IMDb रेटिंग
7.4/10
27 हज़ार
आपकी रेटिंग
जब किसी छात्र पर चोरी का आरोप लगाया जाता है तो एक शिक्षक जाँच करता है, सत्य की खोज करने से उसका स्कूल के साथ मतभेद और विवाद हो जाता है, जिसके गंभीर परिणाम होते हैं.जब किसी छात्र पर चोरी का आरोप लगाया जाता है तो एक शिक्षक जाँच करता है, सत्य की खोज करने से उसका स्कूल के साथ मतभेद और विवाद हो जाता है, जिसके गंभीर परिणाम होते हैं.जब किसी छात्र पर चोरी का आरोप लगाया जाता है तो एक शिक्षक जाँच करता है, सत्य की खोज करने से उसका स्कूल के साथ मतभेद और विवाद हो जाता है, जिसके गंभीर परिणाम होते हैं.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 13 जीत और कुल 25 नामांकन
Oskar Zickur
- Lukas
- (as Oscar Mats Zickur)
फ़ीचर्ड समीक्षाएं
I've always said being a teacher would be the worst job on Earth. I'm not sure if it was the point of 'The Teachers' Lounge' to prove my theory right, but it certainly did that. This was nightmare fuel and we see it all from the point of view of the teacher. I lost count of how many times I said out loud, "just quit and move to the other side of the country and become a farmer" (or something to that effect).
This film had no business being as captivating as it was. I was hooked on every word and needed to know what direction it was going to go in next. It's again proof that if you have good dialogue and an interesting story, action sequences of any kind are completely unnecessary for a film to be interesting.
I haven't watched many German films, but if this is an indication of their quality then I would happily watch more. 9/10.
This film had no business being as captivating as it was. I was hooked on every word and needed to know what direction it was going to go in next. It's again proof that if you have good dialogue and an interesting story, action sequences of any kind are completely unnecessary for a film to be interesting.
I haven't watched many German films, but if this is an indication of their quality then I would happily watch more. 9/10.
Saw this at the 2023 filmfestival Ghant (Belgium). Very tense experience. Ample opportunity to feel along with all protagonists, even with those I disagree with. I for myself changed positions with each new development. It is my favorite category of film, where one continuously wonders: "What should I have done in that situation??" Many unexpected turns of events, all within the realm of normal possibilities yet still unexpected hence surprising each time, while the problems escalate beyond control.
Maybe the right-wing suggestions against teacher Carla (with a Polish name) and fellow student Ali (with immigrant parents), in particular coming from one particular direct-hitting student, are a bit over the top and unnecessary to make a complete story, but I assume the filmmakers included it on purpose, as those opinions are not uncommon and there is no reason to hide these. Like in the real world outside school, such and similar "arguments" confuse every discussion and only widens the gap between people.
There is a varied set of teachers who each have a significant role in what happens. They think differently about several issues, but not really out of the ordinary. Of course, the parents are much more different and have their own role too, not always a positive one but I assume that reflects reality. Ditto for the students.
All in all, while nothing novel or unexpected is presented, we get a broad overview over common opinions involving dealing with small theft, racism, immigration, adolescent behavior, and last-but-not-least interactions between students, parents and teachers. Nothing we see here is unrealistic. Sufficiently complex to keep us involved and interested.
Maybe the right-wing suggestions against teacher Carla (with a Polish name) and fellow student Ali (with immigrant parents), in particular coming from one particular direct-hitting student, are a bit over the top and unnecessary to make a complete story, but I assume the filmmakers included it on purpose, as those opinions are not uncommon and there is no reason to hide these. Like in the real world outside school, such and similar "arguments" confuse every discussion and only widens the gap between people.
There is a varied set of teachers who each have a significant role in what happens. They think differently about several issues, but not really out of the ordinary. Of course, the parents are much more different and have their own role too, not always a positive one but I assume that reflects reality. Ditto for the students.
All in all, while nothing novel or unexpected is presented, we get a broad overview over common opinions involving dealing with small theft, racism, immigration, adolescent behavior, and last-but-not-least interactions between students, parents and teachers. Nothing we see here is unrealistic. Sufficiently complex to keep us involved and interested.
Greetings again from the darkness. The intensity and stress of everyday life and of everyday people are on full display in this film from writer-director Iler Catak and co-writer Johannes Duncker. They have brilliantly crafted a terrific suspense thriller from the most unexpected setting and group of characters ... a junior high school and the faculty and students.
Teacher Carla Nowak (Leone Benesch, THE WHITE RIBBON, "Babylon Berlin") is new to the school, originally hailing from Poland. She's the type of teacher who motivates students by having them think creatively and from different perspectives. We can immediately tell she's as idealistic as she is passionate about her profession. When one of her students is accused of stealing money, she's at odds with school principal Dr Bohm (Anne-Kathrin Gummich) on the interrogation of students, as well as the conference with the accused student's parents.
It turns out there is quite an epidemic of theft and dishonesty at the school, and it extends to the titular teachers' lounge where Carla herself witnesses an occurrence. Carla decides to set a trap using her laptop's camera and her unattended wallet. When the camera 'catches' the sleeve of an unusual blouse print, Carla confronts the 'obvious' culprit, school administrator Ms. Kuhn (Eva Lobau), who adamantly denies the accusation. Further complicating matters, Carla shows the video to Dr Bohm, who promptly suspends Ms. Kuhn, who also happens to be the mother of Carla's favorite student, Oskar (Leonard Stettnisch).
Carla's best intentions seem to backfire at every turn. She believes in right and wrong, and also in forgiveness and second chances (especially for kids). Her anxiety heightens at each misstep, whether by her, the administration, or students. Soon, even Oskar is lashing out and threatening her, despite Carla's attempt to shield him. Many find Carla's use of the laptop camera more offensive than the actual theft, and the student newspaper journalists seize on this opportunity to incite rebellion and independence.
Much of what we witness on screen is the result of actions taken out of our sightline - we are left to make assumptions right alongside Carla. Film Editor Gesa Jager deserves special recognition for keeping us just a bit off balance. Emptying the teacher's coffee fund, cheating on a test, defying the truth ... all of these (and more) actions are used by filmmaker Catak in delivering a snapshot of a society where we no longer trust one another. Morality, integrity, misplaced concern, racism, classism ... these all play a role here in delivering the message. Leone Benesch is exceptional in the lead role, and Eva Lobau goes full throttle in her attempts to show she was wronged. It's a Rubik's Cube that serves up our final message, as well as providing some hope that good intentions do sometimes pay off. Yesterday, it was announced that the film has been Oscar nominated for Best International Feature Film. A well-deserved honor.
Opens in theaters on January 26, 2024.
Teacher Carla Nowak (Leone Benesch, THE WHITE RIBBON, "Babylon Berlin") is new to the school, originally hailing from Poland. She's the type of teacher who motivates students by having them think creatively and from different perspectives. We can immediately tell she's as idealistic as she is passionate about her profession. When one of her students is accused of stealing money, she's at odds with school principal Dr Bohm (Anne-Kathrin Gummich) on the interrogation of students, as well as the conference with the accused student's parents.
It turns out there is quite an epidemic of theft and dishonesty at the school, and it extends to the titular teachers' lounge where Carla herself witnesses an occurrence. Carla decides to set a trap using her laptop's camera and her unattended wallet. When the camera 'catches' the sleeve of an unusual blouse print, Carla confronts the 'obvious' culprit, school administrator Ms. Kuhn (Eva Lobau), who adamantly denies the accusation. Further complicating matters, Carla shows the video to Dr Bohm, who promptly suspends Ms. Kuhn, who also happens to be the mother of Carla's favorite student, Oskar (Leonard Stettnisch).
Carla's best intentions seem to backfire at every turn. She believes in right and wrong, and also in forgiveness and second chances (especially for kids). Her anxiety heightens at each misstep, whether by her, the administration, or students. Soon, even Oskar is lashing out and threatening her, despite Carla's attempt to shield him. Many find Carla's use of the laptop camera more offensive than the actual theft, and the student newspaper journalists seize on this opportunity to incite rebellion and independence.
Much of what we witness on screen is the result of actions taken out of our sightline - we are left to make assumptions right alongside Carla. Film Editor Gesa Jager deserves special recognition for keeping us just a bit off balance. Emptying the teacher's coffee fund, cheating on a test, defying the truth ... all of these (and more) actions are used by filmmaker Catak in delivering a snapshot of a society where we no longer trust one another. Morality, integrity, misplaced concern, racism, classism ... these all play a role here in delivering the message. Leone Benesch is exceptional in the lead role, and Eva Lobau goes full throttle in her attempts to show she was wronged. It's a Rubik's Cube that serves up our final message, as well as providing some hope that good intentions do sometimes pay off. Yesterday, it was announced that the film has been Oscar nominated for Best International Feature Film. A well-deserved honor.
Opens in theaters on January 26, 2024.
Well, I watched this movie last week on theathre and first of all I really really hate open ending stories! I want some answers but I don't want my own. You know the story and I will not give spoiler. Main character teacher Carla was wonderful. Really good characterizations in the movie. Actually everybody was perfect. When I was watching movie, I thought a little politics and governments, also my country problems ( and others) because this movie was like small version of that too. For me, who has power of manipulation, always win. Story was all about that. It is a good movie and highly recommend to watch. In my opinion no need to go for cinema, kind of movie that suitable watch at home.
Being German, i actually really dislike most of my nation's dramas, mostly for their bleak depiction of nearly everything. An unrewarding depression mood, intertwined with bursts of out-of-place screams and violence. But this movie hit different - in the most frustatingly positive ways possible.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
The central character is the overambitious teacher Carla Novak who began to teach at a German highschool, being silently confronted and appalled by the zero tolerance politics of the institution. The plot revolves around the dark grey areas of such a strict set of rules, as a series of thefts begin to disturb the carefully constructed but fragile peace. Racial profiling. Anauthorized searches. Between all of this stands our protagonist. And then she seemingly finds the culprit... with even more consequences she herself could not have imagined.
First of all - nearly every character can be seen as unlikeable in a certain way at the end of the movie, even Carla. Students. Teachers. Parents. Everyone hits different. Everybody get's the chance to shine in a negative light. And different ideals and opinions clash. That's a strange achievement. And it's strangely a good one.
The actors are playing their parts so well and natural. Especially the dynamic between lead Leonie Benesch's character and Leonards Stettnisch's Oskar is a stand-out. At some points there are not even words needed - just some uncomfortable staring contests.
The movie sticks close to the people but is cold trough its use of muted blue-white colors and beautifully captured through a claustrophobic 4:3 lens. The music is simple and effective with a minimalistic silence, a dissonance for an overly stressful confrontation and pompous score for the outro.
Ambition, failings and social dynamics are going hand in hand. They substitute the topic of theft quite fast through the mid point of the movie. Who does support the other one's believes and who is there to challenge them? Is everything well-meant actually good?
And we get an open end. Maybe to open. No big scale thriumph over the other. No real culprit and no real solution. Just an empty school. An empty microcosm that was inhabited by themes of communicational misteps, distrust, mobbing, fake personalities, moral ambiguity, ... you name it.
You may be leaving the cinema with different opinions and ideas. And that's the best thing a movie can achieve. Even if it isn't going to satisfy all movie goers
Prepare for school. Watch it. Be frustrated.
क्या आपको पता है
- ट्रिवियाOfficial submission of Germany for the 'Best International Feature Film' category of the 96th Academy Awards in 2024.
- साउंडट्रैकOuvertüre - Ein Sommernachtstraum, op. 21
Composed by Felix Mendelssohn Bartholdy
Performed by Royal Philharmonic Orchestra
Conducted by Sir Thomas Beecham
BMG Production Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Teachers' Lounge?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- El salón de profesores
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $6,28,218
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $14,611
- 31 दिस॰ 2023
- दुनिया भर में सकल
- $57,07,442
- चलने की अवधि
- 1 घं 38 मि(98 min)
- रंग
- पक्ष अनुपात
- 1.33 : 1
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