आलोचक समीक्षाएं

It is a creamily sensuous, richly observed piece of work, handsomely detailed and furnished: the clothes, the hair, the automobiles, the train carriages, the record players, the lipstick and the cigarettes are all superbly presented. The combination of all this is intoxicating in itself.

A nuanced tale of mutual attraction that reflects a filmmaker and cast operating at the height of their powers, rendering complex circumstances in strikingly personal terms.

Made of crystal and suppressed tears, shot eternally through windows and mirrors and half-closed doors, Todd Haynes' Carol is a love story that starts at a trickle, swells gradually to a torrent, and finally bursts the banks of your heart. A beautiful film in every way, immaculately made, and featuring two pristine actresses glowing across rooms and tousled bedclothes at each other like beacons of tentative, unspoken hope.

Carol is gorgeous, gently groundbreaking, and might be the saddest thing you’ll ever see. More than hugely accomplished cinema, it’s an exquisite work of American art, rippling with a very specific mid-century melancholy, understanding love as the riskiest but most necessary gamble in anyone’s experience.

Even high expectations don’t quite prepare you for the startling impact of Carol, an exquisitely drawn, deeply felt love story that teases out every shadow and nuance of its characters’ inner lives with supreme intelligence, breathtaking poise and filmmaking craft of the most sophisticated yet accessible order.

Gestures, looks and touches carry enormous weight, and Blanchett and Mara, both excellent, invite micropscopic readings of their every glance and movement.

Blanchett makes an indelible impression as a woman who, through breeding, intense personal cultivation and social expectations, has brilliantly mastered the skill of navigating through life.

It’s such stately, evocative, confident filmmaking, the only reservation being that it’s also a bit chilly.

Only the combined talents of both Blanchett and Mara can make the film's powerfully realized finale work.

A beautiful entity, near flawless in design, any talk of accolades certainly seems justified.