जो के यौन रूप से निर्धारित जीवन की निरंतरता उसके वयस्कता के गुप्त पहलुओं को उजागर करती है और जिसके कारण वह सेलिगमैन की देखभाल में था.जो के यौन रूप से निर्धारित जीवन की निरंतरता उसके वयस्कता के गुप्त पहलुओं को उजागर करती है और जिसके कारण वह सेलिगमैन की देखभाल में था.जो के यौन रूप से निर्धारित जीवन की निरंतरता उसके वयस्कता के गुप्त पहलुओं को उजागर करती है और जिसके कारण वह सेलिगमैन की देखभाल में था.
- पुरस्कार
- 14 जीत और कुल 31 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाCharlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.
- गूफ़In the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.
- भाव
Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.
Seligman: That's unbelievable!
Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.
Seligman: No matter how much I try, I can't find anything laudable in pedophilia.
Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.
- क्रेज़ी क्रेडिटNear the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."
- इसके अलावा अन्य वर्जनThe director's cut adds roughly 57 minutes of footage, expanding some of the subplots.
- कनेक्शनFeatured in Film '72: 19 फ़रवरी 2014 को प्रसारित एपिसोड (2014)
- साउंडट्रैकThe Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
Performed by Mads Hock
Written by Johann Sebastian Bach
Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)
© Zentropa Music
Note: skip this paragraph if you plan to see the movie as a whole, as it reveals some important plot points from the first volume. In this part, Joe (Charlotte Gainsbourg) is still telling her story to Seligman (Stellan Skarsgard), but his role is minor as he mostly listens and doesn't have many witty, maths-related remarks – which I thought was positive, and I liked that Joe asked him how could he possibly be thinking about mathematical formulas while she's talking about sex. My thoughts exactly, but this gets explained, too: Seligman is an asexual virgin. For the sake of drama, could he really have been anything else if not Joe's exact opposite? Also, this part shows us Joe ruining her monogamous life with Jerôme (Shia LaBeouf) because of her addiction, and we can finally see and understand the pain her addiction causes her.
I like to think this part of the movie is more Trier-like: there is less pretentious crap and less oh-so-shocking sex, but more is said about the main character and the story actually goes somewhere (while the first part was mostly about young Joe having sex). Volume II finally tackles the subject of nymphomania as a serious addiction. Just like a junkie, Joe gives up everything for her daily dose, even her loving husband who just can't satisfy her need. And even when she, in one scene, claims she loves herself as she is – a sex addict – it's hard not to smile and feel pity for a person that tries, in every possible way, to justify her behavior, while being aware of the lies she's feeding herself with. Still, I understand why the first part of the movie is lighter and focused on Joe's sexual adventures: every addiction feels awesome at first, just like youth is a much easier life period than all that comes after. Because of this needed transition, it's much better to watch the movie as a whole, if you can manage to sit through its 4 hour entirety.
It was also easier to concentrate on the actors' performances in this part of the movie. Stacy Martin is finally gone, thank God, except for a small part in the beginning that doesn't really show her bad acting. You can now really appreciate Charlotte Gainsbourg as an actress, as she does more than just sit on a bed and talk. Mia Goth is really good as P, even though this is her first role in a movie ever. Willem Dafoe got too little screen time to be really impressive, although he wasn't bad, but Jamie Bell as the sadistic K was great – so naturally intimidating, even his facial expressions make you shiver. There are still some scenes that make you cringe, the pretentiousness isn't completely gone and the movie is tedious from time to time, but I'd suggest you see it, preferably as a whole. It's not perfect, but it's definitely an interesting experience.
Rating: 7/10 Read more at http://passpopcorn.com/
- PassPopcorn
- 21 फ़र॰ 2014
- परमालिंक
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Ninfomanía (vol. 2)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,27,167
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $74,978
- 6 अप्रैल 2014
- दुनिया भर में सकल
- $49,34,965
- चलने की अवधि2 घंटे 4 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1