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Elskling

  • 2024
  • 1 घं 41 मि
IMDb रेटिंग
7.7/10
3 हज़ार
आपकी रेटिंग
लोकप्रियता
3,873
2,187
Elskling (2024)
डार्क रोमांसड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंMaria juggles with four children and a demanding career while her second husband, Sigmund, travels all the time. One day they get into an ugly argument which led Sigmund to eventually ask he... सभी पढ़ेंMaria juggles with four children and a demanding career while her second husband, Sigmund, travels all the time. One day they get into an ugly argument which led Sigmund to eventually ask her for a divorce.Maria juggles with four children and a demanding career while her second husband, Sigmund, travels all the time. One day they get into an ugly argument which led Sigmund to eventually ask her for a divorce.

  • निर्देशक
    • Lilja Ingolfsdottir
  • लेखक
    • Lilja Ingolfsdottir
  • स्टार
    • Oddgeir Thune
    • Helga Guren
    • Kyrre Haugen Sydness
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    3 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    3,873
    2,187
    • निर्देशक
      • Lilja Ingolfsdottir
    • लेखक
      • Lilja Ingolfsdottir
    • स्टार
      • Oddgeir Thune
      • Helga Guren
      • Kyrre Haugen Sydness
    • 13यूज़र समीक्षाएं
    • 16आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 10 जीत और कुल 13 नामांकन

    फ़ोटो25

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 20
    पोस्टर देखें

    टॉप कलाकार17

    बदलाव करें
    Oddgeir Thune
    Oddgeir Thune
    • Sigmund
    Helga Guren
    Helga Guren
    • Maria
    Kyrre Haugen Sydness
    Kyrre Haugen Sydness
    • Marias ektemann
    Heidi Gjermundsen
    • Terapeut
    Mona Grenne
    Mona Grenne
    • Venninne med leilighet
    Marte Magnusdotter Solem
    • Marias venninne
    Elisabeth Sand
    • Marias mor
    Maja Tothammer-Hruza
    • Marias datter Alma
    Esrom Kidane
    • Lærer
    Victor Roll Nordstoga
    • Mikael
    Anna Lou Mamen
    • Alma (8)
    Solveig Nesle Stang Haugland
    • Stella
    Berthina Kayembe
    • Gatemusikant
    Aksel August Lenander-Lervik
    • Marias barn Ludvig
    Erik Love Aase Øfsdahl
    • Maria og Sigmunds barn Ludvig (5)
    Else Mariann Enger
    • Eldre kvinne på t-banen
    Lucas Inversini
    • Butikkansatt
    • निर्देशक
      • Lilja Ingolfsdottir
    • लेखक
      • Lilja Ingolfsdottir
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं13

    7.72.9K
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    फ़ीचर्ड समीक्षाएं

    10jonnysolem-19295

    Amazing!

    I have rarely seen a more obvious Oscar candidate for "Best Picture". It goes straight to the heart, almost attacking the souls of anyone who has experienced a, let's say, normal romantic relationship that lasted beyond the honeymoon phase and ended in a breakup.

    You could hear a pin drop in the theater from start to finish. Especially in the second half, it was intense-a psychological shaking that pulls and tugs at the audience, yet restrained and understated, which made the impact even more powerful.

    Director Lilja Ingolfsdottir, who also wrote the screenplay and designed the costumes, has created the best film of the year. She has brought on Norwegian actors, relatively unknown, to deliver performances of absolute world-class caliber.
    10thebeachlife

    Brilliant!

    Because I try to choose well what I see, I can almost always find some food for thought in a movie or I can get emotional.

    But rarely do I cry at the cinema simply out of compassion. This is what happened when I was watching Elskling, a film from Norway about low self-esteem, where it comes from and how it can damage a person's life and relationships.

    The plot is very simple: two people meet, fall in love, get married, have children, face some problems and then have to deal with them. However, this same plot is shown in various depths. As the film progresses, layer after layer we get closer and closer to the core of the problem: we see what lies underneath and then what's underneath this new deeper layer. As a result, together with the main character we face the truth. We feel. We learn. And we are ready for the clean slate.

    Bravo!
    7lilianaoana

    Too contained

    If this is what getting angry means in Norway they must be the calmest people on earth. This would count as a friendly argument where I'm from.

    Not what I expected and not what the synopsis tells you.

    It's about this woman's journey towards herself and her self-realization about the patterns she keeps repeating to sabotage herself.

    But I don't think it translated that well, also the subtitles were bad.

    Maybe it was too subtle for me, although I did get the gist. I also suspect the cultural differences played a part. Or something like that. It just didn't hit me as much as I expected it to or as much as I had hoped.
    7dromasca

    a relationship in crisis

    Norwegian cinema is less known in the world than the ones coming from other Scandinavian countries, but lately it has offered some interesting productions, especially films about ordinary people and their relationships. 'Elskling', the 2024 debut film by director Lilja Ingolfsdottir, also falls into this category. If the translation app doesn't fool me, the title is equivalent to 'Darling', but the producers decided to release it on the English-language market with the title 'Loveable', a slightly explicit title in my opinion where more ambiguity would have been more appropriate. It's a film about a marriage in crisis, one of those situations that many of us have gone through or known in our lives. The characters are so natural and the situations are believable, which is a good starting point.

    Maria was diverced with two small children when she saw Sigmund at a party and fell in love with him. She searches for him for several months and, when she finds him, she initiates a relationship that seems to turn into a second-chance love story. They get married, two more children are born, seven years pass. The flame seems to be about to die out, especially on Sigmund's side. He is busy with his professional life and claims to need 'space'. Maria, meanwhile, is overwhelmed by raising her four children and frustrated by the fact that she is unable to achieve her own professional fulfillment. Maybe she also needs her 'space'? Maybe, if the relationship is no longer working, that it would be better to divorce? The word 'divorce' is pronounced late and with difficulty. For Maria, trying to be independent, separated from Sigmund and the children, is risky.

    I have a problem with films with excessive verbosity, and 'Elskling' is one of them. It is true that part of the film is spent in sessions at the psychologist where Maria and Sigmund arrive together, but Sigmund quickly gets bored and abandons after the first two sessions, leaving Maria as his only patient. It is a good pretext, but not enough, and in a few scenes (especially one of the many scenes with mirrors) the emotions are stifled in words. Too bad, because at other times we are dealing with a sensitive and empathetic sketch of the life of a couple in need of help. Helga Guren is an excellent actress and her Maria joins a gallery of numerous female characters in Scandinavian cinema that are filled with restrained emotion. Oddgeir Thune, the performer of the role of Sigmund, has all the physical qualities necessary for the role plus acting talent. The story and the acting performances will divide audiences in their appreciation of the degree of responsibility of the two heroes in the crisis of their marriage. I was intrigued by one aspect, however, and I don't know if this observation is not related to cultural differences. Here is a film about the breakup of a relationship between two mature people who raise four children together (two born in their marriage, two from the heroine's previous marriage). The two talk a lot on to the other, in the presence or absence of the psychologist. How is it possible that the interests and well-being of the children are never a subject of discussion or an argument for how the relationship will evolve? With these small observations, I think 'Elskling' is an interesting film, coming from an unexpected direction, by a filmmaker who promises to make many other, good films in the future.
    bruce-472

    A brilliant and great film.

    Lilja Ingolfsdottir " Elskling " is probably the most powerful and best Norwegian film I have seen since ØYENSTIKKER of Marius Holst, 23 years ago . Nothing compares. It makes every other Norwegian film work I have seen since , look amateurish, except for a very few, like " Armand " and " The worst Person in the World" . Naturally they're a few more. It's hard to make a great film . I know it personally. It's even rarer to see a filmwork that moves your heart and mind in such a way that you can't let it out of your mind for a few days . Possibly weeks. I remember watching the anti war movie of Elem Klimov "Come and See " and the way it haunted me for months. I recently rewatched " Amour "by Michael Hanneke " and was amazed again how a director is capable of brutally bring true " LIFE" on screen through his masterly work of actors and unique personal film language . Elskling has that honesty and rawness . It's has no flaws . It's brilliantly directed and executed. It moves you powerfully. Lilja Ingolfsdottir is a true mature and gifted director that brings her actors in an emotional landscape that is difficult to bring out on screen . She does it without any mistakes . All the actors bring to the screen an amazing performance . Helga Guren, Oddeir Thune and Elisabeth Sand deliver an incredible performance that hits home right through our rib cage . It rings so true like it rarely does .

    This film could have easily fallen apart and drown into unnecessary pathos. Instead, it intelligently dwells into the most difficult subject that touches our lives with an honesty that is disarming. Love and relationships. Like John Cassavete, Hanneke s or Jaques Audiard , Lilja Ingolfsdottir uses a very personal film language and knowledge, to reveal the subtleties and contradictions of our emotional makeup . She reveals the complexity of our feelings in the way we communicate with each others through our ordinary lives . She never uses the easy cliches and tricks of the commercial trade that so many uses . No. Not once she takes that easy road that so many film makers take. Instead, she has an inner instinct and film ability , that only a great sensitive film director can acquire with the years. Some manage to get it at a young age like Xavier Dolan. But most film makers struggle to find their own personal voice, due partly by the demands of the commercial film industry and the producers . But often it's because they don't have a story to tell or because they aren't really yet film directors. But here in Elsking, Lilja Ingolfsdottir is backed by the talented producer Thomas Robsahm and this is essential if you are going to make a strong personal film.

    It's truly a brilliant and beautiful film to watch . À hymn to love , that I hope will inspire other film makers in Norway . It demonstrate what is so often , missing in their films. Soul . Credibility. Truth. And most of all ,the daring to be personal, to be naked in front of your audience . Bravo Lilja Ingolfsdottir. And thank you for your story and courage to do it .

    I shall watch it again at the cinema before it leaves the big screen.

    इस तरह के और

    Pfau - Bin ich echt?
    7.2
    Pfau - Bin ich echt?
    Sex
    6.6
    Sex
    Perla
    7.1
    Perla
    Kjærlighet
    7.3
    Kjærlighet
    L'attachement
    7.3
    L'attachement
    Drømmer
    7.5
    Drømmer
    Lovable
    8.0
    Lovable
    Einvera
    6.9
    Einvera
    Super Happy Forever
    6.8
    Super Happy Forever
    Gouzhen
    7.2
    Gouzhen
    Good One
    6.7
    Good One
    El maestro que prometió el mar
    7.5
    El maestro que prometió el mar

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      • 11 अक्टूबर 2024 (नॉर्वे)
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