20 Days in Mariupol

If you are a human being alive in 2024 and living in a civilised country, this is mandatory viewing. If your government is blocking aide to Ukraine, get on the phone to your representatives every day, make noise, donate what you can to approved organisations (Red Cross, etc), demonstrate (peacefully), wear the colours of Ukraine, and NEVER let anyone forget what is happening there.

For two years I wear a pin with the Ukraine colours every day, and strangers come to me and shake my hand, or share a "Slava Ukraini"! With me.

What is currently happening with funding from the richest countries in the world drying up for internal political reasons is the biggest sin I have witnessed in my lifetime.

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This documentary is about as real as it gets. The film is pieced together from footage shot in Mariupol during February and March 2022. You might have already seen snippets, especially from the maternity hospital, but this takes you day by day and includes some less common materials.

I won't get into the usual critiques of quality or story flow. That would be idiotic. They captured what they could in the midst of war, when everything including electricity for their cameras was at scarce. It surprises me that some reviewers are complaining, as if this were some Hollywood production in the making for five years. Jesus.

I recommend watching it. The war is ongoing, and it won't just disappear because we're tired of it. It serves as a powerful reminder to the world about what's happening in Ukraine every day.

My family moved out of Mariupol in mid-2021. We lived in between the Drama Theater and maternity hospital, across from the University. We sometimes sat outside at Coffee Racer cafe next to the hospital, drank coffee, and watched people strolling along Miru Ave.

My mother stayed behind in Mariupol. Despite the ominous warnings, nobody really expected a full-scale invasion with bombs and artillery. She lived directly across the street from hospital #2, which is where the filmmakers hid through much of the movie. In fact, her burning apartment building is the opening shot of "Day 16". The area all along Kuprina St, adjacent to the hospital and small church, sits at the very western edge of the city, which took the brunt of the attacks approaching from Crimea direction.

After surviving the initial bombings and attacks, Mom had to drink, cook, and clean herself with water from a well adjacent to shallow graves of her neighbors. Survivors chopped up furniture to burn for cooking. It was truly medieval in every way possible, and intentionally so. After 73 days trapped, she made it out by a miracle of good luck, but not before first going through Bezimmene filtration camp.

None of my family will watch this movie except me. Everything is too close and too familiar. One thing the movie does not show is how vibrant and thriving this same city had been prior to 2/24/22. It seems surreal to see your old comfortable neighborhood get intentionally destroyed on international news. To be honest, the Russians were so jealous of Mariupol that they tried to murder it. They cannot get away with this.

This is a story that absolutely needs to be seen and heard - without any sugar-coating - as painful as it may be.

I was very lucky to attend a sold-out screening of 20 Days in Mariupol in Boston that Mstyslav Chernov himself attended. This is a must-see, brutally honest and beautifully told documentary that portrays the naked evil and barbarity of russia's full-scale invasion of Ukraine from a deeply human standpoint. Chernov's voice as a storyteller is achingly Ukrainian, and the film's tone and editing evoke a sort of spiritual pain that exceeds the material destruction of war.

20 Days has a very strong edit that leaves in moments of Chernov's camera falling by his side as he's resting or unable to film: these moments add extra depth of realism and transport the audience into the warzone, not just watching some polished news report. There is almost a "found footage" quality to the edit and frantic first-person shaky cam scenes, but this film is much scarier and more disturbing than any horror movie could be because it's the truth, and to this very moment Mariupol is occupied by the same ruzzian butchers seen in this documentary.

The music and sound are another highlight-- the film ends on images of russian occupation set to a disturbing, pulse-like tone. The music throughout by Jordan Dykstra compliments the scenes greatly and elevates the film's tone, both in highly disturbing war scenes and in moments of bleak, depressing stillness.

20 Days in Mariupol is a cultural and historical document that should absolutely be shown in schools, especially in the West, so non-Ukrainian people can finally begin to understand the brutal, colonial and genocidal nature of russian imperialism. Mstyslav Chernov is nothing short of a hero in my eyes, and an incredibly brave and profoundly-spoken human being.

Watch this film and show it to as many people as you can.

Considering the searing nature of this troubling documentary, I feel somewhat uneasy in recommending it as must-see viewing. Nevertheless, this is one of those films that has to be seen in order for the truth behind its story to be fully realized. When Ukrainian journalist-writer-director Mstyslav Chernov and two colleagues chronicled the first days of the nation's brutal conflict with Russia, they probably had no idea what they were in for. Working from the Black Sea port city of Mariupol, they captured devastating footage of the relentless Russian attacks, particularly the enemy's ruthless assaults on civilian targets, despite assurances to the contrary. The Russians were simultaneously determined to destroy the Ukrainian communications infrastructure to prevent word of the atrocities from getting out to the wider world, seriously hindering the work of Chernov and company as the only international journalists still in the war-torn country at the time. As the city was systematically being destroyed, the international community had little knowledge of what was transpiring in Mariupol beyond Russian President Vladimir Putin's skewed propaganda claims. But, when images of the warfront finally made their way out of Ukraine, the world got an entirely new perspective on the carnage unfolding there, despite the Russians' astoundingly incredulous claims that everything that had been photographed was staged, not unlike what one would find on a movie set. Such reporting opened the eyes of the world, first in media coverage at the time and now in this film, a joint production of the Associated Press and the PBS documentary series Frontline. This gripping release holds nothing back, making it an exceedingly difficult watch for virtually everyone, including those with thick skins who ordinarily might not be affected by such graphic imagery. However, it honestly reveals what the Ukrainians were up against in this horrific siege, putting the war crimes of the aggressors on display for all to see. In addition, this offering reinforces the importance of the work of intrepid journalists under the most trying of conditions, particularly where those wreaking havoc are desperate to keep the facts from reaching the light of day. This highly acclaimed film - a recipient of ample awards season buzz and honors - may be difficult to sit through, but discovering the truth is often a challenging process, and both Ukraine and the world should be grateful that there are those out there who are willing to put themselves on the line to see that through, no matter how treacherous or daunting circumstances may be.