IMDb रेटिंग
6.4/10
53 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ें10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form a... सभी पढ़ें10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
- पुरस्कार
- 3 जीत और कुल 19 नामांकन
Frank C. Sun
- Acrobat 1
- (as Chen 'Frank' Sun)
फ़ीचर्ड समीक्षाएं
The reviews for this weren't exactly bad, or even mixed. But it did seem to get a lot of negative ones, and a lot of neutral, unpassionate ones. To my surprise, this is a fine film. Sure, not all that original, but the directing is really strong, as is the acting, Robert Pattinson, in particular, really shines and the best I've ever seen him be. Who knew he had this sort of performance in him, I certainly didn't, and it makes me interested in what he can accomplish in the future. Guy Pearce was strong too, with a pretty subdued, but very intense, character to play. The rest of the supporting players give some nice work too. Overall, I recommend this.
A disheveled loner (Guy Pearce) trails a trio of thieves who stole his car. Along the way he picks up the slow-witted brother (Robert Pattinson) of one of the thieves. Dystopian future or post-apocalyptic movies kind of blend together after you've seen a lot of them. So when one comes along that feels fresh like this one, it deserves praise for that alone. The acting is excellent. Guy Pearce has long been an actor whose work I enjoy but the big surprise here is Robert Pattinson, who ensures with this performance that he will be remembered for more than the Twilight movies. Taut direction with quality acting, writing, and music. It's a good movie but not for everybody. Dark, gritty, often slow and certainly violent. But it's also very rewarding if you're wiling to give it a chance.
The world is reeling from an economic melt down. Society hangs on precariously in a state of lawlessness. Following a botched bank robbery a man's car is stolen. This is his story of getting his car back.
The main character is hardened, non communicative and solely dedicated to the task of getting his car back. What follows is a violent road movie with one of the most unlikable, grumpiest heroes of all time.
Despite being a total douche I did start to warm to the character. This is a clear indication of how well made the movie is. Guy Pierce is great, which is just as well as he is tasked with shouldering most of the load.
The world is grubby, squalid and dangerous. Yet it has an element of realism about it. The police desperately try to keep order in a world where most people have all but given up.
An enjoyable watch with a beautifully bitter ending.
The main character is hardened, non communicative and solely dedicated to the task of getting his car back. What follows is a violent road movie with one of the most unlikable, grumpiest heroes of all time.
Despite being a total douche I did start to warm to the character. This is a clear indication of how well made the movie is. Guy Pierce is great, which is just as well as he is tasked with shouldering most of the load.
The world is grubby, squalid and dangerous. Yet it has an element of realism about it. The police desperately try to keep order in a world where most people have all but given up.
An enjoyable watch with a beautifully bitter ending.
Screened out of competition at the 67th Cannes Film Festival David Michôd's second feature The Rover is not as fascinating as his Oscar nominated Animal Kingdom. Nevertheless it is an interesting picture and a respectable effort from the promising director.
The film opens to the Australian outback and says at the very beginning that it's been ten years after the collapse. People have suffered an immense economic crisis which left them in the vacuum of authority, lawlessness and banditry. Every single being on screen is desperate. A robbery gone bloody wrong, three men run away from the scene of the crime leaving a wounded brother behind. As their car breaks down along the way they steal another. It belongs to Eric and he is madly determined to get it back. What makes it more interesting is Eric and Rey, the man the gang left behind, come across each other and build up bonds.
At one point of their wearing journey Rey says "Not everything has to be about something" This stuck with me throughout, I took it as a way of saying the contrary -everything has to be about something-. Michôd's film works both as a post- apocalyptic nightmare and an absorbing contemporary western with something to say. Yes, the social commentary were a bit blatant at times (especially that talk between Eric and a soldier) but I like the whole aim of the film as to me it tried to look and find remnants of something human in its lost wanderers. Still though I find the finale to be infuriating, maybe that was the intention, but at least we get to learn why Eric is so inexorable about taking his car back. The reveal was heartbreaking and showed that one would still cling to love in the direst of circumstances.
As for Eric and Rey, I find their relationship intriguing. Eric is like the needed older brother, the father figure to Rey. Right after his singing "Don't hate me cause I'm beautiful" in the car, Rey goes and sits next to Eric. And at that moment I felt Rey wanted to come closer but Eric prevented it saying "go to sleep". I don't know, there was something there and I liked it.
The film is beautiful to look at, it's technically impressive and well directed. One should also mention the commendable work from its actors Pearce and Pattinson. Especially the latter who has never been better. While his face was distractingly over expressive on some occasions, Pattinson still gives a consistent performance as the half-witted Rey.
The film opens to the Australian outback and says at the very beginning that it's been ten years after the collapse. People have suffered an immense economic crisis which left them in the vacuum of authority, lawlessness and banditry. Every single being on screen is desperate. A robbery gone bloody wrong, three men run away from the scene of the crime leaving a wounded brother behind. As their car breaks down along the way they steal another. It belongs to Eric and he is madly determined to get it back. What makes it more interesting is Eric and Rey, the man the gang left behind, come across each other and build up bonds.
At one point of their wearing journey Rey says "Not everything has to be about something" This stuck with me throughout, I took it as a way of saying the contrary -everything has to be about something-. Michôd's film works both as a post- apocalyptic nightmare and an absorbing contemporary western with something to say. Yes, the social commentary were a bit blatant at times (especially that talk between Eric and a soldier) but I like the whole aim of the film as to me it tried to look and find remnants of something human in its lost wanderers. Still though I find the finale to be infuriating, maybe that was the intention, but at least we get to learn why Eric is so inexorable about taking his car back. The reveal was heartbreaking and showed that one would still cling to love in the direst of circumstances.
As for Eric and Rey, I find their relationship intriguing. Eric is like the needed older brother, the father figure to Rey. Right after his singing "Don't hate me cause I'm beautiful" in the car, Rey goes and sits next to Eric. And at that moment I felt Rey wanted to come closer but Eric prevented it saying "go to sleep". I don't know, there was something there and I liked it.
The film is beautiful to look at, it's technically impressive and well directed. One should also mention the commendable work from its actors Pearce and Pattinson. Especially the latter who has never been better. While his face was distractingly over expressive on some occasions, Pattinson still gives a consistent performance as the half-witted Rey.
This film tells the story of a desperate and lonely man whose car is stolen. He goes to extreme lengths to recover his car, killing many people along the way.
"The Rover" is compared to "The Road", which I really enjoyed. "The Rover" tries to create the desolation and desperation in "The Road", but it doesn't quite work. Where the story is going is not clear in the film, and hence it looks as if Guy Pearce's character is a mad man going on a killing spree because someone has done him a little wrong. The pacing is super slow, and therefore it doesn't captivate my interest. Do the characters really need two minutes to walk from a car to a house? That is really dragging screen time unnecessarily.
The only redeeming feature is the performance of Robert Pattison. I thought he was just a pretty face that made it big because of a wildly popular series of films. In here, he gives a memorable as a mentally challenged young man. If only the rest of the film is as good as his performance!
"The Rover" is compared to "The Road", which I really enjoyed. "The Rover" tries to create the desolation and desperation in "The Road", but it doesn't quite work. Where the story is going is not clear in the film, and hence it looks as if Guy Pearce's character is a mad man going on a killing spree because someone has done him a little wrong. The pacing is super slow, and therefore it doesn't captivate my interest. Do the characters really need two minutes to walk from a car to a house? That is really dragging screen time unnecessarily.
The only redeeming feature is the performance of Robert Pattison. I thought he was just a pretty face that made it big because of a wildly popular series of films. In here, he gives a memorable as a mentally challenged young man. If only the rest of the film is as good as his performance!
क्या आपको पता है
- ट्रिवियाRobert Pattinson stated, that after the Twilight series ended he knew he had to play these kind of roles to avoid getting typecast, and that he wanted the role so much, that in the days leading up to the audition, he even dreamt of his character Rey. When he was at David Michôd house for the audition, he couldn't start to actually play the character for 45 minutes because he had so much anxiety.
- गूफ़सभी एंट्री में स्पॉइलर हैं
- कनेक्शनFeatured in Something Elemental: Making the Rover (2014)
- साउंडट्रैकMeak Mer Nov Odor Meanchhey
Written by Mala Pei/ Sam Sakhan
Performed by Savy Heng and James Cecil
Licensed courtesy of Cambodian Dept. of Copyright & Related Rights
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Rover?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- El Cazador
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $11,14,423
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $69,302
- 15 जून 2014
- दुनिया भर में सकल
- $25,10,007
- चलने की अवधि
- 1 घं 43 मि(103 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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