Tótem

Subtle but thoughtful family drama in which acclaimed director Lila Áviles accurately reflects the different nuances of each character and shows the different ways in which each of them faces an imminent tragedy within the family nucleus.

Lila develops the plot in an almost poetic way with visually attractive but meaningful shots that represent the interaction between the characters.

The young and promising actress Naíma Sentíes offers a spectacular performance in which she manages to communicate through her gaze and few dialogues the endless emotions that a child can't fully process in such a complex situation.

Warm and emotional, Tótem is a film that stands out from the average Mexican production in terms of substance and form.

Tona is dying and this is the day of his birthday and his family are holding a party for him. Lila Aviles' stunning debut feature "Totem" observes the events of the day in almost forensic detail and how they impact on all the participants; Tona's father, his sisters, his extended family and friends, his carer and most of all on his young daughter, Sol, who doesn't know her father is dying yet senses it nevertheless.

There's nothing sentimental nor particularly dramatic in Aviles' film. It's as if she and her camera just dropped by to record the events of just one day in these people's lives and what happens is both funny and moving like life itself. All the performances are superb and Naima Senties is often quite extraordinary as Sol. On the strength of this one film Aviles would seem to have quite a future ahead of her.

Tona is Sol's father and he's very sick. He will soon die and the movie follows his family going through the preparations of his farewell birthday party as well as the party itself.

The movie focuses on Sol's day and how she is dealing with this as well as all the other family members and their various ways of coping (or not...) with Tona's imminent death.

While the acting is top notch, the subject is really depressing and the fact that the film is basically a huis-clos (even the scene shot in the car doesn't show anything but the car's interior) makes it a suffocating and unpleasant experience. Obviously the death of a loved one is a mournful experience but that degree of realism can hit you pretty hard.

The movie theater audience felt certainly just as drained as I was at the end. People just sat in their seats as the end credits rolled in, taking in the huge blow they just experienced. Do NOT watch this movie if you're already feeling low.

I'm not usually fan of children in films, but boy - Naíma Sentíes' performance here as the young "Sol" is terrific. She, replete with multicoloured curly wig is with her mother preparing for a party to celebrate her father's birthday. What we learn from very early on is that her dad "Tona" (Mateo Garcia) is very unwell. Indeed, from the brief scene we see of him in the shower - this is a twenty-seven year old not destined to survive much longer. Clearly that information is known amongst the man's family and friends with his sisters, and his father, taking quite distinctly differing approaches to dealing with their impeding loss. The story takes it's time, but it's never dull. The observational nature of the drama, and the hugely charismatic effort from the young Sentíes is enthralling to watch as their day continues revealing stresses, strops, strains and a slightly defiant degree of optimism. As ensemble performances go, Marisol Gasé, Montserrat Marañon and Teresa Sánchez ensure that this well cast and presented story of a family in distress works evocatively. There are few tantrums, just a stoicism and dignity that makes this really quite a poignant story of a young girl - and a family - that doesn't quite appreciate that life is soon to change for ever.

"Totem" (2023) is a poignant exploration of Mexican family dynamics, touching on themes that will resonate deeply with many Latin Americans. Directed by Lila Avilés, this film dives into the intricate web of familial relationships, showcasing the beauty and melancholy intertwined with life and death.

The narrative centers around the everyday interactions of a family, capturing the authenticity and warmth of Mexican culture. The film's strength lies in its ability to portray the universal yet unique experiences of Latin American families. The portrayal of shared meals, heartfelt conversations, and the silent understanding between family members are all depicted with a genuine touch that feels both intimate and relatable.

Avilés' personal connection to the story is evident, and the heartbreak woven into the narrative feels profoundly real. There is a beautiful, but also rather placid, sadness at the core of this film. It offers a reflective look at the beauty of death and the sorrow of life, making it a meditative experience.

However, the film's contemplative pace and subdued tone might not appeal to everyone. While the emotional depth is palpable, the narrative can feel a bit too stagnant at times. The pacing might be considered slow for viewers looking for more dynamic storytelling or dramatic twists.