It's a vivid portrayal of the domination of adults in a child's life, even the well intentioned ones.

But I can barely even remember how this ended which is a pity from an Irish set movie with French people behind it.