IMDb रेटिंग
4.8/10
7.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
Saw 'Home', being fond of horror regardless of budget (even if not my favourite genre) and being intrigued by the idea which was reasonably different when it comes to recent viewings of horror. Being behind on my film watching and reviewing, with a long to watch and review list that keeps getting longer, it took me a while to get round to watching and reviewing it.
Giving 'Home' a fair chance with being interest and apprehension, it turned out to be far better than expected. Won't say that 'Home' is a great film because it isn't and the potential, while not wasted, is not fully lived up to. Considering the large number of films seen recently being mediocre and less and wasting potential, was expecting worse and was relieved that while wanting in a fair few areas it was actually one of my better recent low-budget viewings.
Starting with the positives, generally the production values could have been much worse. There is a real sense of eeriness, foreboding and a decently stylish atmosphere, and it makes the most of the confined and at times effectively claustrophobic setting. The music is also suitably haunting and manages to not be too intrusive, likewise with the sound not being too obvious (a bugbear of mine with low-budget viewings recently).
There is tension, suspense and genuine creepiness. The acting is better than average, with the three leads carrying the film pretty decently.
Would have liked however more tension and suspense and for some of the scares to be more creative and less trying-too-hard to the point of cheesiness. The dialogue is cheesy and awkward generally.
Found that the story could have been executed better too. Too many parts are uneventful, the narrative structure is not always coherent and it can feel padded, not to mention an ending that perplexes in its anti-climactic and muddled convolution. There are exceptions to the better than expected production values, the effects are shoddy and the editing could have been tighter.
Overall, better than expected but didn't blow me away. 5/10 Bethany Cox
Giving 'Home' a fair chance with being interest and apprehension, it turned out to be far better than expected. Won't say that 'Home' is a great film because it isn't and the potential, while not wasted, is not fully lived up to. Considering the large number of films seen recently being mediocre and less and wasting potential, was expecting worse and was relieved that while wanting in a fair few areas it was actually one of my better recent low-budget viewings.
Starting with the positives, generally the production values could have been much worse. There is a real sense of eeriness, foreboding and a decently stylish atmosphere, and it makes the most of the confined and at times effectively claustrophobic setting. The music is also suitably haunting and manages to not be too intrusive, likewise with the sound not being too obvious (a bugbear of mine with low-budget viewings recently).
There is tension, suspense and genuine creepiness. The acting is better than average, with the three leads carrying the film pretty decently.
Would have liked however more tension and suspense and for some of the scares to be more creative and less trying-too-hard to the point of cheesiness. The dialogue is cheesy and awkward generally.
Found that the story could have been executed better too. Too many parts are uneventful, the narrative structure is not always coherent and it can feel padded, not to mention an ending that perplexes in its anti-climactic and muddled convolution. There are exceptions to the better than expected production values, the effects are shoddy and the editing could have been tighter.
Overall, better than expected but didn't blow me away. 5/10 Bethany Cox
This movie does not take long to start off, it actually got me of guard near the start of the movie,
As the movies goes on, it kind flows really well, it tends, to have right mix balance of decent creepy scenes and a few jump scenes , those scenes are really good .
I loved the power cut science was really good, a tad creepy and hospital scene with scan , loved that scene,
The only downside , that there were no ending to the movie, they did want to finish the story , there were no cliffhanger or anything , just ended with no payoff
The acting was decent not great
Really good movie 7 out of 10
As the movies goes on, it kind flows really well, it tends, to have right mix balance of decent creepy scenes and a few jump scenes , those scenes are really good .
I loved the power cut science was really good, a tad creepy and hospital scene with scan , loved that scene,
The only downside , that there were no ending to the movie, they did want to finish the story , there were no cliffhanger or anything , just ended with no payoff
The acting was decent not great
Really good movie 7 out of 10
Taken on their own, there are a lot of little things to like about "At the Devil's Door." It's competently directed, but not flashy. There are some really nice creature make up effects. Off the top of my head, I can think of at least two visuals creepy enough to remember two days later. At least one jump scare worked for me because it came out of nowhere.
The problem is, none of these things really add up to anything special. "At the Devil's Door" suffers from something I just made up: Handful-of-Interesting-Visuals Disease, or HIV for short. Wait that may already be taken. Whatever. HIV is where a filmmaker suddenly musters enough inspiration to come up with a neat shot or two, but then doesn't have much else to build around them. What this movie lacks is likable characters, believable dialog, a coherent timeline of events and — when all is said and done and the credits start to roll — a story worth telling. The story jumps from character to character all willy-nilly, never giving us the chance to get to know any of them. Months, then years, go by with the flash of a title card. Once, for no particular reason, the movie jumps backwards in time. Words spill from character's mouths with little thought as to why they are saying them or what they actually mean. There's a bit of clever misdirection at one point in the story, but the reveal doesn't really mean all that much because nothing happens due to the protagonist having the wrong information. It's just there for to make the audience go, "oh." I'm shaking my head; that's just bad writing.
While I'm generally a fan of backdrop horror that is, scary stuff going on in the background of scenes this movie relies on it almost exclusively. I don't have enough fingers to count out the number of times we get a shot of something in the foreground while scary stuff goes on just out of focus. Or, the trick where a character walks by a window or mirror and there's something standing there. These are occasionally accompanied by music stings, but only when the character happens to notice whatever it is.
I'm also not sure the ending of this movie makes a whole lot of sense. It certainly isn't satisfying, but it may also be completely nonsensical.
All in all, not a waste of time, but not exactly a great way to spend it, either.
The problem is, none of these things really add up to anything special. "At the Devil's Door" suffers from something I just made up: Handful-of-Interesting-Visuals Disease, or HIV for short. Wait that may already be taken. Whatever. HIV is where a filmmaker suddenly musters enough inspiration to come up with a neat shot or two, but then doesn't have much else to build around them. What this movie lacks is likable characters, believable dialog, a coherent timeline of events and — when all is said and done and the credits start to roll — a story worth telling. The story jumps from character to character all willy-nilly, never giving us the chance to get to know any of them. Months, then years, go by with the flash of a title card. Once, for no particular reason, the movie jumps backwards in time. Words spill from character's mouths with little thought as to why they are saying them or what they actually mean. There's a bit of clever misdirection at one point in the story, but the reveal doesn't really mean all that much because nothing happens due to the protagonist having the wrong information. It's just there for to make the audience go, "oh." I'm shaking my head; that's just bad writing.
While I'm generally a fan of backdrop horror that is, scary stuff going on in the background of scenes this movie relies on it almost exclusively. I don't have enough fingers to count out the number of times we get a shot of something in the foreground while scary stuff goes on just out of focus. Or, the trick where a character walks by a window or mirror and there's something standing there. These are occasionally accompanied by music stings, but only when the character happens to notice whatever it is.
I'm also not sure the ending of this movie makes a whole lot of sense. It certainly isn't satisfying, but it may also be completely nonsensical.
All in all, not a waste of time, but not exactly a great way to spend it, either.
A fragmented bundle of story pieces, At the Devil's Door doesn't add up as the sum of its parts.
The film effectively opens with a runaway teenage girl in the arms of a teenage boy in what looks to be a mobile home in the desert. He takes her to play a shell game unlike she's ever played and wins $500. While at her home later she is viciously attacked by an unknown force. Fast forward to Leigh, a hardworking real estate agent trying to sell the very house the girl in the last scene was attacked. While surveying the house she comes across the girl, who we believe is the daughter of the couple selling the house, and becomes the target of the ominous supernatural force; unknowingly bringing her sister Vera into its sights as well.
That convoluted summary and plot description is due to the plot being a loosely jumbled mess. To call At The Devil's Door a narrative would be an offense to all other narratives because it is so discordant from a typical plot. Nicholas McCarthy desperately and ineffectually tries to splice the tale together loosely by connecting the satanic undertone throughout. For a film marketing itself as a 'horror' it shies away from the truly terrifying aspects of demonic rage as a satanic being clamors to take a human form and is underwhelmingly tame.
At The Devil's Door is unnecessarily overcomplicated and contrived in trying to be different from typical demonic possession films. Incoherent perplexing chunks of the film should have been amputated and reevaluated. Editors are resigned to fade to black scenes to attempt to piece together a film with no cohesive plot direction. The fragmented plot and poorly conceptualized screenplay by McCarthy is only highlighted further by the forced dialogue between the characters.
Further, there are three protagonists. There is a formula to horrors and supernatural thrillers, a very simple formula, you must have one clear protagonist for the audience to follow. Ashley Rickards is great as the disturbed teen assaulted in the first scene who menacingly skulks about, tormented by the decision she makes to allow this dark force to enter her life. The next protagonist Leigh, played by Catalina Sandino Moreno, unfortunately gets featured far too much and further splinters the story. The film could have contained a single scene with her as a minor character in order to connect Rickards' plot to Vera, the sister, played by Naya Rivera. If it were not for the sufficient performances of Rickards and Rivera this film would be unwatchable. Once Vera is the primary focus for the film it picks up slightly but pathetically shuffles its way to a weak finale.
At The Devil's Door is a bland and disjointed interpretation of the hellish thrillers of yesteryear when humanity was afraid of losing its soul to Satan. With no clear plot and no serious scares it expediently fast forwards through the various shorts attempting to be key plot events to an ending the audience can not care or be invested.
The film effectively opens with a runaway teenage girl in the arms of a teenage boy in what looks to be a mobile home in the desert. He takes her to play a shell game unlike she's ever played and wins $500. While at her home later she is viciously attacked by an unknown force. Fast forward to Leigh, a hardworking real estate agent trying to sell the very house the girl in the last scene was attacked. While surveying the house she comes across the girl, who we believe is the daughter of the couple selling the house, and becomes the target of the ominous supernatural force; unknowingly bringing her sister Vera into its sights as well.
That convoluted summary and plot description is due to the plot being a loosely jumbled mess. To call At The Devil's Door a narrative would be an offense to all other narratives because it is so discordant from a typical plot. Nicholas McCarthy desperately and ineffectually tries to splice the tale together loosely by connecting the satanic undertone throughout. For a film marketing itself as a 'horror' it shies away from the truly terrifying aspects of demonic rage as a satanic being clamors to take a human form and is underwhelmingly tame.
At The Devil's Door is unnecessarily overcomplicated and contrived in trying to be different from typical demonic possession films. Incoherent perplexing chunks of the film should have been amputated and reevaluated. Editors are resigned to fade to black scenes to attempt to piece together a film with no cohesive plot direction. The fragmented plot and poorly conceptualized screenplay by McCarthy is only highlighted further by the forced dialogue between the characters.
Further, there are three protagonists. There is a formula to horrors and supernatural thrillers, a very simple formula, you must have one clear protagonist for the audience to follow. Ashley Rickards is great as the disturbed teen assaulted in the first scene who menacingly skulks about, tormented by the decision she makes to allow this dark force to enter her life. The next protagonist Leigh, played by Catalina Sandino Moreno, unfortunately gets featured far too much and further splinters the story. The film could have contained a single scene with her as a minor character in order to connect Rickards' plot to Vera, the sister, played by Naya Rivera. If it were not for the sufficient performances of Rickards and Rivera this film would be unwatchable. Once Vera is the primary focus for the film it picks up slightly but pathetically shuffles its way to a weak finale.
At The Devil's Door is a bland and disjointed interpretation of the hellish thrillers of yesteryear when humanity was afraid of losing its soul to Satan. With no clear plot and no serious scares it expediently fast forwards through the various shorts attempting to be key plot events to an ending the audience can not care or be invested.
It isn't a normal movie, it's very different. There is a creepy atmosphere, When the girl, Hanna, is shown to be possessed by a supernatural and strong entity. The performance of all actors is very good, there is nothing to complain. The demon in the movie is very scary and made me jump with fright. I am really impressed with this movie, for the trailer don't appear so good, but the movie is incredible. I recommend for all people see this movie, especially those who like horror movies. The movie give scare, give emotion, give many scare feelings and the best thing is the incredible produced effects!!!!!!
क्या आपको पता है
- ट्रिवियाThe red rain coat is an obvious nod to the horror classic "Don't Look Now" starring Donald Sutherland and Julie Christie directed by Nicholas Roeg.
- गूफ़Shortly after Leigh visits her sister Vera, Leigh gets in her car to leave. When she locks the car door you can hear the locks engaging but the passenger door lock does not move down into the "locked" position.
- साउंडट्रैकBreak Under Pressure
Written by James Curd and Jessica Baldwin
Performed by Jerry's Diner
Published by James Curd Music
ASCAP & Jessica Baldwin APRA
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is At the Devil's Door?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $74,624
- चलने की अवधि
- 1 घं 31 मि(91 min)
- रंग
- पक्ष अनुपात
- 2.39:1
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