Custody

Ok the people who are actually honest obedient responsible police officers are VARGHESE, GEORGE,and millitant PHILIP....but but but The sadistic CM and the criminal is DAKSHAYANI and RAJASHEKHAR aka RAJU...whyyyyy????what is the director trying to prove here???what is the conversation between the millitant officer and accused??? Director is trying to tell audience that millitary is actually killing people who has a family too... seriously????and the director deliberately inserted hindu pooja in a scene where CM is talking to her party founder...and the military officer who removes bullet and shelters the accused is xtian?????this is such a useless movie..waste of time watching...bomblast scene was totally unnecessary...and no mother would leave a child in such a traffic that is for sure....what a crap movie it is..🙏🙏🙏🙏🙏

RATED 5/10 Language: Tamil Source: Amazon Prime

With this cast and masala story, this could be the block buster one. But it failed miserably as a whole. Mainly because of the very poor narration and take the logic holes as granted, especially the dam fight and exhibition scenes.

Surprisingly I can see the "Saroja" Venkat Prabu on the Mortuary van dialog sequence. He utilised full and full of Aravind Swamy and Keerthi in that scene. It was so lovable to watch that scene.

But after that he failed to keep the track and confused between the mass heroism and entertainment.... Finally it become like a 80's masala movie and the art work helped much to make it look much worst....

You have to admire the obvious talent and the unabashed gratuitous enjoyment of so many genres merged together with momentary comedic relief and themes for the first hour that will make you chuckle.

The leads do a nice job with delivery of comedic script and choreography.

Custody is worth your money to gain some worldly perspective of cerebrated talent and art.

Yet, the producer and director could certainly have derived three works of art from all they have to work with here.

Custody is a gumbo of entertainment that is palatable and fun for a bit but could have been enjoyed and consumed more easily had a few ingredients been saved for separate additional efforts.

Watched the Tamil version. This Venkat Prabhu's hunt deals with an honest constable stumbling upon two suspects during a night stroll. He arrests them suspecting drunk and disorderly but turns out, one of them is a dreaded criminal and the other, a CBI officer who had just arrested him. The criminal has to be produced in Bengaluru court and the state government is trying to stop that from happening. How they face all odds to make it to the court on time forms the story.

The problem with the screenplay is it barely throws any surprises. One can easily predict the main villain at the beginning itself. The love story between Naga Chaitanya and Krithi Shetty barely registers. Neither the actors of Aravind Swamy, Sarath Kumar, Ramki are given meaty roles. The bad vfx doesn't help Venkat Prabhu's vision considering the whole movie is one prolonged chase sequences hoping to be thrilling.

The flashback felt forced and simplifying the story to that extent made a certain character's death pointless and the film too ends on a joke which could've been fine if not for the main tone of the film. The signature humor one expects from Venkat Prabhu simply doesn't sync in this type of serious film.

The essence of this film can be summarised in a line delivered by Chay to Jiiva, "These serious lines are not fitting for you... You follow the normal, jolly route that works for you". If VP follows this, the director will be happier.

The problem in this film is that all twists and turns are normal, easily predictable and cliched. At least, the film makes you sweat with the nail-biting tension running throughout the film. Naga-chaitanya was given due respect, and a lot of mass build-up scenes with effects. So, we cannot say Andhra-Tamil concept was a flaw.

The heroine is a great addition to the film, with her own complex equations brought into the dynamics. Aravind Swamy's complex witty character is a welcome breeze in this otherwise intense film. Ramki's swag with an army machine gun also makes quite a scene in a tense turn.

However, all scenes give us a feel that we have already seen these somewhere else. Jiiva's character is in particular one-dimensional, with a foolhardy nature. With such a low situational awareness, how could he become a cop?! (Not noticing hazards falling in a chaotic site). Maybe this explains why the cops were so weak in this movie. One welcome break is that Premji somehow works as a villain with a disgusting, vile presence. (The politicians were like jokers in the film. Sarath's character was at least demonic in his smoking scenes. The car driver who tries to give a lift, but lusts after the heroine though - could he get any sillier?)

We have to admit that one major blunder was to let go of Aravind Swamy's character in the end, just for the sake of innovation. The following scenes were even more disastrous. With better writing, and perhaps some more character depth to all roles, this could have been different. Still, if one has nothing better to do, one can watch this film for the unique 90's style filmmaking.