Nadanna Sambhavam

Ajith-also known as Ajithettan (Suraj Venjaramoodu)-is in the midst of one of his regular drinking sessions with his close friends. The wolf pack represents different shades of entitled men, with unmistakable moralistic tendencies to pry into others' lives unnecessarily, including an undesirable online media journalist (an effective Sudhi Koppa). When someone from the group enquires about his recent holiday abroad with his family, Ajith immediately likens his wife, Dhanya (Lijomol Jose), and daughter to a heavy sack on his head, while equating the trip to the grandeur of Thrissur Pooram. Moments before this uncomfortable exchange, Dhanya's face suddenly turns dismal when Ajith takes a selfie during their daughter's birthday celebration, highlighting their dysfunctional marriage due to his indifference.

*** Nadanna Sambhavam Malayalam Movie Review ***

Directed by Vishnu Narayan starring Biju Menon, Suraj Venjaramoodu, Lijomol Jose, Shruti Ramachandran & Sudhi Koppa.

A housing colony of upper middle class, a new family enters there. The male of that family is very jovial, social person which attracts many women but it attracts a prickle to some males which in turn creates a tuff between them forms the story.

Biju Menon & Suraj Venjaramoodu, the lead roles had done their part very well. A red flag male characterization is well portrayed by Suraj.

His dialogues are minimal but his expression which the character lies the most had been perfectly enacted as in the movie there is are few characters which talks about his unpredictable and his strange behaviour so to convince to the audience Suraj had beautifully done.

Biju Menon's character is not a new type as he easily gets into the shoes of the role he gets.

Talking of the female characters, Lijo Mol's character who is paired opposite to Suraj, her character's is all a housewife with a disturbed family life so the anxiety, stress which she is carrying had been beautifully portrayed.

Overall, an above average yet a watchable flick.

Rating - 3/5

A family drama set on the backdrop of a housing colony.

The story puts light onto relationship and trust issues in a married life within a housing society.

Director has brushed upon some stereotyped subjects and that has great relevance in this status quo and domestic violence in family is portrayed effectively on screen. Audience missing connection in few sequences may be due to flat writing.

All the actors have made a decent performance in the movie. Good performances by Biju Menon, Suraj,Lijomol,Sruthi & Sudhy Kopa.

Director's attempt to convey the idea was fine but it was cringe in few areas. There was no other exciting factor that holds the audience onto the story.

Nadanna Sambhavam uses satirical humor to present one of the current happenings. In the film, family issues and real-life circumstances are depicted. Every character did a good job assuming their parts. Certain incidents may be dragged out, which could make the viewers uncomfortable. It is absurd to claim that this is a predictable story. The film itself implies the events of the upcoming sequences. Thus, it qualifies as a family movie. The film's narrative weakness prevents it from fitting everyone, even when a large cast is assembled. It goes without saying that the movie is joke-free. The movie's narrative suggests that circumstances ought to be viewed as humorous instead. Nobody has very impressive acting. There aren't any standout songs or characters. It might be categorized as a typical motion picture.

Excellent pick of apt characters. Deftly directed by Vishnu Narayn & ably penned by Rajesh Gopinadhan. Editing did not expose any missing links. Movie was engaging throughout with suspense elements. Lijomol speaks volumes even in her silence. Biju Menon stole the show. The subtle romantic nuances between Biju & charismatic Shruthi Ramachandran were portrayed without developing into detailed sequences. Suraj excelled in the negative role along with other worth mentioning counterparts like Sudhi Koppa, John Antony & Lalu Alex. The BGM & music by Ankit Menon were a rare mix of situational compositions and was very appealing.