Murder Is Easy
- टीवी सीरीज़
- 2023
- 1 घं 57 मि
लंदन में एक ट्रेन में मिस पिंकरटन से मिलने के बाद लूक फिट्जविलियम खुद को एक सीरियल किलर का पीछा करते हुए पाता है. वह और शिकार से पहले हत्यारे को खोज लेता है.लंदन में एक ट्रेन में मिस पिंकरटन से मिलने के बाद लूक फिट्जविलियम खुद को एक सीरियल किलर का पीछा करते हुए पाता है. वह और शिकार से पहले हत्यारे को खोज लेता है.लंदन में एक ट्रेन में मिस पिंकरटन से मिलने के बाद लूक फिट्जविलियम खुद को एक सीरियल किलर का पीछा करते हुए पाता है. वह और शिकार से पहले हत्यारे को खोज लेता है.
- पुरस्कार
- कुल 1 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
This quite village murder mystery was pitched just right. Is there a serial killer in their midst or is it just a bizarre series of accidents? Sometimes it takes an outsider to see through to the truth. The outsider being David Jonsson who is solid as the Nigerian finding his way in post war britain. What connects these victims and who has a motive for their murder. All these are answered but not before the body count is increased. This is a period Mid Sommer style of mystery. I have not read the book, but was certainly entertained by the two part drama. A solid seven. See for yourself on iPlayer before dismissing.
Agatha Christie has a chequered history with Tv and Film adaptations, from early Poirot characterisations that made him French, yes French. Margaret Rutherford was a fun but hardly faithful to the source Miss Marple. The recent ITV adaptations of Marple have played fast a loose with the narratives and even changed murderers at points. So, it's true to say that adapting Christie can be fraught with difficulty when it appears 'easy'.
This adaptation was a mess on many levels. From a sub Wes Anderson approach to texture and editing rhythm, strange close ups, wobbly camera work and a script that clanked along pouring exposition on top of the imposition of a post-colonial narrative - it just didn't mesh.
The ideas were bold, and in many ways could have been brilliant, just so many choices at once going away from the source material began to stress the story so much that it became vague and confused, an original piece about colonial attitudes in the 20th Century or a straight down the line thriller would have been much more effective and a much stronger choice from the BBC.
The problem with BBC commissions at the moment is their lack of vision to make original drama, they appear to want to be commercial whilst trying to service what is current and hotly debated. This leaves the BBC feeling confused and only concerned with issues that trend in London and liberal media outlets.
ITV have delivered Christie stronger, better and more radically than the BBC over the last two decades. So perhaps it would be nice to see this 'tradition' of a bbc Christie at Christmas knocked on the head, until they begin to understand how to produce drama that doesn't betray the source.
This was just a real dud.
This adaptation was a mess on many levels. From a sub Wes Anderson approach to texture and editing rhythm, strange close ups, wobbly camera work and a script that clanked along pouring exposition on top of the imposition of a post-colonial narrative - it just didn't mesh.
The ideas were bold, and in many ways could have been brilliant, just so many choices at once going away from the source material began to stress the story so much that it became vague and confused, an original piece about colonial attitudes in the 20th Century or a straight down the line thriller would have been much more effective and a much stronger choice from the BBC.
The problem with BBC commissions at the moment is their lack of vision to make original drama, they appear to want to be commercial whilst trying to service what is current and hotly debated. This leaves the BBC feeling confused and only concerned with issues that trend in London and liberal media outlets.
ITV have delivered Christie stronger, better and more radically than the BBC over the last two decades. So perhaps it would be nice to see this 'tradition' of a bbc Christie at Christmas knocked on the head, until they begin to understand how to produce drama that doesn't betray the source.
This was just a real dud.
My wife and I were really looking forward to this, it should have been right up our street as we live this sorry of things, but it was very disappointing. Just felt very tedious, disjointed and a bit of a chore to watch. Good cast and basis of a good story but it really, really dragged.
Maybe it was the script that was the problem, and having. Also we found the excessive colours jarring, almost cartoonish. Some of the characters were just caricatures and the "reveal" felt forced. A real opportunity missed as it probably cost a lot to make. The romance felt unconvincing and some very good actors came across like they were in panto. Not recommended.
Maybe it was the script that was the problem, and having. Also we found the excessive colours jarring, almost cartoonish. Some of the characters were just caricatures and the "reveal" felt forced. A real opportunity missed as it probably cost a lot to make. The romance felt unconvincing and some very good actors came across like they were in panto. Not recommended.
Agatha Christie wrote many dozens of murder mysteries, some famously ingenious; but either 'Murder is Easy' was a dud, or this adapatation is badly screwed up. People start dying in a small English village, but everyone still alive is remarkably unperturbed and several seem not to care if they're suspected to be the killer. Eventually, the real culprit is unearthed, and explains exactly how they've done it, although our amateur detective hero has identified the villain without in fact piecing any of it together for themselves. I've seen Christie adaptations that were fun, preposterous, or anachronistic; but none as anemic as this.
Putting a new spin on an old story is nothing new, and occasionally produces real gems, so ignore the people who were always going to hate anything that places brown faces in roles they grew up seeing white ones on TV. Despite the racism of the past, there were a good number of notably successful black and Asian people in Britain and the US (going back a couple of hundred years) - they just weren't in the films and TV shows the people complaining watched as children, and they weren't taught about in schools.
All that said, there are many more legitimate reasons to swerve this adaptation. It just lacked any real sense of jeopardy or tension. The pacing was off. Many of the characters came across as caricatures. There were too many ideas and unfinished / unexplored red herrings and other dramatic devices. All in all, it just felt like it was executed by people who don't love or understand the genre. Worth dozing on the sofa to one Sunday afternoon, but not much more than that, I'm afraid.
All that said, there are many more legitimate reasons to swerve this adaptation. It just lacked any real sense of jeopardy or tension. The pacing was off. Many of the characters came across as caricatures. There were too many ideas and unfinished / unexplored red herrings and other dramatic devices. All in all, it just felt like it was executed by people who don't love or understand the genre. Worth dozing on the sofa to one Sunday afternoon, but not much more than that, I'm afraid.
क्या आपको पता है
- ट्रिवियाLuke Obiako Fitzwilliam's character is based on the 1939 book's Luke Fitzwilliam -- a role that has been played by Bill Bixby in the 1982 TV movie, Peter Capaldi in the 1993 London stage version, and Benedict Cumberbatch in the 2009 TV version alongside an additional amateur detective, Julia McKenzie's Miss Marple.
- गूफ़When the lead character is pushing through the group to get to the character killed in the street, the lady in the orange hat gets hit twice in the head with his umbrella, firstly from behind then to the front which you can clearly see her flinch.
- कनेक्शनVersion of Murder Is Easy (1982)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 1 घं 57 मि(117 min)
- रंग
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